Sentences with phrase «collective modern identity»

Not exact matches

He views it as the only movement capable of salvaging the collective identity of the Jewish people from the melting pot of modern nationalism.

Religion, after all, is constituted by symbolism — whether in primitive amulets, totems, and rituals, the earth and sky god mythologies of ancient civilizations, crucifixes and relics of the medieval church, formalized texts and creeds of the world's great modern religions, or even the sacred rites and markers we use to define ourselves, our relations to nature, our sense of personal identity, and our collective loyalties and destinies.

Katy Siegel, BMA Senior Programming & Research Curator and Thaw Chair in Modern American Art at Stony Brook University added: «As the exhibition title suggests (in Édouard Glissant's powerful, poetic phrasing), these artists confront with bravery and creativity a tension we all feel, most especially African Americans, between the «solitary» — being specifically, uniquely and only oneself — and the «solidary» of a group's collective social identity.

The diversity of reference and material in his work mirrors the complexity and richness, which is so typical of identity — collective and individual — in modern contemporary society.

«A New American Flag,» Max Protetch Gallery, New York, NY, 1992 «Malcolm X: Man, Ideal, Icon,» Walker Art Center, Minneapolis, MN, 1992; traveled to the Institute of Contemporary Art, Boston, MA; The Valentine, The Museum of Life and History of Richmond, VA; Anacostia Museum, Washington DC; Nexus Contemporary Art Center, Atlanta, GA; Center for the Arts, Yerba Buena Gardens, San Francisco, CA «Mistaken Identities,» University Art Museum, University of California at Santa Barbara, Santa Barbara, CA, 1992; traveled to the Museum Folkwang, Essen, Germany; Forum Stadtpark, Graz, Austria; Neues Museum Weserburg Bremenim Forum Langenstrasse, Bremen, Germany; Louisiana Museum of Modern Art, Humlebaek, Denmark; catalogue «Update «92,» White Columns, New York, NY, 1992 «Slow Art: Painting in New York, PS1 Museum,» Long Island City, NY, 1992 «Dream Singers,» Story Tellers: An African American Presence, coorganized by Fukui City Japan, and New Jersey State Museum, Trenton, NJ, 1992; traveled to the Tokushima Modern Art Museum, Tokushima City, and Otani Memorial Art Museum, Nishinomiya City, Japan; catalogue «All Words Suck,» Anders Tornberg Gallery, Lund, Sweden, 1992 «Allegories of Modernism: Contemporary Drawings,» Museum of Modern Art, New York, NY, 1992; catalogue «Doubletake: Collective Memory and Current Art,» Hayward Gallery, The South Bank Centre, London, UK, 1992; traveled to the Santa Monica Museum of Art, Santa Monica, CA; North Carolina Museum of Art, Raleigh, NC; catalogue «Knowledge: Aspects of Conceptual Art,» University Art Museum, University of California at Santa Barbara, Santa Barbara, CA; traveled to the Santa Monica Museum of Art, Santa Monica, CA; North Carolina Museum of Art, Raleigh, NC; catalogue

Aoife added: «As our National Museum for Modern Art, IMMA makes a huge contribution to the communication of contemporary Irish life and our collective identity, both in Ireland and Internationally.