Sentences with phrase «collective exhibition including»

Since graduating from York University with her BFA Honours Degree, Lefsrud has exhibited in a number of collective exhibition including the 1994 and 1996 Duke - U-Menta projects and in previous -LSB-...]

Curated by Erin Devine and Phil Davis, this collective exhibition includes a diverse range of U.S. based artists, many whom are immigrants.

Not exact matches

Curated by FOR - SITE Foundation Executive Director Cheryl Haines, the thematic, site - responsive exhibition will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name.

The contemporary artists included in this exhibition do not represent or describe specific events, rather, they have created art that embodies the tensions and fears that are flooding our collective conscious on a daily basis.

Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, Formerly Curator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collective.

This exhibition features newly - commissioned work from artist collective the Institute for New Feeling (IfNf), including the video nominated by Ballroom Marfa for the 2016 season of Artists» Film International (AFI).

ART AGENDA LISTS UPCOMING EVENTS, EXHIBITION OPENINGS AND TALKS HAPPENING THIS WEEK IN BLACK ART Ongoing Brooklyn, N.Y.: «Crossing Brooklyn: Art from Bushwick, Bed - Stuy, and Beyond,» a major survey of more than 100 works by 35 Brooklyn - based artists and collectives, includes Linda Goode Bryant and Project EATS, Aisha Cousins, Heather Hart, Steffani Jemison, Shantell...

MOMA PS1 HAS ASSEMBLED a sprawling exhibition featuring 157 New York artists and collectives that span generations and mediums, and includes more than 400 works, as well as performances and films.

Para SiteA nonprofit collective of local and Asian artists — newly relocated to Quarry Bay — it hosts talks and exhibitions by oft - controversial artists (including Ai Weiwei in 2010).

Recent exhibitions include: «New Work Scotland Programme» Collective Gallery, Edinburgh, 2013; Legion TV, London online commission, 2014; «Kernel Panic Control» Eastern Surf, Galerija Galženica, Zagreb, Croatia, 2014.

The exhibition incorporates a broad definition of the term «alternative space,» and includes significant publications and artist collectives to cover a broad arc of this history — bridging neighborhoods, decades and themes.

Wahler has curated over 400 exhibitions around the globe, principally as museum director / chief curator, but also as a consultant and independent curator, including From Synchrony to Synchronicity (Basel, 2015), a large - scale installation with fireflies, crickets, and algorithmic music by Swiss artist Robin Meier that explored the principles of order in nature and collective intelligence.

Hancock's work has be shown at several exhibitions including the Museum of Contemporary Art, Atlanta, and has been published internationally in various art and culture magazines such as Oh Comely, F5, and VUU Collective's Super Special.

Cutting a swathe through 500 years of history, and tracing not only the movement of artists but also the circulation of visual languages and ideas, this exhibition will include works by artists from Lely, Kneller, Kauffman to Sargent, Epstein, Mondrian, Bomberg, Bowling and the Black Audio Film Collective as well as recent work by contemporary artists.

Recent solo exhibitions include I HEART SCOTLAND at Edinburgh Printmakers and Over the Rainbow at the Collective Gallery, Edinburgh (both 2013).

Bertrand Lavier's work is included in collective exhibitions in prestigious venues such as: Le Consortium, Dijon, F (2017); Villa Arson, Nice, F (2017); Grand Palais, Paris, F (2015); Punta della Dogana, François Pinault Foundation, Venice, I (2015); Fondation Louis Vuitton, Paris, F (2015); Monnaie de Paris, Paris, F (2015); Palazzo Grassi, Venice, I (2014, 2012); Palais de Tokyo, Paris, F (2011); The State Hermitage Museum, Saint Petersbourg, Russia (2010).

On view from September 8 - October 14, 2017 in the Stamps Gallery (201 S. Division St., Ann Arbor), Vital Signs for a New America is a group exhibition including work by Dylan Miner, Sheryl Oring, and the performance collective The Hinterlands.

The exhibition will include some the collective's key pieces including their film works, KI - AI 100, Black of Death and REAL TIMES.

Contributors include exhibition curators Stuart Comer, Rudolf Frieling, Gary Garrels, Laura Hoptman, and Rachel Federman; conservators Michelle Barger, Roger Griffith and Megan Randall; along with Dara Birnbaum, Kevin Beasley, Carol Bove, Stan Brakhage, David Byrne, Diedrich Diederichsen, Johanna Gosse, Kellie Jones, Christian Marclay, Greil Marcus, Michael McClure, Henry S.Rosenthal, Dean Smith, Kristine Stiles, and the artist collective Will Brown.

