Sentences with phrase «collective exhibitions such»
Maurizio Cattelan has participated in five editions of the Venice Biennale and in many collective exhibitions such as the Skulpturenprojekt Münster, Manifesta and the Whitney Biennal.
http://www.boweryartisttribute.org/ Not exact matches
Naturally, the international exposure of his work, widely exhibited in galleries and institutions such as Galerie Jeanroch Dard (Paris / Brussels), Rod Barton Gallery (London), Berthold Pott (Cologne) and in collective exhibitions at the Musée Musée Départemental du Sel (Marsal), Centre Georges Pompidou (Paris), BWA (Wroclaw) and Autocenter (Berlin) is considered, but also his role as a curator in several projects.
Hancock's work has be shown at several exhibitions including the Museum of Contemporary Art, Atlanta, and has been published internationally in various art and culture magazines such as Oh Comely, F5, and VUU Collective's Super Special.
By setting intimate moments alongside landmark events (such as the Black Popular Culture Conference in 1991, the truce between the Crips and the Bloods in 1992, the Black Male exhibition at the Whitney in 1994, and the Black Nations / Queer Nations Conference in 1995), the archive constructs collective and private narratives to comment on identity, desire, sexuality, and loss.
Bertrand Lavier's work is included in collective exhibitions in prestigious venues such as: Le Consortium, Dijon, F (2017); Villa Arson, Nice, F (2017); Grand Palais, Paris, F (2015); Punta della Dogana, François Pinault Foundation, Venice, I (2015); Fondation Louis Vuitton, Paris, F (2015); Monnaie de Paris, Paris, F (2015); Palazzo Grassi, Venice, I (2014, 2012); Palais de Tokyo, Paris, F (2011); The State Hermitage Museum, Saint Petersbourg, Russia (2010).
The nature of the exhibition is such that sculptures, paintings and installations transition from prop to image to art object, staging an enquiry into whether these fictional depictions in mass media ultimately have greater influence in defining a collective understanding of art than art itself does.
The exhibition brings together a range of practitioners, some with a longstanding commitment to activism — such as Nancy Brooks Brody, an original member of the collective fierce pussy, and Vaginal Davis, who has long critiqued systematic oppression tied to gender, race, class, and sexuality — alongside emerging artists such as Sable Elyse Smith, Paul Mpagi Sepuya, and Chris E. Vargas, whose works variously plumb mechanisms of regulation.
Dynamo — A century of light and motion in art, 1913 - 2013 is the title of a survey art exhibition at the Grand Palais in Paris, a show that brings together major works that deal with light and motion and includes artists such as Bruce Nauman, Dan Flavin, Hans Haacke, James Turrell, Yayoi Kusama, Jean Tinguely, Alexander Calder, Marcel Duchamp, Bridget Riley, Dan Graham, Anish Kapoor, Jesus Rafael Soto, Conrad Shawcross, François Morellet, Jeppe Hein, Carlos Cruz - Diez, Takis, as well as artistic collectives such as GRAV (Group of visual Arts research), and the Groupe Zéro.
Moving beyond the formative years of Helhesten, the exhibition will trace the confluence of Jorn's collective with other groups, such as the Dutch Experimental Group and the Belgian Revolutionary Surrealists, to eventually form Cobra from 1948 to 1951.
The exhibition brings together a range of practitioners, some with a longstanding commitment to activism — such as Nancy Brooks Brody, an original member of the collective Fierce Pussy, and Vaginal Davis, who has long critiqued systematic oppression tied to gender, race, class, and sexuality — alongside emerging artists such as Sable Elyse Smith, Paul Mpagi Sepuya, and Chris Vargas, whose works variously plumb mechanisms of regulation.
Primetime, for example, is an event space run by a collective of 11 artists, including Michel Auder and a number of recent Yale MFA graduates; Know More Games hosts exhibitions by emerging talent, mainly local, such as Win McCarthy and Daphne Fitzpatrick.
CAC is founded in 2013 by the entrepreneur Dillion ZHANG, independent curator LI Zhenhua, and artist HU Jieming, and presented pioneering projects such as Extra Time with Raqs Media Collective and Jeffrey Shaw & HU Jieming Duo Solo Exhibitions, among others.
