Not exact matches
Esopus 23 presents specially - commissioned projects exclusive to this issue including a series
of images
printed on translucent and metallic stocks by Marilyn Minter, a portfolio
of die - cut works by Mickalene Thomas, a
collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series
of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges
of living and working between Berlin and Lagos, and a series
of abstract
photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.
Having a
collection of more than 40,000
prints, the Centre Pompidou will present a selection
of hundred works illustrating the most remarkable moments within the last 10 years
of photographic acquisitions at the museum.
The
collection also includes all applications
of the medium, from artistic pursuit to commercial enterprise and from amateur pastime to documentary record, as well as all types
of photographic processes, from daguerreotypes to digital
prints...
The archival
collection consists
of photographic material and documentation
of Draper's career as a fine arts photographer, teacher and photojournalist and comprises approximately 20 linear feet
of material and includes 1,791
prints, 36,216 negatives, 557 proof sheets, about 2,477 color slides, 16 transparencies and computer art.
For managing the loan and preparing the paintings, photographs, and
printed material for display and
photographic materials for this publication, we are grateful to the New York State Office
of Parks, Recreation and Historic Preservation Peebles Island Resource Center staff: Acting Director for the Bureau
of Historic Sites John Lovell; Director
of the Division for Historic Preservation Ruth Pierpont;
Collections Manager Anne Ricard Cassidy and her staff Erin Czernecki, Ronna Dixson, and Mary Zaremski; Former Curator Robin Campbell, Curator Susan Walker, and Assistant Curator Amanda Massie; Paper Conservator Michele Phillips; Frames Conservator Eric Price; and Paintings Conservator Joyce Zucker.
Our eclectic
collection of vintage and later
prints emphasizes
Photographic Modernism, but also includes earlier and later photographs.
For our particular studio visit we convened at the Chicago Cultural Center where Rashayla had organized a
collection of research materials and
photographic prints for her installation Appropriation Politics 102 Circa 2017.
Freud «s Viennese Library was fragmented and dispersed when he fled the city from the Nazi regime in 1938, and the installation reunited for the first time books from his
collection on the psychoanatlytical concept
of displacement, later photographed and replaced with
photographic prints.
From William Henry Fox Talbot's earliest «photogenic drawings» and Charles Nègre's translation
of photographic images into a variety
of mechanical processes, to the photogram process that was a staple for Man Ray, Dada, and the Surrealists, Past Picture draws from the extraordinary holdings
of late nineteenth and early twentieth - century photographs in the
collection of the National Gallery
of Canada to present
prints and images by some
of photography's most innovative and influential inventors and practitioners.
On view at Kunstsammlung Nordrhein - Westfalen's K20 gallery in Düsseldorf, the show presents a
collection new images alongside earlier works exploring
photographic abstracting, including a
print of Rhein II, (1999), the most expensive photograph ever sold.
Including works by Aaron Siskind, André Kertész, Frederick Evans, Robert Doisneau, Diane Arbus, Keith Smith, Constantin Brancusi, Francesca Woodman, Alfred Stieglitz, Erwin Blumenfeld and John Wood, this exclusive
collection reveals the artist's transformation
of a
photographic print into a singular, unique artwork through his / her annotation or inscription.
Curated by Candice Allison, the exhibition includes recent and previously unseen work:
photographic prints, drawings, oil paintings, video, and installation; alongside paintings from the National Gallery
of Zimbabwe's permanent
collection, material from the National Archives, and Chiurai's own personal archive
of propaganda posters and vinyl records.
Featuring over 150 vintage
prints and key works from international museums and private
collections, the exhibition also demonstrates Man Ray's use
of revolutionary
photographic techniques and early experiments with colour, as well as surveying his published work in leading magazines such as Vogue and Vanity Fair.
The London - based
collection now contains more than 2,000 publications, and exists as both a physical manifestation
of a worldwide movement and, as SPBH refers to it, a «call to action», aiming to inspire visitors to create books through different
photographic and
printing processes.
Richard Prince's «New Portraits» series (2015), in which he appropriates Instagram posts, turning them into large - scale
prints, is evidence
of the influence viral, online imagery has already had on contemporary art photography; and, while we might cringe at the thought
of «selfies» and «food porn» someday appearing in MoMA's
photographic collection, it is almost imperative that they do.
Nearly every
photographic process from its origins — daguerreotypes, albumen silver
prints, gelatin silver
prints, gum bichromates, platinum silver, cyanotypes and even digital archival
prints — are in the
collection, making it a keen contribution to the history
of the medium itself beyond Albany's city limits.
Horizon (Mother), 2015 Lambda
photographic prints, frame (diptych) 49 x 49 x 8 inches (124.5 x 124.5 x 20.3 cm)(each)
collection of the Portland Art Museum
Metropolitan Museum
of Art, New York The Met's department
of photographic art contains 20,000 photographs,
prints and daguerreotypes, organized around the Alfred Stieglitz, Edward Steichen, Walker Evans, and Ford Motor Company
collections.
colour
photographic print mounted on aluminum, 40» x 72» (
collection of the Confederation Centre Art Gallery, Charlottetown, gift
of the artist)
Plans for 2011 also include solo exhibitions by leading Irish and international artists such as Gerard Byrne, Barrie Cooke, Romuald Hazoumè and Philip Taaffe; a large - scale exhibition from an important American
photographic collection, which is being donated to IMMA, and a display
of works from the Museum's
collection of Old Master
Prints.
Earlier this month, a controversy erupted over a proposed deal between Library and Archives Canada (LAC) and Canadiana.org, a not - for - profit partnership
of major research libraries in Canada, to digitize the LAC's vast
collections of print and
photographic material and make it available to the public via a new online portal.
Choc full
of the designer's signature
prints, Gaultier's second home
collection explores his favourite themes, including
photographic landscapes, crushed metal fenders, angelic medallions, fishnets and,
of course, la Marinière stripes.