Sentences with phrase «collaged painting practice»

What began with obsessive - compulsive word drawings a decade ago grew into a collaged painting practice — one might call it an image hoarder's bricolage — that incorporated everything from advertisements of amplifiers and actual clearance stickers to Budweiser labels and nightclub wristbands.

Not exact matches

I have drawers and boxes full of cutouts from some old watercolours and practice linocut prints that I've used as stencils, masks or collage in other paintings, for example.
They love to use everything from painting to collage and this Mosaic Farm Art Activity can lead to many discussions about farming, art, and give your child some fine motor practice as well.
There are faces, but they are depicted in ways that seem to cancel themselves out: a quick, semi-abstract mark, furtive smudges of paint, a collaged face cut out from another painting... Certainly these works present an accomplished artist asking questions about her own practice, questions such as: How can I paint the body in a more immediate way?
Sterling Ruby's interdisciplinary practice incorporates sculptures, collages, ceramics, paintings and videos, which act as markers and metaphors for the burdens that plague contemporary existence.
Thomas Dane Gallery presents an exhibition of new works by Venezuelan - born artist Arturo Herrera, whose practice combines found images and objects with drawing, collage, sculpture and paint.
The artist's practice, which encompasses painting, collage, photography, video, sculpture, and performance art, often centers around a mythical cast of human, animal, and hybrid characters, who live in a world that exists somewhere between fantasy and reality.
In making the announcement, the museum described her practice thus: «Youngblood explores the iconography of public and private suburban experience, issues of identity, ethics, and representation, and the politics of abstraction using photo - based collage, painting, assemblage, and sculpture.»
Here, Sanchez discusses the development of his artistic practice, interweaving the personal and political through photography, painting, printmaking, collage, and video.
Showcasing the modern mastery of his paintings, while also presenting the «other stuff» which has drawn less attention over the years — drawings, woodcuts, collage, sculpture, photography and video — the exhibition demonstrated the depth, breadth and intellectual rigor of Marshall's Chicago - based practice.
Hutchins» expressive and intuitive studio practice produces dynamic sculptural installations, collages, paintings and large - scale ceramics, all hybrid juxtapositions of the handmade.
Athena Papadopoulos's multidisciplinary practice encompasses a range of processes, including painting, collage, drawing and stitching, and unusual materials such as mustard, red wine, Pepto - Bismol and shoe polish.
Louisa Chambers recent practice responds to ongoing research into depiction and visual perception on two dimensional surfaces (more specifically, concentrating on the mediums of drawing, collage and painting).
Kamrooz Aram, a Brooklyn - based artist whose works often challenge a modernist disdain for decoration, shares his thoughts on ornament and its complex relationship to modernist painting and exhibition design as demonstrated in his own varied practice in which painting, collage, sculpture, and the art of display operate as equals.
Dividing her time between Rotterdam, The Netherlands, and New York, Ellen Gallagher maintains a multidisciplinary practice spanning painting, drawing, collage, sculpture and video.
Astute at locating and engaging the dynamic fountainhead of artistic practice relevant to time and place, in one installation, Ferrer nurtures a powerful tributary of faces rendered on paper bags in crayon, pencil, paint and collage: an extant, sui generis body of work that the artist has cultivated since 1972.
Kenyan artist Wangechi Mutu returns to Performa through a new commission, Banana Stroke, which builds on a recent shift in her practice towards fermenting, dying, or saturating with dirt the paper materials she uses in her collage paintings, and then deploying them in site - specific action painting.
Led by artist and Creative Director Calle Henzel and Joakim Andreasson, the studio collaborates directly with prominent contemporary artists to translate their respective practice, whether it be painting, drawings, photographs, collages, reliefs or sculpture on to this unusual medium.
Adam Pendleton is a Virginia - born conceptual artist whose practice encompasses painting, performance, photographic collage, publishing, and video.
She is a key voice from the first generation of American artists to base their practice in feminist issues, and she has shown her paintings, collages, installations, and photographs worldwide.
Vaguely reminiscent of improvised tools or handmade toys, the Elemental Sculptures emerged as the young artist was transitioning from a practice defined largely by painting and photography to a more experimental mode that would culminate in his Combines, an expansive body of works produced primarily in the mid - and late 1950s that bridged the gaps between painting, sculpture, and collage.
His studio practice has been to test the limits of what a painting can be — exploring a place between paint, collage and sculpture.
The works — Minimalist paintings, collages, and prints — are the physical documentation of what is actually a social and performative art practice based on seminal texts such as The Red Badge of Courage, On the Origin of Species, and Invisible Man.
Jessica Jackson Hutchins» expressive and intuitive studio practice produces dynamic sculptural installations, collages, paintings and large - scale ceramics — all hybrid juxtapositions of the handmade.
The compositions in her current paintings continue to reference the layering and puzzling together of shapes that defined her collage practice, adding a new attention to materiality.
Alex Ebstein's recent practice concentrates on the painting and collaging of yoga mats.
Gwen Fabricant's practice encompasses painting, collage, assemblage and scanned imagery, while directly utilizing found organic material.
