Grooms's signature style fuses fine art and pop culture imagery,
collapsing figure and ground into an abstract field.
Not exact matches
For years after the January 6, 1994 attack on
figure skater Nancy Kerrigan, I can recall peers in school hallways recreating the assault, faux - victims
collapsing to the
ground and bellowing, «Why me?
While the two schools of abstract expressionist painting shared certain characteristics ---- large scale; bold, gestural brushwork; emphasis on the materiality of paint;
figure and ground equal or
collapsed into overall, non-hierarchical compositions ---- Bay area artists, influenced by Asian cultures
and the expansiveness of the western landscape, in addition to European painting, invited landscape references into their work whereas New York painters resisted such associations.
The works of Gardner
and Maltese have clear affinities — their separate practices arise from a pictorial alchemy where, while maintaining mimetic characteristics of modernism, surrealism
and troupes of abstraction, the distinction between
figure and ground or environment has been significantly
collapsed, favoring more flattened volumes
and depths of field.
In their transposition of horizontal to vertical, in their insistence on base materiality
and in their entropic
collapse of
figure /
ground distinction, these photographs recall as well Rosalind Kraus
and Yve - Alain Bois» reading of Bataille's concept of l'informe, complete with its associations of modernist
and anti-modernist artists, from the Sacchi of Alberto Burri to Andy Warhol's oxidation paintings.