The title of the exhibition fits well: from his earliest object on display, Hunting Dogs Project (1961), a model for a public garden in the form of a maze, to PN27 Penetrable, made in 1979, a year before his death, there is a definite drive in the artist's work to contain a boundless and unpredictable human body, including the collective body — with all its joyful and painful emotions — within a certain aesthetic frame.

Recent group exhibitions include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «Drawing the Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; «Regarding Truth, An Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «Wall - to - Wall» at The Drawing Center, New York, NY; «In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay Gallery, Sacramento, CA; «M.F.A. Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective Sculpture Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective Drawing Exhibition,» Leon, Spain.

In the past two years, standout exhibitions have included «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» which explored the influence of the 1960s African American avant - garde on current creative output, and, up now, the first - ever survey of the Ho Chi Minh - based, politically minded collective The Propeller Group.

Exhibition highlights include: Caramel Huysmans, Martín Soto Climent (2015); TRUE STORY, collective show curated by Michel Blancsubé (2015); The Properties of Light, Fred Sandback (2016); dre omins, Andreas Slominski (2016); Doble fondo, Tercerunquinto (2017); Concept and Painting, Robert C. Morgan (2017); and Josephine Meckseper (2017).

A look at this week's art news, including a new artist collective formed in opposition to Trump's most recent travel ban, and events and exhibitions from Detroit to Düsseldorf.

Comprising work in a broad range of media — including painting, sculpture, photography, film, video, and performance art — the exhibition is organized around themes based on media, geography, formal concerns, collective aesthetic, and political impulses.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.

The exhibition included 130 artists, filmmakers and collectives and centered around the new influence of communication technologies and criticized the involvement of the US government in the war in Vietnam.

Funarte partnered with Vanessa Teodoro to present a collective exhibition of several national and international artists, including Faile, Lady Aiko, Pedro Zamith, Glam, Paul Neberra and more.

Recent solo exhibitions include Some Were Caught Up, and Some Were Not, Loock Galerie, Berlin; The Invert, Tops Gallery, Memphis; Self Evidence, a performance presented by The University of the Arts, Philadelphia, in association with Pig Iron Theatre Company and New York Performance Art Collective; and a solo project at NADA NYC, presented by 1 / 9unosunove, Rome.

The Museo Nacional Centro de Arte Reina Sofía has defended its decision to include a deliberately «inflammatory» work by the art collective Mujeres Públicas in its latest exhibition.

As part of the exhibition, the Wallach Gallery is collaborating with neighboring institutions to present more artists, special programs, and related exhibitions, including the El Museo del Barrio; I, Too, Arts Collective @ The Langston Hughes House; and the Studio Museum in Harlem.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

On the occasion of its 30th anniversary, New Photography is expanding to 19 artists and artist collectives from 14 countries, and includes works made specifically for this exhibition.

The Futura Bold collective of Angela Grossman, Richard Atilla Lukacs, Derek Root and Graham Gillmore (1984) was recognized in the 1985 Vancouver Art Gallery exhibition New Romantics, which also included Mina Totino and Vicky Marshall.

Raqs Media Collective returns to Frith Street Gallery with an exhibition featuring new and recent work which includes play with words, light and electricity, sign language, chiastic variations, archival traces, counting exercises and insurgent readings of time.

Recent international exhibitions include Fondazione Antonio Ratti, Fundación Botín, Agora Collective, and Dynamo Arts Association.

Together with the solo exhibitions, I'm also interested in including Lusini's work in modern art collective exhibitions.

Dynamo — A century of light and motion in art, 1913 - 2013 is the title of a survey art exhibition at the Grand Palais in Paris, a show that brings together major works that deal with light and motion and includes artists such as Bruce Nauman, Dan Flavin, Hans Haacke, James Turrell, Yayoi Kusama, Jean Tinguely, Alexander Calder, Marcel Duchamp, Bridget Riley, Dan Graham, Anish Kapoor, Jesus Rafael Soto, Conrad Shawcross, François Morellet, Jeppe Hein, Carlos Cruz - Diez, Takis, as well as artistic collectives such as GRAV (Group of visual Arts research), and the Groupe Zéro.

