The New Jeff Koons 1980 duratran, fluorescent lightbox 42 x 32 x 8 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT New Hoover Celebrity IV, New Hoover Convertible, New Shelton Wet / Dry 5 - Gallon, New Shelton Wet / Dry 10 - Gallon Doubledecker Four vacuum cleaners, 1985 plexiglas, fluorescent lights 99 x 53 1⁄2 x 28 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Aqualung 1985 bronze Edition 1
of 3 27 x 17 1⁄2 x 17 1⁄2 inches Private
collection One Ball Total Equilibrium Tank (Spalding Dr. J Silver Series) 1985
glass, steel, sodium chloride reagent, distilled
water, basketball Edition 1
of 2 64 3⁄4 x 30 3⁄4 x 13 1⁄4 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Three Balls 50/50 Tank (Wilson Aggressor, Wilson Supershot, Dr. J Silver Series) 1985
glass, steel, distilled
water, three basketballs Edition 2
of 2 60 1⁄2 x 48 3⁄4 x 13 1⁄4 inches Private
collection Jim Beam - J.B. Turner Train 1986 stainless steel, bourbon Artist's Proof 11 x 114 x 6 1⁄2 inches Stefan T. Edlis
collection I Assume You Drink Martell 1986 oil inks on canvas Edition 1
of 2 45 x 60 inches Private
collection Italian Woman 1986 stainless steel Edition 1
of 3 30 x 18 x 11 inches Courtesy Leo Castelli Gallery Rabbit 1986 stainless steel Edition 3
of 3 41 x 19 x 12 inches Sonnabend
collection Buster Keaton 1988 polychromed wood Edition 2
of 3 65 3⁄4 x 50 x 26 1⁄2 inches C&M Arts Michael Jackson and Bubbles 1988 porcelain / ceramic blend Edition 2
of 3 42 x 70 1⁄2 x 32 1⁄2 inches San Francisco Museum
of Modern Art, purchased through the Marian and Bernard Messenger Fund and restricted funds Pink Panther 1988 porcelain Edition 3
of 3 41 x 20 1⁄2 x 19 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT St. John the Baptist 1988 porcelain Edition 3
of 3 56 1⁄2 x 30 x 24 1⁄2 inches Courtesy Sonnabend Gallery Ushering in Banality 1988 polychromed wood Edition 2
of 3 38 x 62 x 30 inches Private
collection Vase
of Flowers 1988 mirror 72 1⁄2 x 53 x 1 inches
Collection of Michael Crichton, courtesy
of Christie's Wild Boy and Puppy 1988 porcelain Edition 1
of 3 38 x 39 1⁄2 x 23 1⁄2 inches C&M Arts Winter Bears 1988 polychromed wood Edition 2
of 3 48 x 44 x 15 1⁄2 inches Anthony d'Offay, London Woman in Tub 1988 porcelain Edition 3
of 3 23 3⁄4 x 36 x 27 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bourgeois Bust - Jeff and Ilona 1991 marble Artist's Proof 44 1⁄2 x 28 x 21 inches Anthony d'Offay, London Dirty - Jeff on Top 1991 oil inks silkscreened on canvas 60 x 90 inches
Collection of Rachel and Jean - Pierre Lehmann Wall Relief with Bird 1991 polychromed wood Edition 2
of 3 72 x 50 x 27 inches C&M Arts Balloon Dog (Orange) 1994 - 2000 high chromium stainless steel, mirror - polished finish with transparent color coating 120 x 144 x 45 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bread with Egg 1995 - 1997 oil on canvas 128 x 108 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Play - Doh 1995 - 2004 oil on canvas 131 5⁄16 x 111 1⁄16 inches Private
collection Auto 2001 oil on canvas 102 x 138 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Lobster 2003 polychromed aluminum, steel, vinyl Edition 1
of 3 57 7⁄8 x 17 1⁄8 x 37 inches (plus variable length chain) Private
collection, courtesy Thea Westreich Art Advisory Services Elvis 2003 oil on canvas 108 x 93 inches Stefan T. Edlis
collection
Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant
of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its
collection of medieval Books
of Hours; Trying to Remember the Color
of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed
of 2,983 individual watercolors representing the artist's recollection
of the sky on September 11, 2001; Painting Air (2012), an installation
of more than 100 panels
of suspended
glass inspired by the colors
of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series
of windows which Finch transformed with 700 individual panes
of glass representing the
water conditions on the Hudson River over 700 minutes in a single day.
Among previous projects are A Certain Slant
of Light (2014 - 15), a large - scale installation at The Morgan Library & Museum inspired by its
collection of medieval Books
of Hours; Trying To Remember the Color
of the Sky on That September Morning (2014), composed
of 2,983 individual watercolors representing the artist's recollection
of the sky on September 11, 2001; There Is Another Sky (2014), which transformed a formerly dark alley into an urban forest sanctuary at South Lake Union, Seattle; Painting Air (2012), an installation
of more than 100 panels
of suspended
glass inspired by the colors
of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation composed
of an existing series
of windows transformed with 700 individual panes
of glass representing the
water conditions on the Hudson River over 700 minutes in a single day.