In 2001 the artist began to participate in various projects, artistic performances, collective and solo exhibitions, in cities such as Rome, Paris, Frankfurt, Adelaide, and Florence.
Cyrus's work was shown in the Whitney Biennial 2006: Day for Night; and he is an active participant in the artist collective Otabenga Jones & Associates, with whom he has contributed to exhibitions such as Contemporary Artists and the Civil Rights Legacy, High Museum, Atlanta, Georgia (2008); and Lessons from Below, The Menil Collection, Houston (2007).
The selection of photographs provides an introduction to some characters that crop up repeatedly in the exhibition, such as Paul Cadmus (who designed the organza men's sailor suit, another photograph of which is found inside) and Jared French, who together with his wife Margaret Hoening French and Cadmus, formed the photography collective PaJaMa.
He has participated in dozens of collective exhibitions, including the most important biennials such as Venice (four times), Lyon, Seville, Lüttich, Bucharest, Taipei, Liverpool, Montreal, Sydney and São Paulo, among others.
She often works collaboratively: forthcoming such projects include a public art / activism action in DC (fall 2016, co-organized with Saisha Grayson); a painting exhibition at the American University Art Museum (2017, co-organized with Danielle Mysliwiec); and an oral history of visual arts practices inside the I - 495 Beltway (as part of the DC - based collective FURTHERMORE).
She is part of an Art Collective called Grupo < >, an organization of women artists of Latin American descent.Her work has been shown internationally in groups and solo exhibitions such as «Futre remnants of a missing word» (2016), Meyohas, NY; «Exhibition of collective Grupo < >» (2016), Experimental Gallery, Cornell University, Ithaca; Migratorry Patterns (2015), 56 Bogart, Brooklyn; Time Item (2015), Green Gallery, New Haven; Y sin embargo se mueve (2012), Die Ecke Gallery, Santiago, Chile; among others.She received the Susan H. Whedon Award for outstanding student in Sculpture at Yale University (New Haven, 2015), a CONICYT Scholarship (Santiago, 2013) and a FONDART grant (SantiaCollective called Grupo < >, an organization of women artists of Latin American descent.Her work has been shown internationally in groups and solo exhibitions such as «Futre remnants of a missing word» (2016), Meyohas, NY; «Exhibition of collective Grupo < >» (2016), Experimental Gallery, Cornell University, Ithaca; Migratorry Patterns (2015), 56 Bogart, Brooklyn; Time Item (2015), Green Gallery, New Haven; Y sin embargo se mueve (2012), Die Ecke Gallery, Santiago, Chile; among others.She received the Susan H. Whedon Award for outstanding student in Sculpture at Yale University (New Haven, 2015), a CONICYT Scholarship (Santiago, 2013) and a FONDART grant (Santiacollective Grupo < >» (2016), Experimental Gallery, Cornell University, Ithaca; Migratorry Patterns (2015), 56 Bogart, Brooklyn; Time Item (2015), Green Gallery, New Haven; Y sin embargo se mueve (2012), Die Ecke Gallery, Santiago, Chile; among others.She received the Susan H. Whedon Award for outstanding student in Sculpture at Yale University (New Haven, 2015), a CONICYT Scholarship (Santiago, 2013) and a FONDART grant (Santiago, 2012).
The keen retrospective eye of the curators has thrown up a rewarding mix of the mainstream and the obscure, and it is worth the ticket price solely for the video of German opera singer Klaus Nomi performing Lightning Strikes in an over shoulder - padded, shiny tuxedo.Highlights include the subversive designs of the Italian collectives Studio Alchymia and Memphis; graphics by Peter Saville and Neville Brody; the original presentation drawing for Philip Johnson's AT&T building (1978); paintings by Robert Rauschenberg and Andy Warhol; Jeff Koons» stainless steel bust of Louis XIV (1986); performance costumes, including David Byrne's big suit from the documentary Stop Making Sense (1984); excerpts from films such as Derek Jarman's The Last of England (1987); and music videos featuring Laurie Anderson, Grace Jones and New Order.Catalogue offerSave # 8 on the exhibition catalogue with your National Art Pass.
