Sentences with phrase «collecting cities of the world»

San Francisco is one of the great collecting cities of the world, and we have many important collectors in Los Angeles as well.

Not exact matches

A bus collected the Canadian entrepreneurs and shuttled them through the Valley, dropping off a handful at Cisco, a handful at Microsoft, and a handful at the Redwood City campus of Electronic Arts, the world's largest video game publisher.

The BrownMiller Group, of which Peter Brown is a founding partner, led the effort to collect more than 53,000 signatures on petitions to force a city referendum requiring a new investigation into the collapse of the World Trade Center.

Free Samples - 2 Sachets of Otrimix Oats Porridge — Collect at Yoguru Outlets [Kallang Leisure Park E!Hub Tampines1 Thomson Plaza Great World City]

Dublin City, Ireland About Blog David Gaughran is an Irish writer, living in Prague who spends most of his time travelling the world, collecting stories.

This event was a thoroughly British affair with groups of city slickers who had taken time off from the world's financial markets, classic car insiders who are the movers and shakers of collecting, and elegant couples just admiring the wonderful automobiles and enjoying the glamour, dining, and retail opportunities of a new event in the social calendar.

There are 12 to collect total and the most notable ones right now are The Major Cities of the World and The Wonders of Nature.

Dublin City, Ireland About Blog David Gaughran is an Irish writer, living in Prague who spends most of his time travelling the world, collecting stories.

There's a 24 - hour cycle and weather system which affects the behavior of the world's inhabitants, cities and villages filled with NPCs who engage both you and each other in conversation, bodies of water to fish in, campsites where you can cook meals for temporary buffs, various materials to collect and even purchasable houses where you can invite friendly officers to hang out.

In the reconfigured version of Zelda that we see in Second Quest, our hero is a young woman with a passion for exploring the forbidden ruins of her crumbling, restrictive city, and collecting the strange treasures that mysteriously link her to another world.

Farmanfarmaian's work has been collected by institutions around the world, including: Solomon R. Guggenheim Museum, New York City; Tate Modern, London, U.K.; Museum of Fine Arts, Boston, Massachusetts; and Metropolitan Museum of Art, New York City.

As it sails down the Thames, the boat will be both visible and audible to onlookers — the shiny surface will reflect the London skyline, amidst a soundscape of sampled noises the artist has collected from across the world being played through speakers across the city.

Like a Moth to a Flame offers a portrait of Turin and its engagement with the world through the collecting habits of the city and its citizens.

Sommer's works have been exhibited and collected by the world's most important institutions, among them: Art Institute of Chicago; Center for Creative Photography, University of Arizona, Tucson (founding artist); George Eastman House, Rochester; Institute of Design, Chicago; J. Paul Getty Museum, Los Angeles; Los Angeles County Museum of Art; Metropolitan Museum of Art, New York; Museum of Fine Arts, Boston; Museum of Fine Arts, Houston; Museum of Modern Art, New York; National Gallery of Art, Washington D.C.; Nelson - Atkins Museum, Kansas City; Philadelphia Museum of Art; Princeton University Art Museum; Rhode Island School of Design, Providence; San Francisco Museum of Modern Art; Smithsonian Institution, Washington D.C.; and internationally at Maison Europeene de la Photographie, Paris; Tokyo Fuji Art Museum, Japan; Victoria and Albert Museum, London.

Over the course of his career he traveled widely, collecting master prints in cities around the world for the next 50 years.

Photography from the Deutsche Bank Collection, Singapore Art Museum, Singapore The New International, Garage Museum of Contemporary Art, Moscow Songs of Loss and Songs of Love, Gwangju Museum of Art, South Korea Look at Me: Portraiture from Manet to the Present, Lelia Heller Gallery, New York I Look at Things... Work From the Collection, Faurschou Foundation, Copenhagen Shirin Neshat: Don't Ask Where the Love is Gone, Moscow Photobiennale 2014, Multimedia Art Museum, Moscow Pionniéres: Lynda Benglis, Louise Bourgeois, Marlene Dumas, Tracey Emin, Roni Horn, Shirin Neshat, Cindy Sherman, Nancy Spero, Niki De Saint Phalle, CAB Art Center, Brussels 2013 My Third Land, Frankendael Foundation, Amsterdam Collection Exhibition II, 21st Century Museum of Contemporary Art, Kanazawa Come Together: Surviving Sandy, Year 1, Industry City, New York The Ghost of Architecture: Recent and Promised Gifts, Henry Art Gallery, University of Washington, Seattle SKIN, an artistic atlas, Royal Hibernian Academy, Dublin She Who Tells a Story: Women Photographers from Iran and the Arab World, Museum of Fine Arts, Boston Legacy: Photographs from the Emily Fisher Landau Collection, the Aldrich Contemporary Art Museum, Ridgefield, Connecticut Displaced Visions Emigré Photographers of the 20th Century, The Israel Museum, Jerusalem All You Need is Love, Mori Art Museum, Tokyo 2012 OC Collects, Orange County Museum of Art, Newport Beach Voice of Images, Palazzo Grassi - Françoise Pinault Foundation Pulso Iranioano.