Selected exhibitions include; Beyond the Nation Station State I want to Dream, solo exhibition, Decad, Berlin, 2018; A Farewell to Progress, performance, South London Gallery, London, 2018; A Farewell to Progress, performance, KW, Berlin, 2017; Ideology Meets Implementations, group exhibition, W139, 2017; Gentle Dust, group exhibition, Showroom MAMA, Rotterdam, 2017; Southern Summer School, summer school and public programme, BAK, Utrecht, 2017; Northern Winter Workshops, collective events programme across, the Netherlands, South Africa and the UK, 2017; duo exhibition at Kunstraum, London; The Things We Talked About, group exhibition at St PAUL St Gallery, Auckland; Wilderness, group exhibition at New Shelter Plan, Copenhagen;... instead to meet strangers who might change our minds, solo exhibition at the Swiss Church, London (2014); A Space of No Exception, group exhibition at Sokol Space, Moscow (2014).

Artists featured in the exhibition will include Charles Willson Peale, William Rush, Thomas Eakins, Christian Schussele, Thomas Anshutz, Charles Grafly, Marcel Duchamp, Robert Henri, Ivan Albright, John Sloan, and a newly commissioned work by the collective TODT.

On the occasion of the exhibition Maren Hassinger: The Spirit of Things, Jenkins will discuss his diverse body of video and performance work and historical past collaborating with artist Maren Hassinger, as part of Jenkins involvement in Studio Z, a collective of artists that included Hassinger, Barbara McCullough, Franklin Parker, David Hammons and Senga Nengudi, and others in the 1970s.

The exhibition includes work by the Biome Collective, Karl Burke, Geissler / Sann, Stephan Martiniere, Trinket Studios, Krista Wortendyke, and more.

Apart from the educational programmes and exhibitions, the Free Workshops art programmes include collective art actions, seminars and lectures by different experts in the field, round tables with the participation of leading contemporary artists, art critics and experts, all those who take an active part in the present - day art process.

His work has been presented in solo and group exhibitions in art spaces and centres in Europe and the Middle East, including AUB Gallery, Beirut; Salzburger Kunstverein, Salzburg; Nile Sunset Annex, Cairo (2013); Stedelijk Museum Bureau Amsterdam (SMBA), Amsterdam (2011); BALTIC Centre for Contemporary Art, Gateshead, UK; Contemporary Image Collective, Cairo (2010); Bonner Kunstverein, Bonn and UKS, Oslo, Norway (2009).

Included in the Agora Rollberg space — the collective's second, which the coming exhibition will «unveil» and «witness» — is the work of Berlin - based artists Nicolas Puyjalon, Chile - born Michelle Marie Letelier, duo Anne Fellner & Burkhard Beschow, who were a part of Comedy Club that aqnb reviewed earlier this month and Paul Barsch.

The exhibition is accompanied by a monograph — the first scholarly publication about the art collective — that features an artist project and includes writings by Cesar Garcia, curator, writer, and founding director of The Mistake Room in Los Angeles; former Blaffer Art Museum director and chief curator Claudia Schmuckli, Curator - in - Charge, Contemporary Art and Programming, Fine Arts Museums of San Francisco; and Naomi Beckwith, Marilyn and Larry Fields Curator, Museum of Contemporary Art Chicago.

She oversaw the reinstallation of the museum's Contemporary Wing in 2012 and has brought the works of a diverse array of artists, including Gerard Byrne, the Guerrilla Girls, Sharon Hayes, Camille Henrot, Sarah Oppenheimer, Raqs Media Collective, Dario Robleto, Sterling Ruby, Anri Sala, Tomas Saraceno, and Sara VanDerBeek, to Baltimore through her BMA Contemporary Wing commissions and Black Box, Front Room, and On Paper exhibition series.

All members share responsibilities — including exhibition and event planning, and writing press releases — all of which they approach through a collective mindset.

Gallery Yang, Beijing, shows the collective exhibition Painting Lesson II — Negative and Positive Style, including artists as Chen Yufan, Dong Dawei, Duan Jianyu, Gong Jian, Guan Yinfu, Li Shurui, Ouyang Chun and Shen Liang, curated by Bao Dong.

The exhibition will also include The Unfinished Conversation (2012), Akomfrah's complex reflection on the life and ideas of cultural theorist Stuart Hall; Expeditions — Signs of Empire (1983), the first work produced by Black Audio Film Collective; and a new version of Akomfrah's Transfigured Night (2013/2018), a two - channel work looking at the relationship between the US and post-colonial African history.