Artists in the exhibition include artist collectives such as Jikken Kobo (Experimental Workshop), Hi Red Center (Takamatsu Jiro, Akasegawa Genpei, Nakanishi Natsuyuki), and Group Ongaku (Group Music); critical artistic figures such as Okamoto Taro, Nakamura Hiroshi, Ay - O, Yoko Ono, Shiomi Mieko, and Tetsumi Kudo; photographers Moriyama Daido, Hosoe Eikoh, and Tomatsu Shomei; illustrators and graphic designers Yokoo Tadanori, Sugiura Kohei, and Awazu Kiyoshi; and architects Tange Kenzo, Isozaki Arata, and Kurokawa Kisho, among others.
The collective has received international recognition for its work on race, class, and gender justice in projects such as Rethinking Nordic Colonialism (2006) and their upcoming exhibition space CAMP (Center for Art on Migration Politics).
This exhibition unveils the artists» sensitivity to space and how such material practices propose an alternative, non-binary platforms for the queer and / or collective body.
Drawing on anthropologist Mary Douglas's interpretations of sociologist Ludwik Fleck, the exhibition juxtaposes works that were produced in collective environments in the 1990s with new structures and films produced alone; as such the exhibition reflects on the contradictions that arise between the individual and the group in relation to the production of art.
She graduated form Parson School of Design in New York and has participated in numerous group exhibitions such as with the artists collective An Amazing Group of Artist (founding member) and the Hexotang Collective, She has also shown her work previously in conjunction with Desh Pardesh and she participates on their Visual Arts collective An Amazing Group of Artist (founding member) and the Hexotang Collective, She has also shown her work previously in conjunction with Desh Pardesh and she participates on their Visual Arts Collective, She has also shown her work previously in conjunction with Desh Pardesh and she participates on their Visual Arts Committee.
STPI showcases a new and incredibly interesting exhibition entitled «Exquisite Trust (Blindly Collective Collaborations)» and made by four internationally renowned artists such as: Carsten Höller, Tobias Rehberger, Anri Sala and Rirkrit Tiravanijas.
Karmelo Bermejo has been awarded with several prizes for the last five years and has participated in collective exhibitions together with names such as Sarah Lucas or Paul McCarthy.
Within an architectural environment designed by the architects» collective raumlaborberlin, the exhibition at the Hamburger Bahnhof is showing works both by teachers at the college, such as Josef and Anni Albers, Richard Buckminster Fuller, John Cage, Merce Cunningham, Shoji Hamada, Franz Kline, Xanti Schawinsky and Jack Tworkov, and by a number of Black Mountain students, including Ruth Asawa, Ray Johnson, Ursula Mamlok, Robert Rauschenberg, Dorothea Rockburne and Cy Twombly.
Lang's work has been shown at venues such as the John Michael Kohler Art Center (Sheboygan, WI), Frost Museum (Miami, FL), Collective Design Fair (New York City, NY), Galerie Marzee (Nijmegen, The Netherlands) and a solo exhibition at Sienna Patti Gallery (Lenox, MA).
The current display of the collection keeps the clusters of works that focus on artists Chohreh Feyzdjou (1955 — 1996), Simon Häntai (1922 — 2008), Présence Panchounette (artist collective, active1969 - 1990), and Phillip Thomas (1952 — 1995), which highlight symbolic and formal operations employed by these four artists, and the ways in which such approaches reflect and resonate with other artworks included in the exhibition.
A founding member of the artists» collective REPOhistory, Kuoni has curated and co-curated numerous transdisciplinary exhibitions on issues such as contemporary Native American identity and colonial, 19th - century portraiture; democratic, participatory processes; artistic and social networks; new notions of transient and temporary spaces; or agency.
For the Project Space Festival 2016, U10 and guests will elaborate in a talk about their work, the production and exhibition context Belgrade and address questions such as: Why does the collective operates a space in Belgrade?
This was followed by exhibitions by Enrico David, Nathalie Djurberg and Hans Berg, Haroon Mirza, Nari Ward, and other artists and collectives, such as Adhocracy.
