Shear has been developing her own vernacular of image making since 2004, furiously
collecting images of bodies, landscapes, cult ephemera and earthworks from sources that seem to lose their rigid dependence on context the moment she puts them to paper.
Not exact matches
From 1988 - 1991, I
collected interview data on the self - and
body -
images of 40 professional women and homebirthers in relation to their beliefs and choices about pregnancy and birth, and published that study in Social Science and Medicine and elsewhere.
If their imagery comes from sand and
body painting and from ritual, and Australian Aborigines avoid naming or viewing
images of the deceased, that suggests we are dealing with art that is both made for
collecting institutions and flies in the face
of their purpose.
He uses unconventional materials in traditional photographic techniques to produce unique photographic prints with a conceptual twist; for example his «dust» series, which uses
collected dust and adhesive in place
of the usual photographic chemicals to print delicate, gossamer
images; or his photographs
of lakes and rivers that are developed in liquid
collected from the
bodies of water themselves.
While developing several new
bodies of work that encompass video, sculpture, and installation (which debuted in Berlin and Los Angeles in late 2014) Trecartin
collected images which functioned as both reference material and conceptual pivot points for these expansive group
of works.
Unconditional Love Tongues Untied 2016, 1996 INTERTEXT Viral
Images Arroz Con Mango: Life Through Cuban Eyes Party Out
Of Bounds Expanded Here and Not Here: Some things I can't say to your face I Am My Own Landscape WAR American Noir: Into a Dark Past < body > and the notes Notes on a Steady Decline Ciao For Peter Hujar OSC: Obsessive Sex Collecting Light Itself A Visual Decameron Warrior Liminal: Subliminal: Sublime In the Flesh I Heart Douchebags Militancy and Mourning Linear Progression / Progressive Deterioration The Sublime Order Looking Up Lyrics You're My New Orleans I'm Not Mad at You, I'm Mad at the Dirt Eclipse Energy Crossing The Line Going Within Eleven Artists Intimately Acquainted Particular Insight American Archetypes My Brother Per Ora: Consuming Desire Revolutions Per Minute The Presence of Absence Time & Place I Smell Sex Beyond Boundaries Fugitive, or From here to there and back aga
Of Bounds Expanded Here and Not Here: Some things I can't say to your face I Am My Own Landscape WAR American Noir: Into a Dark Past <
body > and the notes Notes on a Steady Decline Ciao For Peter Hujar OSC: Obsessive Sex
Collecting Light Itself A Visual Decameron Warrior Liminal: Subliminal: Sublime In the Flesh I Heart Douchebags Militancy and Mourning Linear Progression / Progressive Deterioration The Sublime Order Looking Up Lyrics You're My New Orleans I'm Not Mad at You, I'm Mad at the Dirt Eclipse Energy Crossing The Line Going Within Eleven Artists Intimately Acquainted Particular Insight American Archetypes My Brother Per Ora: Consuming Desire Revolutions Per Minute The Presence
of Absence Time & Place I Smell Sex Beyond Boundaries Fugitive, or From here to there and back aga
of Absence Time & Place I Smell Sex Beyond Boundaries Fugitive, or From here to there and back again
«Martin Kippenberger was a fan; Paul McCarthy
collects her paintings and has contributed an essay to the catalogue for this show, a text purposely disjointed and ripe with
images of amputations,
bodies turned inside out and impossible actions: «The finger goes in the mouth up through the nostril cavity and out the eye - socket... your arm is over here, your head is on the shelf, and your torso is on the chair.»»
Like a scientist, Lee has
collected images of thousands
of examples
of physical attributes: scars, facial hair, tattoos,
body muscle, talismans, etc..
While developing several new
bodies of work that encompass video, sculpture and installation (which debuted in Berlin and Los Angeles in September and October 2014, respectively) Trecartin
collected images which functioned as both reference material and conceptual pivot points for his expansive new
bodies of work.
grey - blue grain was the first in a series
of books that
collect images and texts central to the artist's
body of work.