Sentences with phrase «collective use of art»

Not exact matches

They are members of a nationwide group known as The Initiative Collective — a volunteer crime prevention outfit that encourages people to fight back against violence using self - defense, armor and theatrics — in addition to doing general good deeds like fundraising, feeding the homeless and offering free martial arts training to anyone who wants it.

Hibridos Collective will help re-envision the iconic structure using community - based art practices and a «People's Tent of Tomorrow» pop - up paying homage to the Pavilion.

The project will accelerate South Fremont High's transition to a STEAM (Science, Technology, Engineering, Art / Design, and Math) school by expanding schoolwide distributed leadership and the school's collective engineering mindset in order to introduce the concepts of coding that will increase students» opportunities to succeed in a world that increasingly uses coding as a language.

From 2010 - 2014 she was an active member of the GANDT artists» collective, which used art writing as a starting point for a variety of curatorial, publishing, and performative projects.

As part of the Fall 2008 International and National Projects, P.S. 1 has invited Minus Space, a collective based in Brooklyn, New York, to present an exhibition of «reductive art»: art characterized by minimalism and abstraction in its use of monochromatic color, geometry, and pattern.

With a combination of audacious graphics, telling statistics, and provocative humor, the Guerrilla Girls, a groundbreaking feminist collective, use humor to call attention to the ways in which museums, private collectors, publications, and the art market have historically marginalized female artists and artists of color.

The BMA presents Front Room: Guerrilla Girls, a selection of 48 works by the New York - based anonymous feminist collective known for using humor to confront sexism and racism in the art world.

P.S. 1 has invited Minus Space, a collective based in Brooklyn, New York, to present an exhibition of Reductive art: art characterized by minimalism and abstraction in its use of monochromatic color, geometry, and pattern.

For the most part, however, statement art was represented by one - liner wordplay, such as Alfredo Jaar's neon Teach Us To Outgrow Our Madness, or clever commentary such as Pedro Reyes's instruments fashioned from guns that are «made to be used», and such dubious efforts as Raqs Media Collective's re-enactment of a 1948 scene shot by Henri Cartier - Bresson of a bank robbery in Shanghai.

