Sentences with phrase «collecting video art»

Plus, the ahead - of - the - curve museum has been collecting video art since 1979.

Both of the collections from which this exhibition is drawn are the joint passion of Pamela and Richard Kramlich, who began collecting video art ten years ago.

It was the first museum to dedicate itself to the collection of American art, to create a permanent collection of ceramics, to collect video art, to create a docent program and to hire the now internationally - known architect I.M. Pei to design its building, a sculptural work of art in its own right.

Not exact matches

A bus collected the Canadian entrepreneurs and shuttled them through the Valley, dropping off a handful at Cisco, a handful at Microsoft, and a handful at the Redwood City campus of Electronic Arts, the world's largest video game publisher.

Now a remarkable website started by a group of young Chicago activists — all women between the ages of 12 and 22 — is collecting the personal stories of such students in print, video, and audio and combining them with survey research, popular education, art, and more.

Capture the Great Barrier Reef's amazing marine life and coral gardens in vivid colour with a state of the art Canon camera, and collect sensational video footage with a hands - free GoPro.

That being said, the iconic Museum Of Modern Art has already started collecting video games as aArt has already started collecting video games as artart.

USG: When I look through books that collect your works and then see the video games, compare the video games that were based on the illustrations you created, it's almost like peeling back layers and saying, how do they get to this pixel art from this illustration?

In terms of interesting facts: I collect video game art books, have developed a gaming art book resource for use at public expos and events, recently created and curated a game photography exhibition at PAX AUS 17, and one of my triplets (my daughter) is named after a video game character.

Much of her collection, which numbers over 3,000 works, focuses on collecting art from Latin America, particularly Cuban art, geometric abstraction, photography, video, and conceptual art.

The Artist's Museum begins with this impulse to collect and connect, bringing together large - scale installations, photography, film, and videos that employ artworks from the past as material in the present, animating existing artworks, images, and histories to reveal art's unexpected relationships and affinities.

The strong gallery line up will be supplemented with a dynamic, four - day public program including contemporary video and innovative art installations, children's activities and a talks and tours program presented by industry leaders, which will offer insights into collecting and the creative industries, for everyone from the seasoned collector to the first time buyer.

Tags: Bushwick Galleries, Chris Klapper, creative tech week, Creative Technology Week, digital prints, eff Becker, ellen hackl fagan, Greg Garvey, Gregory Kramer, John Morton, Joshie Fishbein, Led installations, Matti Havens, meditation, Meg Hitchcock, Odetta Gallery, Patrick Gallagher, Scott Colley, Serge Ossorguine, video Posted in Art Events, Buy Art, Collecting Art, Exhibition, NYC Comments Off on ODETTA Gallery presents Fever Songs

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

The Whitney is dedicated to collecting, preserving, interpreting, and exhibiting American art, and its collection — comprising more than 19,000 paintings, sculptures, drawings, prints, photographs, films, videos, and new media by more than 2,900 artists — contains some of the most significant and exciting work created by artists in the United States during the twentieth and twenty - first centuries.

Commissioned by The Hepworth Wakefield, Wolverhampton Art Gallery and Film and Video Umbrella., through the Contemporary Art Society Annual Award: Commission to Collect.

In 2010 The Hepworth Wakefield, Wolverhampton Art Gallery and Film and Video Umbrella were awarded the Contemporary Art Society Annual Award for Museums: commission to collect for their proposal to work with artist Luke Fowler.

This time lapse video, posted to the Girls» Club instagram account, shows a view of the progress of sticky note comments collecting onto works of art submitted for the annual exhibition Art Fallout: Unframed, part of the community - wide event Art Falloart submitted for the annual exhibition Art Fallout: Unframed, part of the community - wide event Art FalloArt Fallout: Unframed, part of the community - wide event Art FalloArt Fallout.

The Consortium marks a pioneering approach to collecting new media art, a category that broadly encompasses works originating from video, digital, and computer technologies.

Today I use the same set of skills to create my art projects: I collect texts, images and video footage, establish their actual or possible relationships, and combine them with my own texts, objects and images to construct believable counterfactual narratives.

Following two precious volumes of writings from the 1970s — 90s Canadian magazine Parachute — Museums, Art History, and Theory and Performance & Performativity — the essays collected in this third volume focus on photography, film, video and new media.

The works of contemporary art collected by Francie Bishop Good and David Horvitz encompass cutting edge visions from artists working in painting, drawing, photography and video from the 1960s to the present.

