All four interest groups are like symbiotic parasites feeding off each other while they also support the public's
collective subconscious need for a surrogate Devil to fear.
They don't know about that really awful Freudian (or some such) perversity lurking in
our collective subconscious — which, of course, is unprovable & nonempirical, but we know it's there.
Whether as preparatory studies or as works in their own right, these monochromatic works on paper offer an intimate sense of the artist's creative and conceptual process that mines
the collective subconscious of American culture through a mix of the familiar and the absurd.
The featured artists were chosen from a range of criteria prioritizing artist locality, subject matter and resonance within
the collective subconscious of the group as a whole.
Drawing on
our collective subconscious, he tests the resistance of objects over time — what is remembered and what is forgotten.
Julia Peyton - Jones, director, and Hans Ulrich Obrist, co-director, at Serpentine Galleries said: «Since their surreal and sometimes nightmarish imagery took up residency in
our collective subconscious in the early 1990s, Jake and Dinos have continued to prod, provoke and entertain.
For his first one - person exhibition in New York, Ron Johnson offers up a collection of paintings that project a keen and sometimes - referential theory of color, a very curious technique, and a place between non-representation and
our collective subconscious of catalogued experiences that flow through the exhibition in unexpected ways.
Producing programs that «trace the global DNA of emerging musical subcultures in Latin America, the border, the United States and abroad,» Los Jaichackers attempt to create a mirroring effect between local and global commerce, drawing abstract connections through North and South American histories and cultures in order to reveal the presence of powerful aesthetics in
our collective subconscious.
Mining
collective subconscious cosmologies, Zucco's use of industrial materials connect the impossibly remote moods of crystallized prehistoric time to the historically tangible decay of urban ruins.
Collective Subconscious (Blue), 2007; interior view.
The show cuts a broad path through the history of card design, from»50s pin - ups to modern corporate packs, so that it forms an oblique slideshow essay on
the collective subconscious.
«In contents-wise I apply in three parts: a reinterpretation of old European masters» work, a recreation of my own dreams - using digital collages, and some images from Google search to present a contemporary
collective subconscious world.»
While «Being Modern» certainly opens up the collection to a wider global audience, it also reveals a divided American
collective subconscious.
certainly opens up the collection to a wider global audience, it also reveals a divided American
collective subconscious.
They are the larger - than - life figures who worked in New York in the 1940s and 50s, taking non-object imagery as their subject matter in an attempt to reveal society's
collective subconscious.
The game draws inspiration from a deep, innate story that we all carry in
our collective subconscious, a universal origin myth that resonates across cultures.
Before the words «Frankenstein» or «Donovan's Brain» can form in
our collective subconscious, Norris finds himself inexorably drawn to a life of crime.
And it has got me seriously thinking that maybe we as a club haven't in
our collective subconscious decided exactly whether or not we want to be a winning club.
Once celebrated openly but now residing in the church's
collective subconscious is the belief that American representative democracy was patterned after Presbyterian polity.
Not exact matches
I owe much of my thinking in this area to Walter Wink, but I go further than he does, and give the powers a bit of will, though it would be by the
subconscious will of a human
collective.
Our
subconscious is the source that holds the reserves of our unrealized potential, the archetypes of
collective consciousness, our societal conditioning, and unresolved traumas.
It suggests that art is in the
subconscious or a universal
collective conscious — a sacred place only we can access.
Ready Player One's hit parade of characters, callbacks, and cheat codes has nothing to say about the icons it summons up from the
collective geek
subconscious.
But when I realized that nobody had ever written about the second most evil character in our
collective American
subconscious, the Wicked Witch of the West, I thought I had experienced a small moment of inspiration.
Many pieces explore the liminality of certain phenomena including the practice of automatic writing (Sisters of Menon, 1972/79), near death experiences (Channels, 2013), and
collective experiences of unconscious,
subconscious and paranormal activity (Belshazzar's Feast, 1983 - 4; Psi Girls, 1999; Witness, 2000).
«Earth is the
collective memory that is bound to our
subconscious.
With her shamanistic approach, Ting's use of universal natural forms such as insects, roots and animal hooves reaches deep into the dark corners of our
collective souls to awaken our own
subconscious spiders weaving their universal memory threads of spiritual and corporal symbology.
They aim at subject matters that are deeply rooted in our
subconscious and our
collective memory.
The concept stems from the study of artistic introspection and the
subconscious through the
collective gaze.
Hybrid archetypal figures leap off the pages of children's books and cartoons, works of science fiction, epics, myths, the
collective memory and the
subconscious.
In Dwellers on the Threshold, DeVincentis draws on myths emerging from her
subconscious and upon art and literature from both east and west to create an open - ended humanist narrative, (less a formal or structured narrative than that of the Pre-Raphaelites); one which contains multiple readings, and which questions individual and
collective morality in our time of great unease and dislocation.
To me, ashes carry unseen sedimentary residue, and tremendous human data about the
collective and individual
subconscious,» says Huan.
In this work the artist creates a fairy - like atmosphere surrounding the viewer, thus pulling the viewer to the field of dreams, the
subconscious, the desires and fears that lie in the depth of
collective memory.
Her objects give form to the
collective desires, neuroses, and vulnerabilities that haunt the
subconscious of popular culture.
Instead they were meant to touch the observer deep in the
subconscious mind, evoking a sense of the primeval and tapping the
collective sense of an archetypal visual language.
Hard facts and figures documenting the negative impact of such environmental exploitation might not necessarily spark
collective change in the more
subconscious parts of our minds, but perhaps compelling images such as these — showing that there is much hidden beauty to treasure — will.