Sentences with phrase «collecting women artists»

Valeria Napoleone discusses collecting women artists in her new «art cookbook» in «Home is Where the Arts Is» in the Times 6 Oct 12 (Hilary Rose)

In a broad sense the work continues to build upon the gallery's history of collecting women artists and adds to this strength within the collection.

Not exact matches

Sonny Liew took home three awards for his graphic novel history of Singapore The Art of Charlie Chan Hoc Chye (Best U.S. Edition of International Material — Asia, Writer / Artist, and Publication Design), while Jill Thompson collected three trophies (Best Single Issue for Dark Horse's Beasts of Burden: What the Cat Dragged In, Best Painter for that issue and the DC graphic novel Wonder Woman: The True Amazon, and Best Graphic Album — New for the Wonder Woman book).

Museums are exhibiting an increased sensitivity to collecting and presenting works by women — through new acquisitions, solo shows, and a stronger focus on artists who were previously neglected.

Traveled to Musée Marmottan Monet, Paris (February 12 — May 11, 2008) Be — Bomb: The Transatlantic War of Images and all that Jazz in the 1950s, Museu d'Art Contemporani de Barcelona (MACBA), Spain (October 5, 2007 — January 7, 2008) Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, Connecticut (September 29, 2007 — January 6, 2008) Twentieth - Century American Women Artists from the Frances Lehman Loeb Art Center, Vassar College, Gallery at the Park Avenue Bank, New York, New York (September 17 — November 2) Americans in Paris: Abstract Painting in the Fifties, Tibor de Nagy Gallery, New York (July 16 — September 29) French Kiss, JGM Galerie, Paris, France (May 25 — July 13) When Art Worlds Collide: The 60s, Woodward Gallery, New York (May 17 — July 14) An Architect Collects: Robert D. Kleinschmidt and a Lifetime of Fine Arts Acquisitions, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana - Champaign (April 20 — July 29) Gestes, Signes, Traces, Espaces: Figures de la peinture moderne française dans les collections publiques normandes, Musée d'art moderne André Malraux, Le Havre, France (February 17 — April 30).

Biomorphic Forms in Sculpture,» Kunsthaus Graz, September 27, 2008 — January 11, 2009 «AURUM Gold in Contemporary Art,» curated by Dolores Denaro, CentrePasquArt, Biel, Switzerland, September 13 — November 30, 2008 «Red Wind,» Blum & Poe, Los Angeles, CA, June 28 — August 23, 2008 «Collecting Collections: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, February 9 — May 19 2007 «Celebrating the Lucelia Artist Award, 2001 - 2006,» Smithsonian American Art Museum, Washington, D.C., September 21, 2007 — June 22, 2008 «Makers and Modelers: Works in Ceramic,» Gladstone Gallery, New York, NY, September 8 — October 13, 2007 «Blood Meridan,» curated by David Hunt, Galerie Michael Janssen, Berlin, Germany, April 27 — May 26, 2007 «From Close to Home: Recent Acquisitions of Los Angeles Art,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, April 1 — July 2 «eight sculptors from los angeles,» sabine knust, Münich, Germany, March 22 — April 17, 2007 «Multiple Vantage Points: Southern California Women Artists, 1980 - 2006,» curated by Dextra Frankel, Los Angeles Municipal Gallery at Barnsdall, Los Angeles, CA, February 25 — April 15, 2007 «Fast Forward: Contemporary Collections for the Dallas Museum of Art,» Dallas Museum of Art, Dallas, Texas, February 11 — May 20, 2007; cat.

And, depending on how you interpret the figures, at best, 36 per cent of living artists collected by the Tate that year were women; at worst, it comes out at 21 per cent.

Women have always been involved in art, either in making it, inspiring it, collecting it, or critiquing and writing about it, but they have more often been perceived as muse rather than as artist.