The show, which opened on Thursday at the Shanghai Art Museum features nearly 50 photos, 10 videos, and several installations created by 15 contemporary Chinese artits, all collected by Haudenschild since 2002.

The importance of the exhibition is in no doubt: it showed some truth of Chinese contemporary art to the public and to the cultural circle, and it prodded the Chinese art museum circle to start collecting contemporary video and photography works.»

The modern video and photography arts of contemporary China converge in this enormous collection, belonging to Mr. & Mrs. Haudenschild, whose collecting interests have migrated from South America's contemporary voices to China's Mainland.

Jel Ena attended the Academy of Fine Art in Belgrade where she received her MFA in painting.She has been showing in galleries around the world where her work is widely collected, as well as freelancing in the movie and video game industry as a designer.

CCAE is organizing international exhibitions, conferences, artist talks, lecture series and curatorial visits, publishes catalogues and online editorial, collecting and distributing information about Estonain contemporary art scene and has extensive video archive since 1990s giving great overview of past two decades.

In 2010 he opened The Walther Collection, a non-profit foundation dedicated to researching, collecting, exhibiting, and publishing photography and video art, which has become one of the most important holdings of contemporary African and Asian photography and video art.

2011 «Collected Ritual», The Studio Museum Harlem, New York, USA «Move: Choreographing You», Kunstsammlung Nordrhein - Wesfalen, Dusseldorf, Germany «Videosphere: A New Generation», Albright Knox Art Gallery, New York, USA «Video, an Art, a History: 1965 - 2010» Singapore Art Museum in collaboration with Centre Pompidou, Paris, France «The Cinema Effect: Illusion, Reality, and the Moving Image», CaixaForum, Madrid, Spain «Move.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

, Arp Museum, Remagen, DE The Concept Sublime 35 Years, Brigitte March International Contemporary Art, Stuttgart, DE Carolina Collects: 150 years of Modern and Contemporary Art from Alumni Collections, Ackland Art Museum, North Carolina, US In Deed Certificate of Authenticity in Art, De Vleeshal, Middelburg, NL Farbe im Fluss, Weserberg Museum für Moderne Kunst, Bremen, DE Multiples Uniques Noués, Galerie Georges Verney - Carron, Lyon, FR An Autobiography of our Collection, Vancouver Art Gallery, CA Fragment, Galerie Arnaud Lefebvre, Paris, FR Arte Povera International, Castello di Rivoli, Rivoli, IT Afterall Benefit Auction and Dinner, 45 Millbank, London, UK The Bidoun Auction, Christie's, London, UK TEXT, Kuckei + Kuckei, Berlin, DE Art & Project Bulletins 1 - 156 / September 1968 - November 1989, Cabinet Gallery, London, UK; Christophe Daviet - Thery, Paris, FR Children's Museum of the Arts Art Auction 2011, 82 Mercer, New York, US Many Small Paintings Some Objects Three Videos, Leslie Tonkonow Artworks + Projects, New York, US Museum of Affects, Moderna Galerija, Ljubljana, SI Niemandslicht, Kunstmuseum Bochum, Germany Peter Noever In Pursuit of Curation: Art and Architecture, Ace Museum and Southern California Institute of Architecture, Los Angeles, US The View from a Volcano - The Kitchen's Soho Years, 1971 — 85, The Kitchen, New York, US Érudition Concéte 4, FRAC - Île - de-France Le Plateau, Paris, FR Le Château, Musée d'Art Contemporain, Bordeaux, FR

The Art Institute of Chicago announces a landmark presentation of one of the country's leading private collections of contemporary art, Contemporary Collecting: Selections from the Donna and Howard Stone Collection, on view through September 19, 2010, in the Modern Wing's Abbott Galleries and in the eponymous Stone Film, Video, and New Media GalleArt Institute of Chicago announces a landmark presentation of one of the country's leading private collections of contemporary art, Contemporary Collecting: Selections from the Donna and Howard Stone Collection, on view through September 19, 2010, in the Modern Wing's Abbott Galleries and in the eponymous Stone Film, Video, and New Media Galleart, Contemporary Collecting: Selections from the Donna and Howard Stone Collection, on view through September 19, 2010, in the Modern Wing's Abbott Galleries and in the eponymous Stone Film, Video, and New Media Gallery.

The Stedelijk Museum has a long and distinguished history of collecting and exhibiting video and television - based art.