Accepting the term neo-primitivism as «loose and inaccurate, but inescapable», his diverse media practice consists of sequences of cyclical bead paintings, collections of vintage «West German» pottery dressed with beadwork skirts, low - relief drawings / sculptures carved from book - binders» card, collage - topped - tables, stark wall paintings.
Utilizing drawings, paintings, collages, photography, sculpture and participatory installations, Darkeem's practice often incorporates a craftwork sensibility that combines traditional with contemporary aesthetics, while drawing upon cultural and historical memory.
Focusing variously on his paintings, his collages and his role as a mentor and teacher at the New York Studio School, these shows constituted a survey of his wide - ranging practice over the course of nearly 50 years.
The liberal beliefs, social tolerance, and general promiscuity that characterize popular images of the city likewise distinguish the Los Angeles — based artist's own permissive practice, which swings from abstract paintings to collages and from haunted - house sculptures to a series of narrative paintings depicting sexually ambiguous men whom Hawkins refers to as «hallucinations from a Viagra overdose.»
Adam Pendleton (b. 1984, Richmond, Virginia) is recognized for his conceptual practice, which encompasses painting, sculpture, publishing, photographic collage, video, and performance.
«Marc Camille Chaimowicz's pluralistic practice encompasses painting, drawing, collage, book making, sculpture, and installation as well as ceramics, furniture, lighting, textiles, and wallpaper.
Her practice, which combines painting, drawing, collage, sculpture, installation, performance, photography, and video, explores issues of gender, culture, and the self, often employing the body as a tool to weave together the personal and political.
As one of the most exciting street artists who has transformed his practice to include collage, painting and sculpture work, Argentinian artist Franco Fasoli (aka JAZ), is set to open a new solo show
In treating painting as a hybrid, open practice that combines elements of painting, sculpture, collage, and installation art, the artists in Stretching Painting extend a distinguished historical trajectory associated with minimal and post-minimal art, while expanding our sense of what paintingpainting as a hybrid, open practice that combines elements of painting, sculpture, collage, and installation art, the artists in Stretching Painting extend a distinguished historical trajectory associated with minimal and post-minimal art, while expanding our sense of what paintingpainting, sculpture, collage, and installation art, the artists in Stretching Painting extend a distinguished historical trajectory associated with minimal and post-minimal art, while expanding our sense of what paintingPainting extend a distinguished historical trajectory associated with minimal and post-minimal art, while expanding our sense of what paintingpainting can be.
Best known for her paintings, Oresky's collaged drawings represent a dynamic aspect of her practice, blurring commonly perceived boundaries between natural and synthetic spaces and forms, while generating unexpected combinations of colors and textures.
Although remarkably inventive and prolific, Trockel has deflected any identifiable stylistic signature: films and videos, knit paintings, projects for children, ceramics, drawings, and collages, plus a panoply of sculptures in a range of materials, are among the myriad forms that comprise her practice.
Exhibition and performance by emerging Memphis artist Johnathan Payne, whose creative practice encompasses drawing, painting, collage, performance, and installation art.
Munroe's painting practice incorporates elements of assemblage and collage, with composite pieces stitched and glued into a larger whole.
Carrie's interdisciplinary artistic practice moves across collage and painting, site - specific installations and interventions, book arts and poetry.
Tamar Halpern's hybrid practice negates notions of the digital archive, incorporating fragmentary analog and digital content in a highly physical process of photographing, collaging, painting, ripping, masking and displacing in works that defy classification.
Chris Ofili's intricately constructed works, combining beadlike dots of paint, collaged images from popular media, and elephant dung, create a unique iconography that marries African artistic and ritual practices with Western art historical traditions and contemporary hip - hop culture.
Drawings exist as drawings and collages as collages by themselves, and they can be shown outside of painting, but I have a painting practice.
Initiating, maintaining and continuing relationships with many of the most significant internationally recognized artists of her era, Schloss nevertheless, developed her own broadly inclusive practice that manifested as painting, collage, watercolor and assemblage, over a career spanning nearly 70 years.»
His practice employs collage, painting and video to recontextualize quotidian objects in absurd and fetishistic narratives.
The works on show span the last three years of production, during which time Murray describes his work as developing from a painting - orientated practice incorporating collage and photography to a collage - orientated practice that incorporates photography and paintings as both a means to produce new material and a tool for the realisation of his pieces.
«This body of work traces the change from an ornate painting practice with collage and photography thrown in to help me see and paint, to an ornate collage practice that mixes painting and photography in both the production of collage materials and in the creation of my work».
By this time he had developed a comprehensive visual art practice, using ink, spray paint, collage and unusual things such as mushrooms and plungers to apply the paint.
The first internationally touring survey show dedicated to the work of one of Japan's leading and most innovative contemporary artists, this exhibition will present works from Ohtake's multifaceted practice which ranges from painting to assemblage, collage, drawing, monumental sculpture, architectural environment and sound — much of which has never been seen in the US.
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