Sentences with phrase «collection artists on view»

Permanent collection artists on view: Matthew Barney, Robert Barry, Bernd and Hilla Becher, Vanessa Beecroft, Christian Boltanski, James Casebere, Maurizio Cattelan, Sarah Charlesworth, Judy Chicago, Gregory Crewdson, Sam Durant, Ellen Gallagher, Anna Gaskell, Nan Goldin, Leon Golub, Mona Hatoum, Gary Hill, Zhang Huan, Mike Kelley, William Kentridge, Annette Lemieux, Agnes Martin, Tracey Moffatt, Yasumasa Morimura, Cady Noland, Damián Ortega, Roxy Paine, Richard Prince, Ellen Rothenberg, Erika Rothenberg, Robert Ryman, Chéri Samba, Richard Serra, Andres Serrano, Lorna Simpson, Alexis Smith, Sam Taylor - Wood, and Andy Warhol.

Not exact matches

Among the offerings are a whimsical chicken concept named The Coop, and the Artist's Table, which will feature a rotating selection of menu items inspired by the collections on view at the Gallery.

Lance is an award - winning artist, his paintings are in collections in Australia and Overseas and on display at Burra View.

More than 20,000 works by indigenous and non-indigenous Australian artists from colonial times to the present make up the collection, with about 800 pieces on view at any given time.

On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).

The BMA is also hosting a Wikipedia Edit - a-Thon for entries about African - American artists represented in the BMA's collection, and offering a new self - guided tour of works by African - American artists whose works are currently on view in the galleries.

On view in the East Room are examples from The Morgan Library & Museum's extraordinary collection of medieval illuminated manuscripts, rare printed books and bindings, and handwritten manuscripts of great writers, artists, and composers from the Renaissance to the present day.

The work on view focuses on artists in the collection whose practices respond to issues of identity, gender, class, power, and the values that contribute to our social fabric.

The collection of works on view in «The Roaming Eye» comes together as a conversation with a multi-generational group of artists.

Works by African American contemporary artists from Alabama, Tennessee, Georgia, Mississippi, and Florida will be presented in six spaces at the museum where the institution's permanent collection is usually on view.

On view are drawings from the museum's own collection as well as works from the private collection of Josephine Hopper, the artist's widow, who donated some 2,500 works to the Whitney Museum.

, both on view through December 17 — engage that complicated relationship in indirect but interesting ways: Betbeze is a Georgia native who continues to make work here despite now living in New York, and Detroit artist Harrison's show draws much of its source material from Atlanta - based collections of African art.

He was the first living artist to be featured at the Louvre in Paris in 2008 with The Angel of Metamorphosis, a continuation of his provocative body of work that has been described as «actions» and «private performances,» which took place in the Flemish, Dutch, and German galleries among historic masterpieces on view as part of the collection.

Each of the museum's two current headline exhibitions — Anna Betbeze's Venus and Matthew Angelo Harrison's Dark Povera Part 1, both on view through December 17 — engage that complicated relationship in indirect but interesting ways: Betbeze is a Georgia native who continues to make work here despite now living in New York, and Detroit artist Harrison's show draws much of its source material from Atlanta - based collections of African art.

On view through January 5, 2014 the site specific exhibition draws on the museum's collection in combination with Marti's work to pay homage to poet John Keats and artist Paul TheOn view through January 5, 2014 the site specific exhibition draws on the museum's collection in combination with Marti's work to pay homage to poet John Keats and artist Paul Theon the museum's collection in combination with Marti's work to pay homage to poet John Keats and artist Paul Thek.

Through the Mint Museum's collection you can trace the evolution of this genre from the work of the Hudson River School painters such as Thomas Cole and Sanford Gifford, who focused on the natural beauty of our country's topography, through the rise of Impressionism: a movement whose artists celebrated a more abstract, subjective view of their surroundings.

From the start, an aim of the museum has been to build a collection that concentrates not on breadth, but on depth, and thus provides a view of key artists from our time.

It ranges from the NMWA's women only collection and exhibition - programme to an entire wing of the Brooklyn Museum being dedicated to feminist art; there's also The Metropolitan Museum of Art's decision to show work by lesser - known artists like Helen Torr and Elizabeth Catlett that has never been on view in «Reimagining Modernism: 1900 — 1950» (the rehang of their modern art collection); and there's the recent acquisition by the Tate of a painting by Mary Beale, who is regarded as Britain's first professional female artist.

This book highlights The Broad collection's depth by assembling a sharp cast of cultural leaders, writers, critics, and curators to share their insights, experiences, and diverse points of view on some of The Broad collection's most celebrated artists.

