In the 1980s, Loving broke free of the flat image, using heavy rag paper to make three dimensional
collages in brilliant colors.
In the 1980s, Loving broke free of the flat image, using heavy rag paper to make three - dimensional
collages in brilliant colors.
Not exact matches
The work
in this exhibition will be especially tempting to the eye, from the glistening and colorful
collages of Alvarez and the obsessively painted — Infinity Nets ‖ of Kusama, to the incredibly detailed paintings of Tomaselli and the evolving passages of both
brilliant and subtle
color and light
in the work of Villareal.
The deluxe - format volume features 80 woodcuts
in brilliant color, some with
collage elements — torn papers, butcher's paper, 19th - century wood engravings, and more — pasted on individual pages.