Until January 8, 2017 NO MAN»S LAND: WOMEN ARTISTS FROM THE RUBELL FAMILY COLLECTION National Museum of Women in the Arts, Washington DC Until January 14, 2017 BEDAZZLED Lehman College Art Gallery, Bronx, NY Until January 16, 2017 FIRST LIGHT: A DECADE OF COLLECTING AT THE ICA ICA Boston, MA October 4, 2016 - January 22, 2017 THE COLOR LINE: AFRICAN - AMERICAN ARTISTS AND THE CIVIL RIGHTS IN THE UNITED STATES Musée du quai Branly, Paris Until January 22, 2017 BELIEF + DOUBT: SELECTIONS FROM THE FRANCIE BISHOP GOOD AND DAVID HORVITZ COLLECTION NSU Art Museum, Fort Lauderdale, FL Until January 31, 2017 COLLECTED Pier24 Photography, San FranciscWOMEN ARTISTS FROM THE RUBELL FAMILY COLLECTION National Museum of Women in the Arts, Washington DC Until January 14, 2017 BEDAZZLED Lehman College Art Gallery, Bronx, NY Until January 16, 2017 FIRST LIGHT: A DECADE OF COLLECTING AT THE ICA ICA Boston, MA October 4, 2016 - January 22, 2017 THE COLOR LINE: AFRICAN - AMERICAN ARTISTS AND THE CIVIL RIGHTS IN THE UNITED STATES Musée du quai Branly, Paris Until January 22, 2017 BELIEF + DOUBT: SELECTIONS FROM THE FRANCIE BISHOP GOOD AND DAVID HORVITZ COLLECTION NSU Art Museum, Fort Lauderdale, FL Until January 31, 2017 COLLECTED Pier24 Photography, San FranciscWomen in the Arts, Washington DC Until January 14, 2017 BEDAZZLED Lehman College Art Gallery, Bronx, NY Until January 16, 2017 FIRST LIGHT: A DECADE OF COLLECTING AT THE ICA ICA Boston, MA October 4, 2016 - January 22, 2017 THE COLOR LINE: AFRICAN - AMERICAN ARTISTS AND THE CIVIL RIGHTS IN THE UNITED STATES Musée du quai Branly, Paris Until January 22, 2017 BELIEF + DOUBT: SELECTIONS FROM THE FRANCIE BISHOP GOOD AND DAVID HORVITZ COLLECTION NSU Art Museum, Fort Lauderdale, FL Until January 31, 2017 COLLECTED Pier24 Photography, San Francisco, CA

Through a series of interviews with friends, fellow dealers, artists who knew her, collectors and Guggenheim herself, we begin to compile a mental collage of this vivacious and colorful woman, who readily admitted to «rarely knowing what [she] was doing» when it came to art or collecting it.

Select group exhibitions featuring her work include Regarding Spirituality, The Nelson - Atkins Museum of Art, Kansas City, KS (2018, forthcoming); Phantom Bodies: The Human Aura in Art, John and Mable Ringling Museum of Art, Sarasota, FL (2016); Reductive Minimalism: Women Artists in Dialogue, 1960 - 2012, University of Michigan Museum of Art, Ann Arbor, MI (2014); 50 Years of Collecting Islamic Art, Metropolitan Museum of Art, New York (2013); Summer Exhibition, Royal Academy of Arts, London (2012); Without Boundary: Seventeen Ways of Looking, The Museum of Modern Art, New York (2006); Happiness, Mori Art Museum, Tokyo (2003); and Thinking Big: Concepts for Twenty - First - Century British Sculpture, Peggy Guggenheim Collection, Venice (2002).

1957 The 25th Biennial Exhibition, Corcoran Gallery of Art, Washington, DC LXII American Exhibition: Painting & Sculpture, The Art Institute of Chicago, Chicago, IL Golden Years of American Drawing 1905 - 1956, The Brooklyn Museum, Brooklyn, NY; Sloshley Art Gallery, Brandeis University, Waltham, MA 46th Annual Exhibition of American Painting, Randolph - Macon Women's College, Lynchburg, VA Cinq Maitres de la Ligne, Henry Clews Memorial, Fondation d'Arte de la Napoule, Paris, France American Painting 1945 - 57, The Minneapolis Institute of Arts, Minneapolis, MN Pacific Northwest Painters & Sculptors, Ogunquit Museum of Art, Ogunquit, ME 20th Century Works of Art, Krannert Art Museum, University of Illinois, Champaign, IL The American Vision - Paintings of 3 Centuries, Wildenstein Gallery, New York, NY Art in Asia & The West: An Exhibition to Illustrate Varied Aspects of Asian Traditions & Their Importance for Art in the West, San Francisco Museum of Modern Art, San Francisco, CA Annual Exhibition of Contemporary American Painting, The Whitney Museum of American Art, New York, NY 8 American Artists for the United States Information Agency; Korea, Japan, Australia, Europe Carnegie Institute Collects, Cincinnati Art Museum, Cincinnati, OH Prints and Drawings: Mainly By Modern French Artists, Parke Bernet Galleries, INC., New York, NY Seattle World's Fair, Seattle, WA

Academy museum director Brooke Davis Anderson said works by women from throughout the 20th century were highlighted in the gifts and acquisitions, «reflecting our commitment to collecting works by women artists and artists from communities often overlooked by the conventional canon of art history.»

NMWA writes an article for Hyperallergic about the challenges in collecting data about women artists of color.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

In the 1960s, Bauermeister was one of a select group of women artists in New York who were «not only exhibited widely but being collected at the highest level,» gallery owner Pavel Zoubok told artnet News.

MAM has collected more than two dozen MATRIX editions that have come from this collaboration, including Anonymous Was a Woman, which recognizes the ongoing work of women artists, as well as the fruitful MAM / MATRIX partnership.

South of Pico is broad in scope, tracing the narratives of oft - neglected artists, exploring the contributions of women artists and feminist visual theory, and highlighting the history of collecting by Hollywood movie stars and entertainers.

But what stands out in this context is the commitment on the part of the collector to collect individual artists in depth, and it is here that the percentage of women in Kagge's collection is striking.

PAFA has also successfully attracted a number of important gifts that further support the Collecting Plan, most notably the remarkable recent gift from Linda Lee Alter of 400 works by such women artists as Alice Neel, Louise Bourgeois, Louise Nevelson, Faith Ringgold, and Miriam Schapiro.

