Sentences with phrase «collaged images created»

Incorporating a stunning collection of collaged images created for the issue by the Brooklyn - based artist, Together incorporates die - cuts, embossing, different - sized pages, specialty varnishes, and a perforated removable insert.

Featuring a stunning collection of collaged images created for the issue by the Brooklyn - based artist, Together incorporates die - cuts, embossing, different - sized pages, specialty varnishes, and a perforated removable insert.

Not exact matches

PicMonkey comes with a range of filtering and editing tools allowing you to edit your own photos, or you can create a collage using images from a range of sources.

Look at book illustrations together and try to figure out what technique an artist used to create the images — pen and ink, watercolor and pencil, computer graphics, collage.

~ Create a collage using words you find in magazines or images that express how you are feeling when you reach for sweet foods.

Star Turn: Teacher Jamie Welebob's class created a giant pinwheel collage of stellar images from the Hubble Space Telescope.

Designed to be an easy way to share your favourite images with friends and family, Instagram is easy to use and feature - rich — unless you wanted to create a collage without using a third - party app... at least until now!

Designed to be an easy way to share your favourite images with friends and family, Instagram is easy to use and feature - rich — unless you wanted to create a collage without using a... [Read more...]

Sweet, a collage artist, created the booking letters, manuscript drafts, photos, illustrations, and more, offering readers, young and old, layered, detailed, and colorful images to investigate.

Generally speaking, if you want to use a stock photo, you will want to customize the image in some way as well, whether adding a few words, creating a collage of a few images, or adding a quote.

In addition, use it to create image collages for your Facebook fan page cover photo by combining several images side - by - side or in other visual combinations.

Artist creates flowing images of the world using fragmented collages of landscapes and cityscapes.

Multimedia artist Sara Magenheimer's Open Mic Solo blends the photographic frame within the structure of a painting, creating a collage - like circuit of images within an image.

After writing about the objects and characters they have identified in the artwork, families will draw their own images and use them as collage elements to create a collaborative, remixed version of Shaw's installation.

The pieces are sculptural collages that play on the on the idea of the found object or assemblage, with Verbicky positioning the strips to create new images that become evident at a distance, the jumble of words and colors taking on new form and shape.

Sept. 10 — Oct. 18, 2014 DERRICK ADAMS at Tilton Gallery New York Screen images from situation comedies, music videos and stand - up comedy inspired New York - based artist Derrick Adams to create a new series of faceted wood sculptures and colorful mixed - media collages that appear to be framed in vintage televisions on view in «Live and in Color.»

Lincoln Schatz uses video to create portraits of nature by collaging multiple images of the ocean into a data program that randomly displays them back.

Deborah Roberts creates visually arresting collages that encourage important conversations about girlhood, vulnerability, body image, popular culture, self - image, and the dysfunctional legacy of colorism.

Her collages are constructed using fragments from fashion and travel magazines, pornography, African art books, automotive schematics, and images drawn from science fiction as well as hand - drawn or painted elements which create a variety of new formations of the body.

Page 357: Wangechi Mutu creates Afro - futuristic paintings and collages of women using images cut from Vogue, National Georgraphic and even porn magazines.

Laurie Anderson's adapts her film Heart of a Dog to create a visual song with a wild collage of images about dogs, time, family, love, memory and death for the January 2016 Midnight Moment.

Employing a range of media — oil paint, watercolor, gouache, collage, graphite — Tom Knechtel creates spectacular images.

For his collages Montgomery is basically attracted to the classical portrait format with which he creates layered abstract images, which are reminiscent of faces or muzzles.

Created as a synthesis of painting, drawing and collage, the works fuse formal concerns with the representational image, which can be seen in Phillips» inclusion of photographs of exterior spaces and architectural elements.

Through its collage of images, creating, according to Rosenquist, «a kind of motion in the mind», America's mainstream cultural values were being questioned by its own popular advertising imagery.

In these eight collages created from snippets of textbooks and fan zines, the artist is able to reverse her typical time - based cinematic practice and «present time and movement within a single fixed image.»

