Sentences with phrase «collection alongside works»

In presenting historic paintings, such as Francisco de Zurbarán's A Cup of Water and a Rose (about 1630) from the National Gallery collection alongside works made by her contemporaries including Thomas Demand, Roni Horn and Wolfgang Tillmans and her own film Prisoner Pair (2008, 16 mm), the exhibition will demonstrate the continued importance of still life, as well as the National Gallery's collection, as a source of inspiration in contemporary artistic practice.

A permanent exhibition that contextualizes the artist's practice, presenting pieces from the center's collection alongside works on loan from other collections and institutions.

Without gallery support Bunker's collages have entered private collections alongside work by artists including Gillian Ayres, Georges Braque, Alan Davie, Robyn Denny, John McLean & John Hoyland.

Not exact matches

Those who work with teens who have their own phones can compare collections or virtually fight alongside young people to win over a landmark.

She has published stories alongside Stephen King, Alice Munro, and Anais Nin, in «Woman, an anthology» a collection of works celebrating strong female dynamics.

Kit Kemp has worked alongside iconic British company Wedgwood to create a beautiful collection of specially designed china called Mythical Creatures.

And this season, Cédric Charlier, who worked alongside Alber Elbaz at Lanvin, struck out with his first collection under his own name, backed by the Aeffe Group, an Italian manufacturer and distributor that also works with Jean - Paul Gaultier, Moschino, and Cacharel.

He launched his first collection back in September of 2006 after gaining his expertise working alongside his father for 20 years.

Guests will discover truly one - of - a-kind shopping opportunities, including Soul of Asia, with its rare and inspired collection of genuine Asian master paintings, antiques and artifacts, alongside side modern art works by Andy Warhol, Salvador Dali and Picasso.

From the acquisition of the first work — a painting by Jacksonville, Florida, artist John McIver — the collection has grown alongside the company that Preston founded in 1965, a firm that has become the nation's leading integrated design - build company.

It includes a significant group of paintings by Frankenthaler from the 1950s to the 1990s alongside oil paintings and watercolours by Turner from throughout his career, with key works from the National Gallery and the Yale Centre for British Art collections.

Johnson has long been a fan of her work, which has a place in the family's personal collection alongside pieces by Cy Twombly, Jackie Gendel and Liz Nielsen.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

This spotlight exhibition will present all twenty illustrated plates from Henri Matisse's Jazz alongside a small selection of additional works by the artist from the Albright - Knox's collection.

This exhibition, in her adopted home of Preston, and the title of which makes reference to a visit Charles Dickens made to the town, features key installations including A Fashionable Marriage (1986), alongside works by Himid from the Harris» collection.

She works in a variety of media — painting and photography alongside film, video and installation - and exhibits regularly in the United States, Europe and Mexico, with works held in major museum collections worldwide.

Selected works from the collections of the Kunstmuseum Basel are displayed alongside eminent pieces loaned from international museums and private collections.

This year's exhibition features the work of an artists» «collective» - Northampton artists Ali Osborn, Raphy Griswold, and Teddy O «Connor - who will position their work alongside works they select from the UMass permanent art collection and place them in direct dialogue with one another.

Important early works, «With Dead Head» (1991) and the «Natural History» piece «Away from the Flock» (1994), were exhibited alongside a butterfly monochrome diptych created specifically for the collection: «Monument to the Living and the Dead» (2006).

Featured alongside the works from the Museum's permanent collection is a large oil sketch by major American regionalist painter John Steuart Curry depicting the iconic Oklahoma Land Run.

Dickinson presents another exceptional collection, with a salon - style display of works on paper by Picasso, Henri Matisse, Georges Braque, Paul Cézanne and Amedeo Modigliani, alongside an interesting and unconventional Vincent van Gogh watercolour, The Windmill (1887).

The exhibition will feature 170 works of art, including more than 60 paintings, sculptures, and ceramics by Picasso alongside more than 20 works of African and Oceanic art that were part of his personal collection — pieces that he collected, lived with and kept with him in his studios, many of them featured for the first time in the Americas.

The installation also features imaginative new works made by Hamilton in response to the house and its collection, alongside contributions from invited collaborators.

Monet would acquire 13 more works by Cézanne, the best represented artist in his collection alongside Renoir.

Artists in the exhibition will include 1980s pop icons from the collection, such as Kenny Scharf and Jean - Michel Basquiat, alongside artists whose work has been influenced by pop, politics and media, such as Nina Chanel Abney, Katherine Bernhardt, Lizzi Bougatsos, Joe Bradley, Sarah Braman, William N. Copley, Thornton Dial, Wally Hedrick, Joyce Pensato, Carol Rama, Peter Saul, Josh Smith, Spencer Sweeney, Henry Taylor and Sue Williams.

