What began with obsessive - compulsive word drawings a decade ago grew into
a collaged painting practice — one might call it an image hoarder's bricolage — that incorporated everything from advertisements of amplifiers and actual clearance stickers to Budweiser labels and nightclub wristbands.
Not exact matches
I have drawers and boxes full of cutouts from some old watercolours and
practice linocut prints that I've used as stencils, masks or
collage in other
paintings, for example.
They love to use everything from
painting to
collage and this Mosaic Farm Art Activity can lead to many discussions about farming, art, and give your child some fine motor
practice as well.
There are faces, but they are depicted in ways that seem to cancel themselves out: a quick, semi-abstract mark, furtive smudges of
paint, a
collaged face cut out from another
painting... Certainly these works present an accomplished artist asking questions about her own
practice, questions such as: How can I
paint the body in a more immediate way?
Sterling Ruby's interdisciplinary
practice incorporates sculptures,
collages, ceramics,
paintings and videos, which act as markers and metaphors for the burdens that plague contemporary existence.
Thomas Dane Gallery presents an exhibition of new works by Venezuelan - born artist Arturo Herrera, whose
practice combines found images and objects with drawing,
collage, sculpture and
paint.
The artist's
practice, which encompasses
painting,
collage, photography, video, sculpture, and performance art, often centers around a mythical cast of human, animal, and hybrid characters, who live in a world that exists somewhere between fantasy and reality.
In making the announcement, the museum described her
practice thus: «Youngblood explores the iconography of public and private suburban experience, issues of identity, ethics, and representation, and the politics of abstraction using photo - based
collage,
painting, assemblage, and sculpture.»
Here, Sanchez discusses the development of his artistic
practice, interweaving the personal and political through photography,
painting, printmaking,
collage, and video.
Showcasing the modern mastery of his
paintings, while also presenting the «other stuff» which has drawn less attention over the years — drawings, woodcuts,
collage, sculpture, photography and video — the exhibition demonstrated the depth, breadth and intellectual rigor of Marshall's Chicago - based
practice.
Hutchins» expressive and intuitive studio
practice produces dynamic sculptural installations,
collages,
paintings and large - scale ceramics, all hybrid juxtapositions of the handmade.
Athena Papadopoulos's multidisciplinary
practice encompasses a range of processes, including
painting,
collage, drawing and stitching, and unusual materials such as mustard, red wine, Pepto - Bismol and shoe polish.
Louisa Chambers recent
practice responds to ongoing research into depiction and visual perception on two dimensional surfaces (more specifically, concentrating on the mediums of drawing,
collage and
painting).
Kamrooz Aram, a Brooklyn - based artist whose works often challenge a modernist disdain for decoration, shares his thoughts on ornament and its complex relationship to modernist
painting and exhibition design as demonstrated in his own varied
practice in which
painting,
collage, sculpture, and the art of display operate as equals.
Dividing her time between Rotterdam, The Netherlands, and New York, Ellen Gallagher maintains a multidisciplinary
practice spanning
painting, drawing,
collage, sculpture and video.
Astute at locating and engaging the dynamic fountainhead of artistic
practice relevant to time and place, in one installation, Ferrer nurtures a powerful tributary of faces rendered on paper bags in crayon, pencil,
paint and
collage: an extant, sui generis body of work that the artist has cultivated since 1972.
Kenyan artist Wangechi Mutu returns to Performa through a new commission, Banana Stroke, which builds on a recent shift in her
practice towards fermenting, dying, or saturating with dirt the paper materials she uses in her
collage paintings, and then deploying them in site - specific action
painting.
Led by artist and Creative Director Calle Henzel and Joakim Andreasson, the studio collaborates directly with prominent contemporary artists to translate their respective
practice, whether it be
painting, drawings, photographs,
collages, reliefs or sculpture on to this unusual medium.
Adam Pendleton is a Virginia - born conceptual artist whose
practice encompasses
painting, performance, photographic
collage, publishing, and video.
She is a key voice from the first generation of American artists to base their
practice in feminist issues, and she has shown her
paintings,
collages, installations, and photographs worldwide.
Vaguely reminiscent of improvised tools or handmade toys, the Elemental Sculptures emerged as the young artist was transitioning from a
practice defined largely by
painting and photography to a more experimental mode that would culminate in his Combines, an expansive body of works produced primarily in the mid - and late 1950s that bridged the gaps between
painting, sculpture, and
collage.
His studio
practice has been to test the limits of what a
painting can be — exploring a place between
paint,
collage and sculpture.
The works — Minimalist
paintings,
collages, and prints — are the physical documentation of what is actually a social and performative art
practice based on seminal texts such as The Red Badge of Courage, On the Origin of Species, and Invisible Man.
Jessica Jackson Hutchins» expressive and intuitive studio
practice produces dynamic sculptural installations,
collages,
paintings and large - scale ceramics — all hybrid juxtapositions of the handmade.
The compositions in her current
paintings continue to reference the layering and puzzling together of shapes that defined her
collage practice, adding a new attention to materiality.
Alex Ebstein's recent
practice concentrates on the
painting and
collaging of yoga mats.
Gwen Fabricant's
practice encompasses
painting,
collage, assemblage and scanned imagery, while directly utilizing found organic material.
