Sentences with phrase «collecting living artists»

One of the advantages of collecting living artists is you can talk to them about their work and gain insight that is not mere speculation of another.
Frank Auerbach declined knighthood in 2003 and currently is one of the most internationally collected living artists.
Auerbach, 72, one of the world's most collected living artists, spends 364 days a year in his Camden studio, communicating with the outside only through his models.

Not exact matches

Caspar David Friedrich, his sourced quotes on painting and life in Romanticism, collected for students and older pupils; But also for teachers in art education; Friedrich's quotes give information directly from the artist himself about his painting art in German Romanticism.
Arshile Gorky, in sourced quotes of the American artist on his painting art and artistic life, collected for students and older pupils; but also for teachers in art education.
• Brain Pickings has collected the fascinating seven - word autobiographies composed by famous writers, artists and musicians who've participated in the Live from the New York Public Library program.
Today the collection exceeds 50,000 works of art — the result of active acquisitions by patrons, directors, and curators who continue Wadsworth's dedication to collecting and supporting the work of living artists.
The Flood Gallery Fine Art Center fulfills its mission by designing and providing art exhibitions, public events, and educational experiences that promote the appreciation and enjoyment of art, support the creative efforts of artists, and enhance the quality of life through interpreting, collecting, and exhibiting art, architecture, dance, film, and design.
While works by living artists have always been collected by the MFA — Winslow Homer, Claude Monet, and John Singer Sargent were contemporary artists when some of their paintings were acquired — the Department of Contemporary Art was only established formally in the Museum's centennial year, 1971.
From photographs to T - shirts, drawings to souvenirs, various materials will be collected and, with the artists» guidance, given a new life as they are transfigured and placed on display.
The Museum has a long tradition of collecting the art of the day, beginning with the Cone Sisters, whose acquisitions from living artists lead the Museum's commitment to contemporary art.
«I only collect works by living artists, that's my maxim.
Here, Artspace has collected tributes to Hudson from artists including B. Wurtz and Richard Prince, curators Massimiliano Gioni and Chrissie Iles, and writers Gary Indiana and David Sedaris, who explain how Hudson affected their lives, and their art.
And, depending on how you interpret the figures, at best, 36 per cent of living artists collected by the Tate that year were women; at worst, it comes out at 21 per cent.
Tacita Dean: Writing and Filmography, published as a companion to Tacita Dean: Landscape, Portrait, Still Life, collects the artist's writings and pairs them with a complete filmography.
At the same time, Stone represented, promoted and actively collected the work of a younger generation of living artists, including Robert S. Neuman, Robert Arneson, Dennis Clive, Jack Whitten, Robert Baribeau, James Grashow, Robert Mallary, and Richard Hickam, among others, whose aesthetic tendencies suggest connections to the historical holdings of his gallery's collection.
He has authored several books — Theft Is Vision (forthcoming, 2007), Collection Diary (2005), and Live Free or Die: Collected Writings 1985 - 1999 (2000) are three examples — and has contributed to many catalogues and monographs on artists, among them Gert and Uwe Tobias, Jules de Balincourt, Peter Hujar, Yayoi Kusama, Louise Lawler, Felix Gonzalez - Torres, and Cady Noland.
W.A.G.E. recognizes that the TAOE of large collecting museums like MoMA, The Guggenheim or The Whitney are higher because they include expenses associated with acquisitions, collection maintenance, and the management of retail outlets, and that these expenses seem unrelated to the cost of mounting exhibitions by living artists.
