Sentences with phrase «collective lives of a men»

Not exact matches

One would almost think that the West had only just had news of that victory, as it had just learned of the conquest of Jerusalem, and that the purpose of the company of statues that now was mustering in the glimmering recesses of cathedral porches was to reveal to men as living presences the figures of their collective dreams.4

It is Mankind as a whole, collective humanity, which is called upon to perform the definitive act whereby the total force of terrestrial evolution will be released and flourish; an act in which the full consciousness of each individual man will be sustained by that of every other man, not only the living but the dead.

Bonhoeffer answers: «The individual personal spirit lives solely by virtue of sociality, and the «social spirit» becomes real only in individual embodiment.10 Therefore Bonhoeffer can speak of both the individual and a collective being.11 The design of God for men to live in community leads to the natural question of the religious community.

Theology has not given adequate attention to the social idealizations of evil... The new thing in the social gospel is the clearness and insistence with which it sets forth the necessity and the possibility of redeeming the historical life of humanity from the social wrongs which now pervade it... The social gospel seeks to bring men under repentance for their collective sins and to create a more sensitive and more modern conscience.

Yet of two things the Christian can be confident: that the way of brotherhood and mutual understanding is God's way, which if followed leads to justice, security, and peace; and that if man does end his collective life upon earth, God will still reign in his eternal Kingdom.

This is true of man's collective and national life as well as his individual life.

Nor, as a record of man's collective life.

No longer in contact with the created world or with himself, out of touch with the reality of nature, he lives in the world of collective obsessions, the world of systems and fictions with which modern man has surrounded himself.

Something constructive must be left in human reason and conscience if man is to have a basis for a collective life with a measure of justice and sanity.

Israel is to be seen not just as a collectivity of men and women called to individually righteous lives, but as a model of collective obedience to the will of God.

I'm an atheist, but I like this man... long live Pope Francis, and may he be successful in pulling the Catholic Church's collective head out of its collective behind!

am a single lady who is seeking for a serious relationship with the right man and someone who is willing to send the rest of his life with me as well.am tall, cool, calm, collective and fun to be with, am looking forward to man who knows how to make a woman happy anytime anyday, looking forward to meet that special person in my life and am also ready to give it a trial.

Nonetheless, the experience is similar, as the life of a seemingly unremarkable man becomes a device for revisiting our collective past and charting a nation's progress.

The creative collective at Blue Man group at Luxor Hotel and Casino celebrates the latest evolution of their live show that bursts with fresh color and vibrant sound.

Drawing from his personal, as well as a collective, wellspring of experiences living as an African American man in the South through the middle of the twenty - first century, Dial's work captures struggle and oppression, but also joy and wit, and challenges viewers to wrestle with their own preconceptions, prejudices, as well as ironies of being an American.

Nolan Oswald Dennis is a (South) African, born in Lusaka, Zambia he currently lives and works in Johannesburg and is part of the two - man Mafuta Inc collective.

2014 Shenzhen Sculpture Biennial, China Ikon Icons, Ikon Gallery Birmingham The 10th Gwangju Biennale, South Korea 2012 The Jerusalem Show, Jerusalem 4th Guangzhou Triennial, China 2008 Blown Away — The Artful Explosion, Krannert Art Museum, University of Illinois 16th Sydney Biennale, Australia 2007 8th Sharjah Biennial Projektion, Lenos Kunstmuseum, Linz Says the junk in the yard, Flowers East, London 8th Sharjah Biennial Collective One, Galerie Guy Bartschi Living in the Material World, National Art Center Tokyo The Shadow MAN Museo d`Arte Provincia di Nuoro 2006 - 2007 the Shadow, Palazzo delle Papesse Centro Arte Contemporanea, Sienna You'll Never Know, Hayward Gallery National touring exhibition

«A New American Flag,» Max Protetch Gallery, New York, NY, 1992 «Malcolm X: Man, Ideal, Icon,» Walker Art Center, Minneapolis, MN, 1992; traveled to the Institute of Contemporary Art, Boston, MA; The Valentine, The Museum of Life and History of Richmond, VA; Anacostia Museum, Washington DC; Nexus Contemporary Art Center, Atlanta, GA; Center for the Arts, Yerba Buena Gardens, San Francisco, CA «Mistaken Identities,» University Art Museum, University of California at Santa Barbara, Santa Barbara, CA, 1992; traveled to the Museum Folkwang, Essen, Germany; Forum Stadtpark, Graz, Austria; Neues Museum Weserburg Bremenim Forum Langenstrasse, Bremen, Germany; Louisiana Museum of Modern Art, Humlebaek, Denmark; catalogue «Update «92,» White Columns, New York, NY, 1992 «Slow Art: Painting in New York, PS1 Museum,» Long Island City, NY, 1992 «Dream Singers,» Story Tellers: An African American Presence, coorganized by Fukui City Japan, and New Jersey State Museum, Trenton, NJ, 1992; traveled to the Tokushima Modern Art Museum, Tokushima City, and Otani Memorial Art Museum, Nishinomiya City, Japan; catalogue «All Words Suck,» Anders Tornberg Gallery, Lund, Sweden, 1992 «Allegories of Modernism: Contemporary Drawings,» Museum of Modern Art, New York, NY, 1992; catalogue «Doubletake: Collective Memory and Current Art,» Hayward Gallery, The South Bank Centre, London, UK, 1992; traveled to the Santa Monica Museum of Art, Santa Monica, CA; North Carolina Museum of Art, Raleigh, NC; catalogue «Knowledge: Aspects of Conceptual Art,» University Art Museum, University of California at Santa Barbara, Santa Barbara, CA; traveled to the Santa Monica Museum of Art, Santa Monica, CA; North Carolina Museum of Art, Raleigh, NC; catalogue

Dance to the End of Love was made out of low resolution footage made mainly with mobile phones in Egypt, Yemen, Libya, Saudi - Arabia and Oman, and showing male bodybuilders, men driving cars and riding motorcycles, singing and dancing, but when included within this 4 - channel - video, this unique piece becomes a symphony in 5 movements about the loneliness of the oppressed, about hundreds of thousands crushed and forgotten in their home countries, who choose to use their computer screens as sites to live out their collective, heroic dreams.