Not exact matches
Reed Travel
Exhibitions director World Travel Market, Simon Press, said: «The emerging economies of Brazil, Russia, India, China and South Africa are often group together with their potential discussed as a
collective whole, despite
there being different advantages and challenges in each market.
The jurors — Sabine Breitwieser, Naomi Beckwith, Mario Codognato, Yungwoo Lee, and Ranjit Hoskote — also singled out three artists for special mentions: in the main
exhibition, the late Harun Farocki (whose entire film catalogue is being screened
there); the Aboundaddera
collective, which is presenting videos from Syria; and Algerian artist Massinissa Selmani for «working in a modest medium which has the capacity to act beyond its scale.»
The title of the
exhibition fits well: from his earliest object on display, Hunting Dogs Project (1961), a model for a public garden in the form of a maze, to PN27 Penetrable, made in 1979, a year before his death,
there is a definite drive in the artist's work to contain a boundless and unpredictable human body, including the
collective body — with all its joyful and painful emotions — within a certain aesthetic frame.
13 October — 15 November 2014 6 - 10 Lexington Street, London, W1F 0 LB London — Pace London is delighted to present
THERE WAS A BAD TREE, a
collective exhibition of works by N. Dash, John Giorno, and Alfred Jensen.
And while these artists» practices are formally linked by their «challeng [ing] the notion of the canvas as a flat surface,» the
exhibition's strongest assertion is that
there is no singular Puerto Rican aesthetic — a still important point of resistance within a long lineage of Eurocentric museums» limiting our
collective understanding of «non-Western art» by naming it as something distinct («primitive,» «craft,» «artifact») from the trajectory of art history otherwise taught in schools.
With 90
exhibitions and several hundred artists showing work inside an urban area smaller than the perimeter of Berlin's ringbahn,
there is a glut of shows — the best of which are of two kinds: selected solo shows by strong local galleries, and energetic
collective and group shows by emerging artists.
There is anticipation, even trepidation, in Peggy's home for the gigantic
collective installation that will soon come to life in the
exhibition galleries of Palazzo Venier dei Leoni, from 24 April to 6 May.
The
collective press that goes into our art history is tough to imagine happening outside of
exhibitions, and maybe
there will be a day when only the artists who get into museum
exhibitions and nonprofit - space
exhibitions will get into art history, and that would be too bad.
Seven x Seven, Atrium Gallery, Morris Courthouse, Morristown, NJ A Group
Exhibition, Silvermine Arts Center, New Canaan, Ct
There's No Place Like Home, Hays Art Center, Hays, KS Faculty Student
Exhibition, Pelham Art Center, Pelham, NY Hullaballoo
Collective, Fountain, NY Armory Show, New York, NY
The
collective exhibition Being
There is devoted to South Africa, one of the most dynamic scenes on the African continent.
From the beginning we were keen for the
exhibition to represent both UK and international artists and although they are from far afield
there is a tangible
collective consciousness.
And don't forget, on Friday, June 21, for the Late Nights at the Dallas Museum of Art,
there will be several happenings associated with this DallasSITES
exhibition, notably, Good / Bad Art
Collective will have a performance and former members of the group Toxic Shock will talk about their work in the 1980s.
If
there was going to be a second installment of everything Greek than where better than to place a small but mighty independent
exhibition hosted by Soup
Collective International on the ground floor.
In addition to these projects,
there are often proposals for research and experimentation with artists not well known to the Italian public yet and for an overview on the national scene, with single and
collective exhibitions dedicated to Italian artists of different generations.
Permanently researching, reflecting, experimenting and creating, the trio's first
collective exhibition, I Put It
There, You Name It, took pace in 2012 at their Dubai gallery, Isabelle van den Eynde, and they have since gone on to stage shows around the world.
Halaby has participated in
collective exhibitions at the university in the past, and led workshops for students
there in the 1990s.
There's a group show exploring the body at Greenpoint's Fowler Arts
Collective and an innovative Armory Show centennial
exhibition at the Lower East Side's Abron Arts Center.
