Lazarus» exhibition explores
collective public archives, personal memory, and the role of photography and collecting in contemporary art and identity.
Extending the term of copyright on
public domain works is a terrible idea, as we learned with the Sonny Bono Copyright Act in 1998: the main effects of taking material out of the
public domain and putting it back in copyright was to enrich large publishing businesses at the expense of scholarship,
archiving, librarianship, education and access, while dooming enormous chunks of our
collective culture to be «orphan works,» with no discoverable owner, likely to have every known copy disappear or disintegrate before they re-entered the
public domain and could be reissued.
Using photographs and artefacts stored in
public and personal
archives, Bayjoo investigates the complex histories and questions around authoring
collective identity in a postcolonial world.