Over her 40 - year career, she explored representation and symbolism, first through re-photographing and collaging found images, and later through creating stylized arrangements for the camera.

When ill health prevented Henri Matisse from painting he turned his hand to cut - outs, using collage to create whole images or compositions.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

In his screenprinted works, Globe, Colorful Ball and Green Cone, Baechler surrounds a single central image in these large scale prints with a complex and diverse field of collage elements, creating a dynamic juxtaposition of foreground and background.

Sheila Smith's images are photographs of sections of collages that she has created as raw material for her final images.

In the large construction «Bound», a wide yellow line (both as painted mark and as collaged or free hanging dyed and hand painted muslin) traverses the entire field, stitching together disparate materials and creating a possible path for the eye, which never arrives at a static image.

The students created collages employing a «remixing» process using appropriated images that the artist provided, including 18th - century newspaper etchings, 1920s and «30s political cartoons, children's book illustrations and architectural drawings of New York City Housing Authority (NYCHA) buildings in the Bronx.

The three paintings that were on view during his show — Peekaboo, Prom Night (For Bigger Thomas), and Window Painting — combine collaged materials that the artist hand - stitched into the canvas, with printed images of his family he pulled, without permission, from Facebook, to form works that create tension between formal aspects of painting and the ways in which people live online.

The archival works collage imagery in a way that analyzes both the specificity of each individual image, as well as the context that the images together create.

Also in the booth are several of Ms. Mishima's collage - paintings from the 1960s, which include texts and images in both Japanese and English, creating a cross-cultural, East - West mash - up.

Johnson's photographs are created through a highly complex and exacting process of scanning multiple drawings, paintings, and collages into a single cohesive image that at times resemble animation cels and Pop art.

He works from photographs and drawings, creating collage - like compositions, and then experiments with different ways of drawing out the aspects that interest him — whether highlighting the surface detail or distant object, or by painting a version of the image as a blocked - out negative of flat colour.

Other collages are created out of torn images and texts from magazines, which are then painted or drawn over.

Once a Literature major, Cwynar ultimately chose images over words and today — through scanning, re-photographing, and collaging — she creates tableaux and sculptural photographs from materials ranging from deconstructed darkroom manuals to a reproduction of Picasso's Les Demoiselles d'Avignon (1907).

We normally think about collage as a physical process in which layers of paper are fixed with adhesive to create a composite image.

For La Langue des Morts (The Language of the Dead, 2012), Amorales created a graphic novel by collaging images from Mexican tabloids documenting the violence of the country's drug war.

«After the collages, I began to paint the eyes approaching the paintings on board as decorative objects symbolically representing the eye motif while creating an optical situation where the interior image and periphery of the painting (margins outside of the eye and thus painting) serve as a flipping perspective between view finder mask to visible interior image.

Huey sources her paintings from historic images, advertisements, postcards and photographs, and curator Jess Frost has included a selection of both found and created materials as well as collages that reference the process Huey uses in creating her phantasmagorias.

Starting with a process of automatic drawing, the artist creates a kaleidoscopic composition of newspaper headlines, collaged batik - fabric flowers, images of faeces, gold foil, hand drawn images and texts.

Artist innovative and pioneering, surprised us by creating an entirely personal artistic style, with richly paintings combining rippling dots of paint, drifts of glitter, collaged images and elephant dung — varnished, often studded with map pins and applied to the picture surface as well as supporting the canvas — a combination of physical elevation and symbolic link to the earth.

After extensively photographing the cemetery, he collaged portions of his images to create composite views in which the grave sites are rearranged to poetic effect, activating a conversation about memory and the meaning of existence.

Salle's use of collage and seemingly disparate images create absurd relations that break down our expectations and eventually lead us to an open interpretation of the work, autonomous of convention.

Since the early «70s he's been creating these complex images, paintings, silkscreens, drawings, and collages, that have an... art, one could say; they have a pre-digital technique.

The artist paints, photographs, and collages his abstract and figurative images to create fluid paintings and narratives.