As part of the larger project started in the early 80's with shows such as the Thin Black Line (1986) and Black Woman Time Now (1983) devised to highlight the contribution black artists have made to visual art in Britain, she has with Susan Walsh in collaboration with the Interpretation and Education Team at Tate Liverpool, produced and distributed Open Sesame (2005) and The Point of Collection (2007) These are two DVD / text research documents which examine and reveal the contribution made to the exhibition education and collecting strategies at Tate in recent decades by artists of African, African / American, Asian and Caribbean descent.

26/4 - 2/6/2018 LAURA LANCASTER: SHADOWS AND MIRRORS Laura Lancaster's recent portraits of women both in silhouette and reflected in mirrors are paintings of «bad» and «accidental» pre-digital snapshot photographs collected by the artist.

LAURA LANCASTER: SHADOWS AND MIRRORS Apr 26 - Jun 2, 2018 Laura Lancaster's recent portraits of women both in silhouette and reflected in mirrors are paintings of «bad» and «accidental» pre-digital snapshot photographs collected by the artist.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

Each work on view entered the MCA collection through the generosity of Jack and Sandra Guthman, whose passion for collecting women photographers matches our own commitment to collecting work by female artists.

Viso's collecting priorities have increased the representation of local artists, women and people of color, as well as brought greater global diversity and addressed gaps in the Walker's historical holdings.

2011 Recent Editions, Pace Prints, New York, USA The Shape of the Problem, Elizabeth Leach Gallery, Portland, OR, USA Plot: Plan: Process, Leslie Tonkonow Artworks + Projects, New York, USA The Women in Our Life: A Fifteen Year Anniversary Exhibition, Cheim & Read, New York, USA Paper A — Z, Sue Scott Gallery, New York, USA The Missing Peace, San Antonio Museum of Art, San Antonio, TX, USA Artists Collect, International Print Center New York, New York, USA One Of A Kind, Pierre Menard Gallery, Cambridge, MA, USA

The acquisitions program has followed a three - pronged approach: to strengthen the holdings of landmark works by modern artists collected by the museum in depth; to widen its breadth with works by historical artists new to the department's collection, especially work by women, artists of African descent, and artists working outside of Europe and North America; and to actively collect works produced by the new generation of artists.

Since that startling discovery, Wilhelmina Cole Holladay has made it her mission to bring to the forefront the accomplishments of talented women through collecting, exhibiting and researching women artists of all nationalities and time periods.

About The Artist Ruby Neri (b. 1970, San Francisco) has participated in numerous exhibitions, including most recently Villa of Mysteries, Los Angeles Museum of Art (2016); Napa Valley Collects, Napa Valley Museum, Yountville, California (2016); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Fertile Ground: Art and Community in California, Oakland Museum of California in collaboration with the San Francisco Museum of Modern Art (2014); The Oracle, The Underground Museum, Los Angeles (2014); Energy That is All Around: Mission School, Grey Art Gallery, New York University, and San Francisco Art Institute (2013 - 14); The Possible, Berkeley Art Museum and Pacific Film Archive, University of California (2014); Busted, High Line Art, New York (2013); and Made in L.A. 2012, Hammer Museum, Los Angeles (2012).

They are oriented towards collecting and exhibiting contemporary art created by women and they have programs to educate the public and serve as a resource for students and scholars, curators and artists.

Following their historic lead, there's truth to the old adage that birds of a feather flock together, as there are numerous women in contemporary society that continue to effect change globally in the way art is perceived, understood and collected, among them Agnes Gund, the current President Emerita of MoMA; Sheikha Al Mayassa Al Thani, who at 31 is the Director of the Qatar Museum Authority with an unlimited acquisition budget; Emily Fisher Landau, famed art collector and philanthropist, who founded the Fisher Landau Center for Art and is a trustee and generous donor for the Whitney Museum of American Art; Rosa de la Cruz, who with her husband Carlos, founded the de la Cruz Collection Contemporary Art Space (Miami), which provides education and awareness in the visual arts; Dasha Zhukova, the formidable founder of the most significant private art foundation in Russia, the Garage Museum of Contemporary Art; and Miuccia Prada, CEO of Prada fashion and co-founder of Fondazione Prada, which promotes contemporary art and other arts - related interests; all of these remarkable women share the passion that Beth has developed for the arts and artists.

We have focused on collecting in post-war Brazilian art, and one of the interesting points about Brazil versus the United States is that probably the four most significant artists to have emerged in the mid-century, three of them were women and one was a gay man.

The acquisitions program has followed a three - pronged approach: to strengthen the holdings of landmark works by modern artists whom the Museum collects in depth; to widen its breadth with works by historical artists new to the department's collection, especially women, artists of African descent, and artists working outside of Europe and North America; and to collect actively from the new generation of artists working today.

Featuring work by 37 artists from 15 countries, NMWA's presentation imagines a visual conversation between women artists new to the Rubell Family Collection and those whose works they began collecting decades ago.