Exhibition: EDUCATION 1995 - 2011 Bachelor's degree in photography, Azad University (Tehran, Iran) Bachelor's Degree in Cinema and Audio - Visual Arts, Marc Bloch University (Strasbourg, France) Diploma in Professional Photography, Spéos Paris Photographic Institute (Paris, France) Master's Degree in Visual Arts, Marc Bloch University (Strasbourg, France) Photoshop training, Ecole Gobelins, (Paris, France)
EXHIBITIONS Solo
Exhibition AIPAD (Ney York, 2018) About Art, Vieja Carcel de Lugo (Lugo, Spain, 2018) AIPAD (New York, USA, 2017) The Solo Project (Basel, Switzerland, 2016) ART16, (London, United Kingdom, 2016) ART PARIS (Paris, France, 2016) FOTOFEVER (Paris, France, 2015) ART PARIS (Paris, France, 2015) Rétrospective 1998 - 2013 Galerie 55Bellechasse (Paris, France, 2015) «The Imprint», Cuadro Gallery (Dubai, UAE, 2012) «Here...,
There...», Etemad Gallery (Tehran, Iran, 2012) Imprint, Gallery Spéos (Paris, France, 2010) Tribute to Madeleine Riboulet «Madame Banisadr» NegPos Gallery (Nimes, France, 2007) «Dress and Naiad» (dress and nudity) Stimultania Gallery (Strasbourg, France, 2003) «History of the Polish Chair», Assar Art Gallery (Tehran, Iran, 2001) Group
Exhibition: The invisible woman (Doral, USA, 2018)
Collective Exhibition in Museum Van Gogh, Mesdag collective Den Haag, (Haag, Netherlands, 2015) Valerie Saundan's Gallery (Megeve, France, 2013) Tessellation Make Up (Istanbul, Turkey, 2012) «The Imprint», NegPos Gallery (Nimes, France, 2012) As a part of the Iranian cultural fortnight (Strasbourg, France, 2011) Rencontre Arles, Photo Folio Review (Arles, France, 2009) «Voice of vision», Gallery Spéos (Paris, France, 2009) Buenos Aires photo 07 (Buenos Aires, Argentina, 2007) Arténim, (Nimes, France, 2007) Stimultania Gallery Workshop (Strasbourg, France, 2003) Exhibition Festival at P. University (Strasbourg, France, 2003) City Photography Museum (Tehran, Iran, 2002) «Contemporary Photographers» Assar Art Gallery (Tehran, I
Collective Exhibition in Museum Van Gogh, Mesdag
collective Den Haag, (Haag, Netherlands, 2015) Valerie Saundan's Gallery (Megeve, France, 2013) Tessellation Make Up (Istanbul, Turkey, 2012) «The Imprint», NegPos Gallery (Nimes, France, 2012) As a part of the Iranian cultural fortnight (Strasbourg, France, 2011) Rencontre Arles, Photo Folio Review (Arles, France, 2009) «Voice of vision», Gallery Spéos (Paris, France, 2009) Buenos Aires photo 07 (Buenos Aires, Argentina, 2007) Arténim, (Nimes, France, 2007) Stimultania Gallery Workshop (Strasbourg, France, 2003) Exhibition Festival at P. University (Strasbourg, France, 2003) City Photography Museum (Tehran, Iran, 2002) «Contemporary Photographers» Assar Art Gallery (Tehran, I
collective Den Haag, (Haag, Netherlands, 2015) Valerie Saundan's Gallery (Megeve, France, 2013) Tessellation Make Up (Istanbul, Turkey, 2012) «The Imprint», NegPos Gallery (Nimes, France, 2012) As a part of the Iranian cultural fortnight (Strasbourg, France, 2011) Rencontre Arles, Photo Folio Review (Arles, France, 2009) «Voice of vision», Gallery Spéos (Paris, France, 2009) Buenos Aires photo 07 (Buenos Aires, Argentina, 2007) Arténim, (Nimes, France, 2007) Stimultania Gallery Workshop (Strasbourg, France, 2003)
Exhibition Festival at P. University (Strasbourg, France, 2003) City Photography Museum (Tehran, Iran, 2002) «Contemporary Photographers» Assar Art Gallery (Tehran, Iran, 2001)
And in fact,
there are no big thematic revelations in Walker's subject matter, instead what carries the
exhibition is its appeal to our
collective voyeurism, and our seemingly never - ending fascination with the private lives of the beautiful and the wealthy.
She was a member of the artist
collective The Front and had her first solo
exhibition there in 2012.
2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several
exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous
exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to
There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre
Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An
Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Bar
Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling
exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Bar
exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES
San Diego, CA — The Museum of Contemporary Art San Diego announces the artists participating in the upcoming
exhibition, Here Not
There: San Diego Art Now, which focuses on the range of individual and
collective contemporary art practices in the San Diego region.
His works have also been included in
collective institutional
exhibitions such as Painting or Not, The KaviarFactory, Lofoten, Norway (2017); Soft Power, Kunsthal KAdE, Amersfoort (2016); Here
There, Qatar Museums — Al Riwaq, Doha (2015); ImagineBrazil, Astrup Feranley Museet, Oslo (2013) / DHC / Art Foundation for Contemporary, Montreal (2015); 12 Biennale de Lyon, Lyon (2013).
There are venues where the visitors will encounter a group
exhibition, such as Istanbul Modern, ARTER, the Italian High School, and the Galata Greek Primary School, but most locations host the work of a single artist or artist
collective.
Subsequently, in August,
there will be an international
collective exhibition with the working title Eagles and Doves.
There was an
exhibition of artists» books by Sol LeWitt, a talk by Antoni Muntadas, an archival
exhibition, and a discussion with the members of the mail art
collective from Istanbul KORIDOR (1988 — 1995).
There's Nothing Wrong With Us Guest Curator: Sadia Shirazi Submission deadline: January 8th, 2016 The South Asian Women's Creative
Collective (SAWCC) is pleased to announce a call for submissions for our annual visual arts
exhibition,
There's Nothing Wrong With Us, to be held at the Queens Museum, March 12 — April 8, 2016.