-- Revealing Sources in Contemporary Art,» Delaware Art Museum, Wilmington, DE, August 15 — October 4, 2009 «Beg, Borrow and Steal,» Rubell Family Collection, Miami, FL, December 2, 2009 — May 29, 2010; catalogue «30 Seconds off an Inch,» The Studio Museum in Harlem, NY, November 11, 2009 — March 14, 2010 «Reflection: A Video Program,» Art Institute of Chicago, Chicago, IL, August 25 — November 21, 2009 «Infinitesimal Eternity,» 32 Edgewood Avenue Gallery, Yale School of Art, New Haven, CT, September 9 — October 24, 2009 «Exposed: Revealing Sources in Contemporary Art,» Delaware Art Museum, Wilmington, DE, August 15 — October 4, 2009 «Post-American LA,» 18th Street Arts Organization, Santa Monica, CA, August 1 — September 30, 2009 «The Matrix Effect,» The Wadsworth Atheneum Museum of Art, Hartford, CT, July 25, 2009 — January 3, 2010 «FAX,» The Drawing Center, New York, April 17 — July 23, 2009; traveled to the Contemporary Museum, Baltimore, MD, September 12 — December 20, 2009; Torrance Art Museum, Torrance, CA, January 14 — February 20, 2010; Burnaby Art Gallery, Burnaby, Canada, March 16 — May 23, 2010; Dowd Gallery, Cortland, NY, September 2 — October 28, 2010; Museo de Arte Carrillo Gil, Mexico City, Mexico; Para / Site Art Space, Hong Kong «Collected Propositions on the Permanent Collection,» The Studio Museum in Harlem, New York, NY, April 2 — June 28, 2009 «Modern and Contemporary Works on Paper,» The Art Institute of Chicago, Chicago, IL, March 24 — September, 2009

If in doubt, just check out the video for «Picasso Baby,» Jay Z's attempt at performance art on July 10th, 2013, in New York's Pace Gallery where, touted and cheered on by such (former) artist hero - cum pop stars as Marina Abramovic, Jay Z waxed eloquently about the virtues of artistic creation by rapping about his forays into art collecting.

Highlights of the program include artist profile talks with Matt Lipps, Farrah Karapetian, Abelardo Morell and Mandy Barker; The institutional Lens: Collecting Photography by Artists from Latin America with Sarah Meister, Curator, from Department of Photography at The Museum of Modern Art in New York, Shoair Mavlian, the Associate Curator of Photography at Tate Modern in London, Thyago Nogueira, the Curator at Instituto Moreira Salles in Sao Paulo, and Idurre Alonso, the Associate Curator of Latin American Art from Getty Research Institute in Los Angeles; Landscape Photography in a Time of Social Change with artists David Maisel and Christina Seely, moderated by curator Julian Cox; and a discussion around video art with artists Zeina Barakeh, Monet Clark, Fernanada d'Agostino and Klea McKenna, moderated by Justin HoovArt in New York, Shoair Mavlian, the Associate Curator of Photography at Tate Modern in London, Thyago Nogueira, the Curator at Instituto Moreira Salles in Sao Paulo, and Idurre Alonso, the Associate Curator of Latin American Art from Getty Research Institute in Los Angeles; Landscape Photography in a Time of Social Change with artists David Maisel and Christina Seely, moderated by curator Julian Cox; and a discussion around video art with artists Zeina Barakeh, Monet Clark, Fernanada d'Agostino and Klea McKenna, moderated by Justin HoovArt from Getty Research Institute in Los Angeles; Landscape Photography in a Time of Social Change with artists David Maisel and Christina Seely, moderated by curator Julian Cox; and a discussion around video art with artists Zeina Barakeh, Monet Clark, Fernanada d'Agostino and Klea McKenna, moderated by Justin Hoovart with artists Zeina Barakeh, Monet Clark, Fernanada d'Agostino and Klea McKenna, moderated by Justin Hoover.

Feeling compelled, like so much of the art world, to throw aside ordinary business and respond to the recent election, Petzel collected work by 40 artists, as well as a hundred - odd videos submitted by the public, for a compelling group show whose success is well encapsulated in its title.

The exhibition, which collects more than 250 works from Kelley's multifaceted art practice — his body of work includes drawings on paper, sculpture, performances, music, video, photography and painting — is the largest installation that MoMA PS1 has ever organized, and only the second to utilize the entire museum.