and a Hot Pink Studio,» Cultural Quarterly, Fall 2004 Bean, Shawn, «The Florida Contemporary, 36 Artists to Buy Now,» Florida International Magazine, Oct. 2004 Feinstein, Roni, «Report from Miami,» Art In America, Dec. 2003 Landi, Ann, «Do's and Don'ts of Collecting,» ARTnews, Summer 2003 Renzi, Jen, «Forum Studio,» Interior Design Magazine, Aug. 2002 Turner, Elisa, «Francie Bishop Good,» ARTnews, November «Egg, the Arts Show, Art and Science,» PBS, May 2004 Richards, Allan, «Living Artist,» Palm Beach and Naples Times, Summer 2001 Turner, Elisa «Girl on Film,» The Miami Herald, Apr. 2001 «Hot Picks,» Miami Magazine, May 2001 Sienzant, Tony, «Carly TV Humorous but Disturbing,» The Morning Call, September 30, 2000 Turner, Elisa, «Artists Get To Shine In Exhibits,» The Miami Herald, June 15, 2000 Rubin, Leon, «Featured Artist: Francie Bishop Good,» Cultural Quarterly, Spring 2000 Clearwater, Bonnie and Ginger Gregg Dugan, Francie Bishop Good and Carly TV, Museum of Contemporary Art, North Miami, FL, 2000
1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris
According to Yu Honglei, art comes from life; his work as an artist is derived from the everyday objects collected from his life to bring about and create an array of discursive new possibilities.
«As one of the first commissioned works by a living female artist to be installed at the entrance of an American museum, Pas de Deux (Plaza Monument) will serve as a beacon for the DMA's intent to broaden its collecting and exhibition habits.»
In a press statement, High Museum director Michael Shapiro says: «Photography is our fastest growing area of collecting, research and programming, and these gifts will ensure that the High can continue our commitment to new scholarship and commissioning new works by living artists.
Its other prongs include an artist residency at her home in Sonoma, California, for living artists in her collection, as well as scholars and curators whose work extends the canon and relates to the artists in her collection; sitting on the boards of museums like the Art Institute of Chicago; publishing critical scholarship, beginning with the 2016 book Four Generations: The Joyner Giuffrida Collection of Abstract Art; and collecting and gifting major works by black artists to institutions.
Collecting has been important to me since the very beginning, I've always said it's like making a map of someone's life and this exhibition shows how I've evolved both as a collector and an artist.
On the second floor, Anthony Elms incorporates room - sized installations of ephemera from the archives of art critic Gregory Battcock in an installation organized by artist Joseph Grigely, as well as a miniature show of the collected live music recordings and related ephemera of Malachi Ritscher organized by the group Public Collectors.
One such project, initiated during the Autumn of 2015, features artists Abigail Doan (@lostinfiber) and Brece Honeycutt (@onacolonialfarm) who began a parallel process of collecting, diagramming, and altering select materials in an urban to rural dialogue intended to examine modern and historic connections in their daily lives.
Maine Collected features selected works by living artists connected to Maine from the Bates Museum of Art's permanent collection.
Also, Ernst Beyeler was always collecting and exhibiting both like historical and contemporary art, but the contemporaries of his time and his friends were Picasso and Giacometti and many artists that now are not living any more.
Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.
Organized from the Smart Museum's permanent collection and selected loans, this exhibition included works in a variety of media by Chicago self - taught artists Henry Darger, Bonnie Harris, Aldobrando Piacenza, Pauline Simon, and Joseph Yoakum, as well as Jesse Howard, Martin Ramirez and others who did not live in Chicago but were influential and collected here.
Philip Johnson was an early admirer of Stella, and he avidly collected the artist's work throughout his life.
Experiencing firsthand both the grandeur of this privately created museum and the impressive scale of the life - size portraits Henry E. Huntington collected, which as a child Rauschenberg had seen reproduced on his mother's playing cards, he understood that becoming an artist could be a viable career choice.2 After his discharge from the Navy in summer 1945 Rauschenberg settled briefly in Los Angeles, eventually relocating to Kansas City, Missouri, in January 1947.