On May 12, Max Laniado Gallery — Visio Dell» Arte presents an exclusive collection including the works of highly credited artists, such as Akhmetvaliev, Burykin, Chhour, Cosmina, and Ene, alongside those of emerging artists, such as Bonus, Bortniker, Legoupil, Longo, Modébadzé, and Valli.

Curated by Lydia Yee, the exhibition presents a selection of objects from the collections of the artists alongside at least one key example of their work to provide insight into their inspirations, influences, motives, and obsessions.

Our most recent collection, selected by Barbara Rae RA, showcases a number of Academicians alongside invited Scottish artists, whose work explores artists» relationships with the land or the sea.

Alongside the exhibition, pioneering works by Gerhard Richter from the collection of the Museum Ludwig are being presented, including icons such as Ema (Nude on a Staircase) from 1966, 48 Portraits of German intellectual figures from 1971/72, the abstract painting War from 1981, and the glass work 11 Panes from 2003, among others.

There, works by various outsiders hung alongside Ossorio's collection of pictures by Willem de Kooning, Jackson Pollock and Clyfford Still.

Artists in the exhibition include 1980s pop icons from the collection, such as Kenny Scharf and Jean - Michel Basquiat, alongside artists whose work has been influenced by pop, politics and media, such as Nina Chanel Abney, Katherine Bernhardt, Lizzi Bougatsos, Joe Bradley, Sarah Braman, William N. Copley, Wally Hedrick, Joyce Pensato, Carol Rama, Peter Saul, Josh Smith, Spencer Sweeney, Henry Taylor and Sue Williams.

Last year, when the gallery held the show «Yes, No, Maybe: Artists Working at Crown Point Press,» it featured the final - edition print of «Green» from its collection alongside these three preliminary impressions or proofs.

A new exhibition at the Newcomb Art Museum of Tulane in New Orleans presents new work by KAWS, alongside pieces from his collection by two artists, Chicago - based Karl Wirsum

A comprehensive selection of his works is presented alongside objects from his collections of vernacular art and religious didactic materials.

Gems of Duckburgian art will be shown alongside works from the Ateneum collection at...

Alongside the riches of the Ateneum Art Museum's permanent collection — which, in addition to classics of Finnish national art, also contains several hundred works by world - renown artists, from Vincent van Gogh to Edvard Munch — in June the temporary summer program will be opened with a retrospective of the works of American artist Alice Neel (1900 - 1984).

A three - part exhibition, the first gallery provides a glimpse of McGinness's studio practice, the second displays a selection of the objects McGinness chose from the museum's collection alongside his sketches and final image, and the last portion features early works the artist made while growing up in Virginia Beach.

Alongside these major works is a collection of archival objects on exhibit — selected by Silva from Anatsui's studio, study and library in Nsukka, Nigeria.

The collection of 40 - some galleries includes established institutions like Blum & Poe alongside studios displaying the works of emerging artists.

Four years in the making, the works are inspired by the artist's interest in Renaissance drawings, so shown alongside Redefining Pleats of Matter (2015) is the Raphael drawing that influenced it, Saint Benedict Receiving Maurus and Placidus, on loan from a private collection.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Each of the artists» collections is shown alongside examples of their own work, in order to make the parallels explicit.

When it was founded, the Walker was intended to house the art of the day, and its Victorian collection is justly celebrated; landscapes by Turner are displayed alongside works by Millais, Rossetti and Leighton.

Curated by Shumi Bose, (Curator, RIBA Public Programmes) with support from Suzie Pugh (Curator, RIBA Drawings & Archives Collections) fourteen works are displayed alongside the new drawings series by Bronstein, situating and contextualising the exhibition in a continuity of architectural practice.

Now, decades later, it will be an honor to present two superb examples of his work at SFMOMA, where his art is a natural fit alongside so many of his generational peers in our collections of postwar painting and sculpture.»

The wide panorama established by the collection, which alongside painting and sculpture also includes to a substantial degree photography and video works, finds its conceptual orientation through the search for comparable visual concepts in works employing various media.

In addition, a selection of works from the original Bass collection can be seen in the newly dedicated permanent collection gallery, alongside a rotating series of artist projects in dialogue with the collection.

The presentation includes many objects that have seldom or never been exhibited before and offers a rare look at works from Lyon's archives alongside important loans from major public and private collections in the United States.

Gems of Duckburgian art will be shown alongside works from the Ateneum collection at the Stories of Finnish Art exhibition.

A three - part exhibition, the first gallery provides a glimpse of McGinness» studio practice, the second displays a selection of the objects McGinness chose from the museum's collection alongside his sketches and final image, and the last portion features early works the artist made while growing up in Virginia Beach.