Accepting the term neo-primitivism as «loose and inaccurate, but inescapable», his diverse media
practice consists of sequences of cyclical bead
paintings, collections of vintage «West German» pottery dressed with beadwork skirts, low - relief drawings / sculptures carved from book - binders» card,
collage - topped - tables, stark wall
paintings.
Utilizing drawings,
paintings,
collages, photography, sculpture and participatory installations, Darkeem's
practice often incorporates a craftwork sensibility that combines traditional with contemporary aesthetics, while drawing upon cultural and historical memory.
Focusing variously on his
paintings, his
collages and his role as a mentor and teacher at the New York Studio School, these shows constituted a survey of his wide - ranging
practice over the course of nearly 50 years.
The liberal beliefs, social tolerance, and general promiscuity that characterize popular images of the city likewise distinguish the Los Angeles — based artist's own permissive
practice, which swings from abstract
paintings to
collages and from haunted - house sculptures to a series of narrative
paintings depicting sexually ambiguous men whom Hawkins refers to as «hallucinations from a Viagra overdose.»
Adam Pendleton (b. 1984, Richmond, Virginia) is recognized for his conceptual
practice, which encompasses
painting, sculpture, publishing, photographic
collage, video, and performance.
«Marc Camille Chaimowicz's pluralistic
practice encompasses
painting, drawing,
collage, book making, sculpture, and installation as well as ceramics, furniture, lighting, textiles, and wallpaper.
Her
practice, which combines
painting, drawing,
collage, sculpture, installation, performance, photography, and video, explores issues of gender, culture, and the self, often employing the body as a tool to weave together the personal and political.
As one of the most exciting street artists who has transformed his
practice to include
collage,
painting and sculpture work, Argentinian artist Franco Fasoli (aka JAZ), is set to open a new solo show
In treating
painting as a hybrid, open practice that combines elements of painting, sculpture, collage, and installation art, the artists in Stretching Painting extend a distinguished historical trajectory associated with minimal and post-minimal art, while expanding our sense of what painting
painting as a hybrid, open
practice that combines elements of
painting, sculpture, collage, and installation art, the artists in Stretching Painting extend a distinguished historical trajectory associated with minimal and post-minimal art, while expanding our sense of what painting
painting, sculpture,
collage, and installation art, the artists in Stretching
Painting extend a distinguished historical trajectory associated with minimal and post-minimal art, while expanding our sense of what painting
Painting extend a distinguished historical trajectory associated with minimal and post-minimal art, while expanding our sense of what
paintingpainting can be.
Best known for her
paintings, Oresky's
collaged drawings represent a dynamic aspect of her
practice, blurring commonly perceived boundaries between natural and synthetic spaces and forms, while generating unexpected combinations of colors and textures.
Although remarkably inventive and prolific, Trockel has deflected any identifiable stylistic signature: films and videos, knit
paintings, projects for children, ceramics, drawings, and
collages, plus a panoply of sculptures in a range of materials, are among the myriad forms that comprise her
practice.
Exhibition and performance by emerging Memphis artist Johnathan Payne, whose creative
practice encompasses drawing,
painting,
collage, performance, and installation art.
Munroe's
painting practice incorporates elements of assemblage and
collage, with composite pieces stitched and glued into a larger whole.
Carrie's interdisciplinary artistic
practice moves across
collage and
painting, site - specific installations and interventions, book arts and poetry.
Tamar Halpern's hybrid
practice negates notions of the digital archive, incorporating fragmentary analog and digital content in a highly physical process of photographing,
collaging,
painting, ripping, masking and displacing in works that defy classification.
Chris Ofili's intricately constructed works, combining beadlike dots of
paint,
collaged images from popular media, and elephant dung, create a unique iconography that marries African artistic and ritual
practices with Western art historical traditions and contemporary hip - hop culture.
Drawings exist as drawings and
collages as
collages by themselves, and they can be shown outside of
painting, but I have a
painting practice.
Initiating, maintaining and continuing relationships with many of the most significant internationally recognized artists of her era, Schloss nevertheless, developed her own broadly inclusive
practice that manifested as
painting,
collage, watercolor and assemblage, over a career spanning nearly 70 years.»
His
practice employs
collage,
painting and video to recontextualize quotidian objects in absurd and fetishistic narratives.
The works on show span the last three years of production, during which time Murray describes his work as developing from a
painting - orientated
practice incorporating
collage and photography to a
collage - orientated
practice that incorporates photography and
paintings as both a means to produce new material and a tool for the realisation of his pieces.
«This body of work traces the change from an ornate
painting practice with
collage and photography thrown in to help me see and
paint, to an ornate
collage practice that mixes
painting and photography in both the production of
collage materials and in the creation of my work».
By this time he had developed a comprehensive visual art
practice, using ink, spray
paint,
collage and unusual things such as mushrooms and plungers to apply the
paint.
The first internationally touring survey show dedicated to the work of one of Japan's leading and most innovative contemporary artists, this exhibition will present works from Ohtake's multifaceted
practice which ranges from
painting to assemblage,
collage, drawing, monumental sculpture, architectural environment and sound — much of which has never been seen in the US.