Irene Stern's work has been exhibited at the Source Gallery, San Francisco; The American Academy of Arts and Letters, New York; Ester Robles Gallery, Los Angeles; the Los Angeles County Museum of Art; the Brandt Library and Art Museum, Glendale; and the Metropolitan Museum of Art, New York, and was collected by individuals, corporations, and museums such as the National Gallery, Joseph H. Hirshhorn, G.E. World Headquarters, and First National City Bank.

Distant worlds and stimuli with apparently nothing in common attain a happily eccentric coherence in Ernesto Esposito's collection, in which can be felt a sense of vitality, albeit veiled by melancholy, which it is hard not to refer in some way to Naples, where the designer was born and has chosen to live, and where he very young began collecting in the 1960s in the lively climate of avant - garde modernity enjoyed in the city.

Day one in the city began at the sun - filled loft space of super-cool Belgian collector Alain Servais who opened his doors for guests to view a curated selection of his collected works that come from outside the first world art market.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

, Tony Shafrazi Gallery, New York, US Intervention / Decoration, Foreground Projects, Frome, Somerset, UK Ambition d'Art, Institute d'Art Contemporain, Villeurbanne - Lyon, FR Redone, Kröller - Müller Museum, Otterlo, NL A Bookcase for Onestar Press by Lawrence Weiner, Christophe Daviet - Thery, Paris, FR Mes Amis, Dvir Gallery, Tel Aviv, IL Reconstruction # 3: Artists» Playground, Sudeley Castle, Winchcombe, Gloucestershire, UK Advancing the Experience: Robert Ryman & Urs Raussmüller, Hallen für Neue Kunst, Schaffhausen, CH Art Basel, Kino Mascotte, Basel, CH Cul - de-sac, curated by Lino Polrgato, Small Dead End Courts Around Venice, IT 2008: FREEDOM - American Sculpture, curated by Marie Jeanne de Rooij, Stichting Den Haag Sculptuur, Den Haag, NL Revolutions - Forms That Turn, Biennale of Sydney, Museum of Contemporary Art, Sydney, AU Slow Glass, Lisa Cooley, New York, US Thoughts On Democracy: Reinterpreting Norman Rockwell's «Four Freedoms» Poster, The Wolfsonian, Florida International University, Miami, Florida, US artCRUSH, Aspen Art Museum, Colorado, US NOLEFTOVERS, Kunsthalle Bern, CH Translocomotion 7th Shanghai Biennale, curated by Julian Heynan, Henk Slager, Shanghai, CN German Angst, Neuer Berliner Kunstverein, Berlin, DE TEXT drawings, Leo Castelli Gallery, New York, UK Drawings on Graph Paper, Leslie Tonkonow Artworks + Projects, New York, US Pleinairism, curated by Kitty Scott, i8 Gallery, Reykjavik, IS Une Grosse Caisse dans un Orchestre Symphonique, Center d'art Contemporain, Saint Restitut, FR Variation 1, Wiener Konzerthaus, Vienna, AT Wall Rockets: Contemporary Art Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, US; Albright - Knox Art Gallery, Buffalo, New York, US XX, CAG, Vancouver, CA Wall Works, Buchmann Galerie, Lugano, CH ABC No Rio 2008 Gala & Benefit Auction, Angel Orensanz Foundation for the Arts, New York, US The Panza Collection, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington DC, US 2 x -LSB-(2 x 20) + (2 x 2)-RSB- + 2 = XX (DESPERATELY) TRYING TO FIGURE OUT THE WORLD, curated by Konrad Bitterli, Part I, Mai 36 Galerie, Zurich, CH, Part II, Brook Alexander Gallery, New York, US Collected Visions Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul, TR This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham, UK Love Love Love, Martos Gallery, New York, US Whatever Happened to Sex in Scandinavia, curated by Marta Kuzma, Office for Contemporary Art Norway, Oslo, NO Passage To The North, screening SI Annual Benefit, Swiss Institute, New York, US Posesion, curated by Montserrat and Pablo Sigg, Petra, Mexico City, MX Now You See It, Aspen Art Museum, Colorado, US Order.

at BAK Utrecht, NL, and Kunsthal Extra City Antwerp, BE; Politiek Kunstbezit, Jonas Staal at Van Abbemuseum, Eindhoven, NL; The City that Doesn't Exist, Ludwig Forum Aachen, DE (all 2012); Melanchotopia, Witte de With Center for Contemporary Art, Rotterdam, NL; Project Europa: Imagining the Impossible, Wallach Gallery, Columbia University, New York, US; Moving Worlds, Podbielsky Contemporary, Berlin, DE (all 2011); The Politics of Collecting / The Collecting of Politics, Van Abbemuseum, Eindhoven, NL; Morality — Act VIII Nether Land, Dutch Cultural Center, Shanghai World Expo, China (both 2010); Freedom of Expression, Museum As Hub, Van Abbemuseum at the New Museum, New York, US; Free as Air and Water, Cooper Union, New York, US (all 2009); Be (coming) Dutch, Van Abbemuseum, Eindhoven, NL (2008); and Be What You Want But Stay Where You Are, Witte de With, Center for Contemporary Art, Rotterdam, NL (2005).