Magnum is a commercial agency, not an artistic collective, and one of the surprises of this exhibition is a wall of glossy corporate annual reports, for such companies as the Bank of New York and Goldman Sachs.
Focusing on the ways in which contemporary art is socially formed and formative, the gallery initiates local, national and international projects, including exhibitions by visiting international artists through the Audain Visual Artists in Residence Program (such as by Marjetica Potrč, YOUNG - HAE CHANG HEAVY INDUSTRIES, Raqs Media Collective, Claire Fontaine, and Antoni Muntadas).
Content for the publication, in conjunction with the exhibition, includes histories of major nonprofit and for - profit institutions, artist collectives, and key individuals such as artists, collectors, administrators, critics, and educators, along with documentation of moments that have contributed to the history of Dallas's contemporary art scene.
His works have also been included in collective institutional exhibitions such as Painting or Not, The KaviarFactory, Lofoten, Norway (2017); Soft Power, Kunsthal KAdE, Amersfoort (2016); Here There, Qatar Museums — Al Riwaq, Doha (2015); ImagineBrazil, Astrup Feranley Museet, Oslo (2013) / DHC / Art Foundation for Contemporary, Montreal (2015); 12 Biennale de Lyon, Lyon (2013).
The exhibition will include his monumental architectural paintings, such as To the Unknown Painter (Dem unbekannten Maler), 1983 that reflect on the neo-classicist buildings of Albert Speer, Hitler's architect, and on the role of the artist in considering collective memory.
There are venues where the visitors will encounter a group exhibition, such as Istanbul Modern, ARTER, the Italian High School, and the Galata Greek Primary School, but most locations host the work of a single artist or artist collective.
Discussion will focus on art collectives such as The Guerrilla Girls as well as individual artists, Mierle Lederman Ukeles, Martha Rosler, and Ana Mendieta — whose work is represented in the Wild Noise exhibition in Havana.
Julie Ault is an artist, curator, and founding member of the artist collective Group Material, which has organized exhibitions on themes such as the U.S.'s involvement in Central America, AIDS, education, and mass consumerism.
She has had solo exhibitions at venues such as Galerie Gregor Staiger in Zurich, Collective Gallery in Edinborough, and Centre d'exposition Circa in Montréal.
[7] She has curated exhibitions with artists such as Louise Bourgeois, Francesco Clemente, Béatrice Cussol, Chen Man, Jan Saudek, Rosemarie Trockel, Andy Warhol, Gao Yu, Zhuang Hui, Chen Shaoxiong, Leng Wen, Yan Xing, Lu Zhengyuan, Martha Rosler, Gao Shiming, the Raqs Media Collective, Hu Fang, and Dan «er.
Cramer, whose works often suggest a subjective perception of the world surrounding us, brings to this exhibition a combination of thoughts represented through a variety of media — from his intimate artist books to site - specific installations such as Empty Room, where for the duration of the exhibition, a room in a house somewhere in the countryside of Portugal is kept completely empty, making one reflect on ideas of presence, absence and the human collective unconscious.
Gallery 1313 seeks artists, curators, collectives and other creative professionals to hold events at the gallery, such as artist talks, critical panel discussions, poetry readings, acoustic music nights and more, to compliment our regular exhibitions and create a forum for discussion, exchange and engagement.
Recently she curated projects and exhibitions such as: Fayd by Mohamed El Mahdaoui in Tétouan's medina (Morocco); the collective exhibition Depth of Fields (2010) at Gallery FJ in Casablanca; No Signal Found (2011), the first solo show by emerging artist Younes Baba Ali at Gallery Arte Contemporanea in Brussels; Duty Free, the first solo by Katia Kameli at Vidéochroniques in Marseilles (2012); and Seven Acts of love in seven days of boredom by Katia Kameli at Transpalettes in Bourges (2012).
The intriguing outdoor gardens and other parts of the exhibition are curated by Fallen Fruit, an art collective that examines concepts of neighborhood space, sustainability and citizenship through fruit, rethinking attitudes about food with activities such as mapping fruit trees in public areas and heirloom vegetable adoption.