Unconditional Love Tongues Untied 2016, 1996 INTERTEXT Viral Images Arroz Con Mango: Life Through Cuban Eyes Party Out Of Bounds Expanded Here and Not Here: Some things I can't say to your face I Am My Own Landscape WAR American Noir: Into a Dark Past < body > and the notes Notes on a Steady Decline Ciao For Peter Hujar OSC: Obsessive Sex Collecting Light Itself A Visual Decameron Warrior Liminal: Subliminal: Sublime In the Flesh I Heart Douchebags Militancy and Mourning Linear Progression / Progressive Deterioration The Sublime Order Looking Up Lyrics You're My New Orleans I'm Not Mad at You, I'm Mad at the Dirt Eclipse Energy Crossing The Line Going Within Eleven Artists Intimately Acquainted Particular Insight American Archetypes My Brother Per Ora: Consuming Desire Revolutions Per Minute The Presence of Absence Time & Place I Smell Sex Beyond Boundaries Fugitive, or From here to there and back again
As a virtual institution, DiMoDA is dedicated to collecting, preserving, interpreting and exhibiting Digital artworks from living New Media artists, while expanding the conscious experience of viewing Digital art in a Virtual space.
During her 30 - year Venetian life, Peggy Guggenheim continued to collect works of art and to support artists, such as Edmondo Bacci and Tancredi Parmeggiani, whom she met in 1951.
Guided by a passion for the cutting edge and collecting works exclusively by living artists, Bob and Nancy have worked with young artists and dealers over the past 40 years to build their unique and celebrated collection.
Perhaps the best instance of an artist the Fishers collected in depth is Richter, the world's most revered (and expensive) living painter.
According to the museum's charter, The purpose of the Morris Museum of Art shall be: to enhance the quality of life in the Central Savannah River Area and to broaden the knowledge and understanding of the visual arts in the Southeastern United States by collecting, preserving and displaying works of art focused upon, but not limited to, the art and artists of the American South; by creating and hosting quality traveling exhibitions; and by developing and maintaining a library and research center focusing on Southern American painting; and to contribute to the general appreciation of art through lecture programs, symposia, publications, and other educational programs.
President Jimmy Carter honored Jones for her outstanding achievements in the arts in 1980, and in the last ten years of her life both President Bill Clinton and French President Jacques Chirac met the artist and collected her work.
Dumas, currently based in Amsterdam, is one of the most collected living female artists.
Yeapanis selects both manufactured goods and collected detritus of her life as an artist, a consumer, a cultural participant and a waitress, because these materials represent an acceptance and engagement with what is, rather than a striving towards what should / could be.
Left Coast: Recent Acquisitions of Contemporary Art presents an overview of the Museum's collecting habits in contemporary art over the past five years, focusing most heavily on artists living and working in Southern California.
Amassed since the early 90's, when Hirst began trading work with his contemporaries, the exhibition reflects the artist's life - long commitment to the process of collecting, something he describes as: «ike stuff washed up on a beach somewhere, and that somewhere is you.»
«Love in Vein: Editions Fawbush projects and artists 2005 - 2010», Gering & Lopez Gallery, New York, New York «Tide Pool», Sara Meltzer Gallery, New York, New York «Thirty Years of Collecting: A Recent Gift to the Museum», Scottsdale Museum of Contemporary Art, Scottsdale, Arizona «Held Up By Columns», Renwick Gallery, New York, New York «The Fifth Genre: Considering the Contemporary Still Life», Galerie Lelong, New York, New York
The purpose of the Fund is two-fold: to support living, practicing artists by acquiring their work through the Fund's Acquisition Program, and to encourage museums and other public collecting institutions across the globe to accept the acquired works as gifts through the Fund's Museum Gift Program.
Living and working in Groningen, Dutch artist Dorris Vooijs creates collages using vintage photographs she has collected for many years.
We advise clients to collect those artists and categories they love and want to live with.
Since collecting the keys in March, we've drawn together a membership through this continuing dialogue about the presence of artists in the city and ensuring that artistic production is accessible to the people who visit and live within it.
... For example, even though I have undertaken several research visits to the US, and have been privileged to visit many artist studios, and to collect a significant amount of material on African - American artists, I have yet to see examples of work that in any way deals with the hostile political realities of life for Black people in Britain.
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