Katy Siegel, BMA Senior Programming & Research Curator and Thaw Chair in Modern American Art at Stony Brook University added: «As the exhibition title suggests (in Édouard Glissant's powerful, poetic phrasing), these artists confront with bravery and creativity a tension we all feel, most especially African Americans, between the «solitary» — being specifically, uniquely and only oneself — and the «solidary» of a group's
collective social identity.
The Israel Museum, Jerusalem, continues its 50th Anniversary celebrations with a new exhibition addressing notions of individual and
collective social identity within society.
Not exact matches
These wars have variously been understood as Western aggression against pacific Islam, a necessary defense against Islamic attack, a conduit for cultural and commercial exchange, a form of early colonialism, an expression of
collective religious
identity or
social anxiety, and a symptom and vehicle of economic expansion.
Parameters demarcate lines of inclusion and exclusion, standards of orthodoxy and heterodoxy, and, in due course, religion constitutes the basis of
collective identity and
social reality.
«The increased homogeny of head shapes suggests that modification practices contributed to the creation of a new
collective identity and may have exacerbated emerging
social differences,» Velasco said.
Increased homogeny of head shapes in the late LIP suggests that modification practices contributed to the creation of a new
collective identity, and while cranial modification consolidated prior
social boundaries, the author argues that the standardization of these practices may have exacerbated emerging
social differences.
Activism, Autobiographical, Body, Collaborative /
Collective, Conceptual, Gender & Sexuality, Health / Medical, HIV & AIDS Related,
Identity, Issue - Based, Political /
Social Commentary, Portraiture, Queer, Text
The works on show will explore ideas of the cyborg and the avatar raising questions of
identity and individual and
collective consciousness at a time of prolific
social change and uncertainty when reality can often seem more like science fiction.
in «gulp», austrian - born artist erwin wurm introduces the theme of the
social envelope — cars, clothing, food, houses, furniture — in order to annotate the fragility of both the individual and
collective identity behind it.
Heidrun Holzfeind uses photography, documentary video and sculpture to explore individual and
collective narratives that reveal the concept of
identity as a
social construct dependent on cultural and socio - economical circumstances.
Their work address issues of
collective identity and relations of power in
social structures focusing on the absorption of underground tactics of resistance.
Bartana investigates these through the ceremonies, public rituals and
social diversions that are intended to reaffirm the
collective identity of the nation state.
Racism, misogyny, homophobia and class
identity are all
collective rather than singular struggles and any attempt to draw on biography often serves to situate the individual in relation to their
social context.
A founding member of the artists»
collective REPOhistory, Kuoni has curated and co-curated numerous transdisciplinary exhibitions on issues such as contemporary Native American
identity and colonial, 19th - century portraiture; democratic, participatory processes; artistic and
social networks; new notions of transient and temporary spaces; or agency.
New York based artist duo Lovett / Codagnone have worked together since 1995, creating photography, performance, video, sound, and installation works that tacking issues of
collective identity and resistance to
social structures.
The two projects of the exhibition share an exploratory approach to the imagery and workings of individual and
collective identity as it arises within
social behaviors, sexual and legal ties, and linguistic and cultural contexts.
This era marked a shift in
social and cultural life from a money - driven, individualistic ethos of the Reagan and Bush years, to a foregrounding of
collective identities of communities that had been pushed to the margins, a period commonly cited as the rise of
identity politics.
designboom November 10, 2010 Erwin Wurm at Lehmann Maupin Gallery In «gulp», Austrian - born artist Erwin Wurm introduces the theme of the
social envelope - cars, clothing, food, houses, furniture - in order to annotate the fragility of both the individual and
collective identity behind it.
Tomorrow at 7PM at The Art Institute of Chicago, join Glenn Ligon, Studio Museum chief curator and director Thelma Golden, Lynette Yiadom Boakye, and Cauleen Smith for a discussion on their work and how it examines individual and
collective histories along with questions of cultural,
social, sexual, and racial
identity.
Gradually, Adrian Paci has distanced himself from his personal experience to treat
collective history, in projects that emphasize the consequences of conflicts and
social revolutions, revealing how
identity is conditioned by the socio - economic context.
We must instead continue to find ways in which Aboriginal people can participate fully in the economic, political, cultural and
social life of Canada in a manner which preserves and enhances the
collective identities of Aboriginal communities, and allows them to evolve and flourish in the future.
Personality and
social behavior; self and
identity; altruism and pro-
social behavior;
social perception and interpersonal behavior;
social influence and attitude change; motivational foundations of individual and
collective action
(i) a profound relationship exists between indigenous peoples and their lands, territories and resources; (ii) this relationship has various
social, cultural, spiritual, economic and political dimensions and responsibilities; (iii) the
collective dimension of this relationship is significant; and (iv) the intergenerational aspect of such a relationship is also crucial to indigenous peoples»
identity, survival and cultural viability.
Current projects include studies examining group
identity conflict,
collective pride, self - stereotyping in the context of interracial interactions, and barriers to
social inclusion.