This is the first time in several decades that such an extensive collection from the artist's earliest body of work is on view.

As with that exhibition, many of the works now on view at the Aquavella Galleries» posh, mirrored townhouse on Manhattan's 79th Street (the artist's first show there), a few blocks north of the Whitney Museum of American Art, came from the Thiebaud Family Collection, the artist's studio, museums and private collections.

Works on view, drawn from the Morgan's collections, survey illustrated publications from 1890 to 1935, contextualizing them within their idealized past — in touchstones of medieval and Renaissance book design — and mapping potential trajectories in experimental animation, the fine press, and works by graphic artists today.

Diaz, Al. «Couple gives «women's work» a new definition with collection focused on female artists, on view through Jan 22», Miami Herald, January 2017.

On view in the renovated Marks Gallery on the museum's first floor, the exhibition is the 12th in the ongoing series, in which prominent designers, artists and architects are invited to mine and interpret the museum's collectioOn view in the renovated Marks Gallery on the museum's first floor, the exhibition is the 12th in the ongoing series, in which prominent designers, artists and architects are invited to mine and interpret the museum's collectioon the museum's first floor, the exhibition is the 12th in the ongoing series, in which prominent designers, artists and architects are invited to mine and interpret the museum's collection.

Until 2008, when it was restituted to the heirs of Malevich's family in agreement with the Stedelijk Museum, Suprematist Composition was on view in Amsterdam as part of the Stedelijk's unrivalled collection of the artist's work.

The second rotation, Paintings after 2000, on view from June 8th to July 10th, features works from the artist's collection from different series: Nothing Paintings, Weather Paintings and Landscape Paintings.

This event is free and open to the public, and features over sixty curator & artist talks where you can hear from experts about collections on view.

From Group Material co-founder Julie Ault's personal art collection from the 1980s and»90s on view at Artists Space to Fiona Tan's film of the Sir John Soane Museum's antiquities collection at the Philadelphia Museum of Art (echoing Alain Resnais's great 1956 documentary of Paris's national library, «Toute la mémoire du monde») to the Museum of the City of New York's upcoming show of graffiti art collected by the late artist Martin Wong, artists and institutions are devoting considerable efforts to showing groups of historical art objects gathered through an idiosyncratic personal vision — with that act of curation being foregrounded as an artistic gArtists Space to Fiona Tan's film of the Sir John Soane Museum's antiquities collection at the Philadelphia Museum of Art (echoing Alain Resnais's great 1956 documentary of Paris's national library, «Toute la mémoire du monde») to the Museum of the City of New York's upcoming show of graffiti art collected by the late artist Martin Wong, artists and institutions are devoting considerable efforts to showing groups of historical art objects gathered through an idiosyncratic personal vision — with that act of curation being foregrounded as an artistic gartists and institutions are devoting considerable efforts to showing groups of historical art objects gathered through an idiosyncratic personal vision — with that act of curation being foregrounded as an artistic gesture.

More than 1,280 people showed up that Saturday to take in the inaugural exhibitions by renowned artists Bill Viola, Liza Lou, Stephen Antonakos, Kendall Buster, Kehinde Wiley and Alfredo Jaar; peruse the Walter O. Evans Center for African American Studies and the Pamela Elaine Poetter and André Leon Talley galleries; view items from SCAD's personal collection throughout the museum; relax in the Alex Townsend Grand Courtyard; and enjoy treats at the museum's Tad Café such as zucchini bread as well as ham, Brie, apple and onion confit on a baguette.

On view September 18, 2013 — January 19, 2014, Matisse's Marguerite: Model Daughter brings together more than 40 prints, drawings, paintings, and sculptures from the BMA and other public and private collections to show Marguerite over the course of 45 years and provide a fascinating glimpse of the artist's relationship with his only daughter.

Jazz and another work from the Hammer Museum's collection by renowned artist John Baldessari will be on view in San Diego until February 7, 2016.

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.

The organization is dedicated to exhibiting contemporary works of art by Georgia artists, but MOCA GA's permanent collection comprises over 1,000 artworks by 290 artists from mid-1940s to today, selections from which are typically on view.

With only two rooms dedicated to exhibiting an output spanning the decades between 1974 and 2000, the collection of drawings, collages, videos and several sculptural installations that are on view provide an electrifying, if woefully abridged, introduction to an artist still largely working in obscurity.

Martin Z. Margulies is a major donor to MOCA's collection, including a large - scale installation by Swiss artist Thomas Hirschhorn and recently donated photographs by Ed Ruscha to MOCA's 15th Anniversary Collection, on view in the Pivot Points exhibition.