Up and down the country museum collections help to define cities: the Kurt Schwitters Merzbau at the Hatton Gallery in Newcastle is a case in point; Birmingham is famous for its world class collection of Pre-Raphaelite paintings, Derby for the work of the first painter of the spirit of the industrial revolution, Joseph Wright of Derby; the Walker Art Gallery in Liverpool has collected many outstanding works through its John Moores painting prize, the SNGMA in Edinburgh is notable for its collection of British and European Surrealism.

«If you Lived Here You'd be Home,» Curated by Josiah McElheny, Tom Eccles and Lynne Cook, CCS Bard Hessel Museum, Annandale - on Hudson, NY, June 25 — Dec 11, 2011 «Black Swan: The Exhibition Regen Projects,» Los Angeles, CA, Feb 25 — April 16, 2011 «American Exuberance,» Rubell Family Collection, Miami, FL, Nov 30 2011 - July 27, 2012 «America: Now + Here,» a travelling exhibition in multiple expandable trucks, in many US Cities including Kansas City, Detroit, and Chicago, and Aspen, curated by Eric Fischl April 2010 — November 2011 «Untitled (12th Istanbul Biennial),» September 17 — November 13, 2011 «We Will Live, We Will See,» Zabludowicz Collection, London, July 7 — August 14, 2011 «The Bearden Project,» The Studio Museum In Harlem, Bronx, NY, November 10, 2011 — September 2, 2012 «HIDE / SEEK: Difference and Desire in American Portraiture,» Brooklyn Museum, Brooklyn, NY, November 18, 2011 - February 12, 2012 «Nothing in the World But Youth,» Turner Contemporary, Kent, United Kingdom, September 17, 2011 - January 8, 2012 «The Bearden Project,» Studio Museum, New York, NY, November 10, 2011 — March 11, 2012 «Jean Genet,» Nottingham Contemporary, Nottingham, United Kingdom, July 16 — October 2011 «The Last First Decade,» Ellipse Foundation, Portugal, April 30 — December 18, 2011 «Human Nature: Contemporary Art from the Collection,» Los Angeles County Museum of Art, March 13 — July 4, 2011 «Seeing Gertrude Stein: Five Stories,» Contemporary Jewish Museum, San Francisco, CA, May 2011; travels to the National Portrait Gallery, Washington, DC, October 2011 «Face Off: Portraits by Contemporary Artists,» Lyman Allyn Art Museum, New London, CT, April 10 — September 18, 2011 «ARTiculate: Links Between Visual and Verbal Expression,» Camden Stedman Gallery, Rutgers University, Rutgers, NJ, January 18 — February 26, 2011 «Robert Mapplethorpe: Night Works,» Alison Jacques Gallery, London, England, January 19 — March 19, 2011 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — November 28, 2011 «Distant Star / Estrella Distante,» An exhibition around the writings of Roberto Bolaño, Regen Projects, Los Angeles, United States; kurimanzutto, Mexico City, Mexico, 2011

New York City's Museum of Modern Art, located in Midtown Manhattan and established in 1929, is widely considered as the world's most influential modern and contemporary art museum, crucially important in developing and collecting modernist artworks, including painting, sculpture, photography, prints, books, films, architecture and design.

For the third year in a row, Sustainia, C40, and Realdania have collected the 100 best urban solutions to climate change from cities around the world, and the 2017 edition of Cities100 presents some extraordinary cases of city climate action within the categories of energy, adaptation, transportation, mitigation, and waste.

As destructive as the fire was, it means that the group could collect real - world data to test the validity of predictions from their computer - model synthesis and then adjust it to be more useful to city and county planners responsible for mitigating the risk of post-fire flows.

As a relatively new line of criticism coming from climate change skeptics, Myron Ebell argued that delegates from Third World countries largely appear at events such as talks in Lima just to collect a per diem payment and «shop in glamouris cities,» as phrased by the Republic Report in their article «Deniers» Latest Attack on UN Summit: Poor Countries» Delegates Show Up Just for the Per Diem.»

Written by Amy McCarthy (who like the rest of the world can't spelled the word «damned») has collected a short list of things that annoy us about the city we love.

Dublin City, Ireland About Blog David Gaughran is an Irish writer, living in Prague who spends most of his time travelling the world, collecting stories.