Sentences with phrase «collective exhibitions since»

Not exact matches

AlhóndigaBilbao presents a wide exhibition of the work performed by American feminist art collective Guerrilla Girls since its founding in 1985 until today.
His works have been shown at many solo and collective exhibitions around the world since 1979.
Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.
Since 1962, when the artist was discovered at a group Pop art collective exhibition, George Segal's sculptures have achieved international recognition for their ability to transform everyday realities into a theatre of mysterious and poetic apparitions.
Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.
Since the late 1960s he has had solo shows and participated in collective exhibitions in Europe, North Africa and the Middle - East.
By actively acquiring, preserving, and providing access to the archives and manuscripts of significant curators, innovative commercial art galleries, not for profit art spaces, arts collectives and initiatives, the Archives & Manuscripts Collection seeks to document the history of the contemporary visual arts and the institutions and practices of exhibition - making since the 1960s, representing a broad range of contemporary discourses and curatorial practices.
Since 2002, together with Hans Ulrich Obrist and Rirkrit Tiravanija, she has been curating the succession of Utopia Stations, an ongoing collective book, exhibition, seminar, web, and street project.
KMQ: Since we last spoke, you've added a new methodology to your practice — a collective curatorial engagement — that you first introduced this past spring at Winklemann Gallery in your exhibition, The Wayland Rudd Collection.
The artists in this exhibition not only seek to respond to the forms that mass media has taken since it arose in the 20th century, but also portray how our participation in mass culture and mass communication influences a mass collective subjectivity.
We've been working together since 2011, in a collective exhibition I curated in Cataluña.
The collective Don't Follow the Wind, whose inaccessible, Fukushima - based 2015 group exhibition has been written about before in these pages, is now made accessible via A Walk in Fukushima, 2016 — 17, a 360 - degree video experience of what has been, since the 2011 nuclear - plant disaster, an uninhabitable area, with crafty headsets made in collaboration with artist Bontaro Dokuyama and three generations of a Japanese family who live in a zone deemed «safe to live» by the government but still subject to restrictions due to its proximity to a radioactive locale.
The Sun Placed in the Abyss is a group exhibition featuring 50 artists and collectives who, since 1970, have used the sun as subject to explore the historical,...
Since 2013, she has curated at the Philadelphia collective art space Little Berlin where she organizes month - long exhibitions, film screenings, performances, weekend - long festivals, artist critiques, and other public events.
Since the opening of Fondazione Prada's new venue in 2015, the collection has become one of the available tools for the development of the foundation's cultural program, taking different configurations — from thematic to collective shows — and now finding in Torre its permanent exhibition space.
The Sun Placed in the Abyss is a group exhibition featuring 50 artists and collectives who, since 1970, have used the sun as subject to explore the historical, social, and technological conditions of photography, both still and moving.
2016's finalists include Rachel Ara, founder of the artists collective [ALLOY]; Liz West, recipient of the Royal British Society of Sculptors Bursary Award; and Ellie Davies, who has since shown new and recent works in the exhibition Into the Woods at Crane Kalman, London.
People like Purifoy decided that, since they have already been getting into assemblage, they're going to take from the destruction and do a show, which became «66 Signs of Neon» [a collective work and exhibition].
Sin motivo aparente (For no apparent reason) is a collective exhibition showcasing the work of over thirty Spanish and International artists with the single objective of reviewing the relationship between art and public within a context, the CA2M venue, Center where the viewer has been CA2M main objective since its opening five years ago.
Permanently researching, reflecting, experimenting and creating, the trio's first collective exhibition, I Put It There, You Name It, took pace in 2012 at their Dubai gallery, Isabelle van den Eynde, and they have since gone on to stage shows around the world.
Syria: faith in art», a collective exhibition featuring artworks by contemporary Syrian artists encompassing a range of artistic practices and writing that has been produced since the onset of the Syrian Revolution in 2011.
Romero, is one of the last surviving members of iconic artist collective, Los Four known for promoting Chicano art and culture awareness in Los Angeles most significantly since the first Chicano exhibition in a mainstream museum at the Los Angeles County Museum of Art (LACMA) in 1974.
Since 2002, together with art curator, critic and historian of art Hans - Ulrich Obrist and contemporary artist Rirkrit Tiravanija, she has curated Utopia Station, a collective and ongoing book, exhibition, seminar, website, and street project, located in Poughkeepsie, New York, Frankfurt, Venice, Munich, Porto Alegre, and at the Brooklyn Museum.
Since graduating from York University with her BFA Honours Degree, Lefsrud has exhibited in a number of collective exhibition including the 1994 and 1996 Duke - U-Menta projects and in previous -LSB-...]
Since 2009, Collective Show has organized exhibitions in New York, Los Angeles and Mexico City featuring over 130 contemporary art collectives made up of over 1100 individual artists.
Free admission and bar (donations suggested) Location: North Wing Lobby About the speakers Julie Ault was a founding member of the artists» collective Group Material (1979 - 1996) and has enthusiastically followed Martin Wong's work since the early 1980s; they were friends and Wong's work has been included in many exhibitions organized by Group Material and by Ault.
Since its establishment, the gallery has held a number of solo and collective exhibitions showcasing a variety of mediums including painting, sculpture, installations, video and photography.
Only when the works are understood as a collective does the exhibition come together, and since all of them are so different, it's surprising how simple and unified the ambitions of both Arcadia Missa and Preteen seem to be.
Chris Wiley, b. 1981, lives in New York Since his inclusion in MoMA PS1's «Taster's Choice» exhibition in March — that spotlighted three emerging artists and one artist collective — the Goldsmiths grad has continued to crop up throughout the year, most notably when his solo show opened at Nicelle Beauchene, featuring close - up photographs inspired by housing in Southern California.
Since its foundation in 2008, CA2M has presented solo exhibitions by Jeremy Deller, Raqs Media Collective, Carlos Garaicoa, Teresa Margolles, Wilfredo Prieto and Gregor Schneider and group exhibitions, including Sonic Youth etc.: Sensational Fix; Pop Politics; PUNK; Critical Fetishes; and PER / FORM: How to do things with [out] words.
Since it's overwhelming to consider visiting every studio and seeing every performance, exhibition, and special event this weekend — which includes everything from a live show with rapper Fat Joe at the Bushwick Collective Block Party to a showcase of indie video games like «Filthy Chicken» — start with these five shows and see where the weekend takes you.
Julie Ault was a founding member of the artists» collective Group Material (1979 - 1996) and has enthusiastically followed Martin Wong's work since the early 1980s; they were friends and Wong's work has been included in many exhibitions organized by Group Material and by Ault.
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