And despite the currently murky distinctions between a collection and a museum, the roster of artists on view at the Margulies is first rate.

On view at the Met from October 19 to February 20, 2017, «Max Beckmann in New York,» focuses on 14 paintings the German artist created during the last two years of his life, when he had been living in New York; also included are earlier works culled from New York collections — some 40 pieces in alOn view at the Met from October 19 to February 20, 2017, «Max Beckmann in New York,» focuses on 14 paintings the German artist created during the last two years of his life, when he had been living in New York; also included are earlier works culled from New York collections — some 40 pieces in alon 14 paintings the German artist created during the last two years of his life, when he had been living in New York; also included are earlier works culled from New York collections — some 40 pieces in all.

These are heard alongside the electromagnetic sounds of Nam June Paik's TV Crown (1965/1999), a work in SFMOMA's collection, which was on view during the artist's first site visit in preparation for Soundtracks, in the spring of 2016.

Alex Katz: A Matter of Light, on view from July 13 through Sept. 15, 2013, features 48 prints, drawings, and paintings from the permanent collection, demonstrating the artist's study of light, shadow, and their relationships to flat color.

Several artworks from the collection including photographs of and a drawing by Hartley, as well as art he owned by fellow Maine - connected artists, are on view in the Portland Museum of Art exhibition Director's Cut: The Maine Art Museum Trail from May 21 — September 13.

Girls» Club's Spring 2013 intern Sofia Bastidas interviews collection artist Jorge Pantoja, featured in the 2012 - 2013 Girls» Club exhibition Following the Line: contemporary drawings from the collection of Francie Bishop Good and David Horvitz, curated by Carol Jazzar, on view November 2, 2012 - Sept 27, 2013.

Bright raw colors, rough edges and spontaneity define the seven paintings on view by established modern artists including Paul Jenkins, Syd Solomon, Robert Natkin and Stanley William Hayter — all who have enjoyed prominent exhibition histories and whose works are held in the permanent collections of top institutions including MoMA, the Guggenheim, the Whitney and the Tate.

The second rotation, Paintings after 2000, on view from June 8th to July 10th, feature works from the artist's collection from different series: Nothing Paintings, Weather Paintings and Landscape Paintings.

Drawing from the Smart's permanent collection, this intimate exhibition explored how nineteenth - century artists and their audiences drew on views of the natural world, classical imagery, allegory and historical subjects to construct a meaningful understanding of the rapidly changing present.

SERIES INVITES ARTISTS TO CURATE FROM THE COLLECTIONS On view at the Hammer February 15 - May 24, 2009 Los Angeles, CA — The Hammer Museum presents the second exhibition of Houseguest, a new series in which artists are invited to curate a show from among the Museum's diverse colleARTISTS TO CURATE FROM THE COLLECTIONS On view at the Hammer February 15 - May 24, 2009 Los Angeles, CA — The Hammer Museum presents the second exhibition of Houseguest, a new series in which artists are invited to curate a show from among the Museum's diverse cCOLLECTIONS On view at the Hammer February 15 - May 24, 2009 Los Angeles, CA — The Hammer Museum presents the second exhibition of Houseguest, a new series in which artists are invited to curate a show from among the Museum's diverse colleartists are invited to curate a show from among the Museum's diverse collectionscollections.

While her legendary status and influence on artists of all generations means Schneemann (born in 1939) continues to be a central canonical figure, it is shocking that «Water Light / Water Needle» — a modest collection of photographs, drawings, and a single video work currently on view at Hales Gallery — is her first solo exhibition in London.

The work on view is selected from the Girls» Club collection of works by contemporary women artists and from other artists and other art collections.

These are just a few of the legendary 20th - century artists whose artwork on view at the Art Gallery of Ontario as the Gallery welcomes Abstract Expressionist New York, an exhibition drawn from the collection of The Museum of Modern Art (MoMA).

Works from the permanent collection, along with continuously changing temporary exhibitions, are on view in the museum's 46 galleries Fridays from 10 am to 9 p.m. and Tuesdays to Sundays from 10 am to 5 pm The adjacent Sydney and Walda Besthoff Sculpture Garden features work by over 60 artists, including several of the 20th century's great master sculptors.

Cullinan made the picks for «In Part,» an exhibition of works from the Prada collection that focuses on close - ups, cropped images, and body parts by artists who include Lucio Fontana, Maurizio Cattelan, Richard Serra, William Copley, and John Baldessari — a disproportionately male lineup barely relieved by the presence of an Eva Hesse and the Bourgeois on view in other buildings.