Iglesias, F.Meisenberg, B.Ruais, K.Thorne, J.VanDyke / Abrons / 466 Grand / thru 12/20 Kaari Upson / Ramiken Crucible / 389 Grand / thru 12/14 Matt Connolly / Essex Flowers / 365 Grand / thru 1/4 Opening 11/21 Keumnin Lee / Shin / 322 Grand / thru 11/30 Ulf Puder; Bettina Blohm / Straus / 299 Grand / thru 12/12 Amy Lien & Enzo Camacho / 47 Canal / 291 Grand — floor 2 (new location) / thru 12/21 Bright Matter: LAb [au]; Numen / For Use; Joanie Lemercier; Nonotak; François Wunschel / Guepin / 83 Orchard / thru 1/11 Opening 11/21 Kiki Kogelnik / Subal / 131 Bowery / thru 12/19 Brad Troemel / Tomorrow / 106 Eldridge / thru 11/30 (extended) The Contract / Essex Street / 114 Eldridge / thru 1/11 Opening 11/21 Reception 11/22 Foster Mickley / Munch / 245 Broome / thru 12/21 Opening 11/21 Robin Kang; Duhirwe Rushemeza / Tabacaru / 250 Broome / thru 12/9 Michelle Lopez / Preston / 301 Broome / thru 12/21 Alexander Tovborg / Beauchene / 327 Broome / thru 12/21 Mary Ann Aitken; John Maggie; Jonathan Rajewski / Hanley / 327 Broome / thru 12/21 Guglielmo Achille Cavellini / Whitebox / 329 Broome / 11/1 thru 11/30 Yui Kugimiya / Marlborough / 331 Broome (third NYC location) / thru 12/21 Opening 11/20 Lily Ludlow / Canada / 333 Broome / thru 12/14 Ulrike Theusner; Paul Brainard / Lodge / 131 Chrystie / thru 12/14 Cristina Vergano / Woodward / 133 Eldridge / thru 12/21 Nayda Collazo - Llorens / LMAK / 139 Eldridge / thru 11/30 James Hoff / Callicoon / 49 Delancey / thru 12/21 Noam Rappaport / Fuentes / 55 Delancey / thru 12/21 XYZ collective / Brennan & Griffin / 55 Delancey / thru 12/21 Jana Winderen & Marc Fornes / Storefront for Art & Architecture / 97 Kenmare @ Centre / thru 11/21 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 12/21 Josh Faught / Cooley / 107 Norfolk / thru 12/21 Joseph Montgomery / Gitlen / 122 Norfolk / thru 12/21 My Big Fat Painting curated by Rick Briggs; Fred Gutzeit / Morris / 163 Chrystie / thru 11/23 (extended) Closing Reception 11/20 (7 - 9 PM) Mark Joshua Epstein / Morris project space / 163 Chrystie / thru 12/20 Opening 11/20 (7 - 9 PM) Addie Wagenknecht / Bitforms / 131 Allen (new location) / thru 12/7 David Mramor / James / 143b Orchard / thru 12/7 Angelo Volpe / Krause / 149 Orchard / thru 12/8 Beatrice Scaccia / Cuchifritos / 120 Essex (SE corner of market) / thru 11/30 Tommy Hartung / On Stellar Rays / 1 Rivington / thru 11/30 Valeska Soares / Eleven Rivington / 11 Rivington / thru 11/23 Bill Traylor / Cuningham / 15 Rivington (new location) / thru 12/6 Micki Pellerano / Envoy / 87 Rivington / thru 11/23 Do the Write Thing: Read Between the Lines / Berst / 95 Rivington / thru 12/20 Guglielmo Achille Cavellini / Lynch Tham / 175 Rivington / thru 12/21 Jessica Rankin / Salon 94 / 1 Freeman Alley / thru 12/21 Red, Yellow and Orange: Ford Crull; Debra Drexler; Peggy Cyphers / Van Der Plas / 156 Orchard / / thru 12/31 AS IF: Abigail Donovan; Troy Richards; Robert Straight; Peter Williams / Novella / 164 Orchard / thru 12/6 Raquel Rabinovich / Y / 165 Orchard / thru 12/23 Opening 11/21 Tai Ogawa / Matsumiya / 153 1/2 Stanton / thru 12/31 Magnolia Laurie / Frosch & Portmann / 53 Stanton / thru 11/23 Forces at Play: S.Crider; B.Gardner; M.Keller; J.Mellon; L.Rablin / Molly Krom / 53c Stanton / thru 11/30 Valeska Soares / Eleven Rivington / 195 Chrystie (second location) / thru 11/23 Sara Goldschmied; Eleonora Chiari / Lorello / 195 Chrystie — floor 6 / 11/19 thru 1/25 Reception 12/11 Kader Attia / Lehmann Maupin / 201 Chrystie / thru 12/13 George Horner thru 12/6, Henry Mandell thru 1/10 / Charles / 196 Bowery Lili Reynaud - Dewar thru 1/25; Chris Ofili thru 2/10; etc. / New Museum / 231 - 235 Bowery Takeshi Murata / Salon 94 / 243 Bowery / thru 12/21 Heinz Mack / Sperone Westwater / 257 Bowery / thru 12/13 Notes on Undoing / Garis & Hahn / 263 Bowery / thru 12/20 Opening 11/20 Charles Dunn / Rucker / 141 Attorney / thru 11/26 Serge Alain Nitegeka / Boesky East / 20 Clinton (new, third NYC location) / thru 12/21 Matthew Fischer / Junior Projects / 139 Norfolk / thru 12/21 Pierre St - Jacques / Station Independent / 164 Suffolk / thru 12/14 Aki Sasamoto / JTT / 170a Suffolk / thru 12/14 (Performances 12/12 @ 6 PM) Sara Greenberger Rafferty / Uffner / 170 Suffolk / thru 12/21 Matt Hoyt / Bureau / 178 Norfolk / thru 12/21 Stuart Shils / Harvey / 208 Forsyth / thru 12/21 Opening 11/19 Arianna Carossa / Rooster / 190 Orchard / thru 1/4 Opening 11/25 Greer Lankon / Participant / 253 E Houston / thru 12/21 Henry Flynt / Audio Visual Arts / 34 E 1st / thru 11/23 (extended) Joel Holmberg / American Contemporary / 4 E 2nd / thru 12/19 Early Man / The Hole / 312 Bowery / thru 12/28

Residency Perk: Artist or artist collective receives use of a 150 square foot mobile studio space located in a NYC public park for six weeks and a $ 3,000 stipend for art materials and support for event production and marketing.

Using only an easel pad, markers, a map, and their collective knowledge, participants will collaboratively place each of America's 125 largest metropolitan statistical areas into a five - tiered hierarchy, and answer, once and for all, decades - old burning questions: is New York really America's only world - class art center?

The Ogden's display materialises through its acknowledgment of this tension: those who have considered their art as framing their own unique sense of self, and those who have used it for the purposes of forging a collective black identity.

Using her unmistakable indentations, daring lines, and stylized portraiture to foreground the contractedness of art and the archive, Herzog challenges Richter's methodology and disciplinary modes of historiography, which have systematically excluded LGBT persons from our encyclopedias, textbooks, and collective memory.

During the Chilean dictatorship that lasted from 1973 to 1990, Zurita published a trilogy of books — Purgatory, Anteparadise, and The New Life — and co-formed the art collective CADA (Colectivo de Acción de Arte) that used performance as an act of political resistance.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

the Berlin - based artist collective Club Real aims to explore these questions and some of the city's projects in order to widen the perspective on the possibilities and limitations of participation in art and art interventions in public urban spaces, using the concept of «disturbances of every day life» and presentations as a form of intervention.

In a city that is becoming more and more dense and utilized, the Berlin - based artist collective Club Real aims to explore the above questions and some of the city's projects in order to widen the perspective on the possibilities and limitations of participation in art and art interventions in public urban spaces, using the concept of «disturbances of every day life» and presentations as a form of intervention.

The term Pop art came into use in the 1950s during discussions led by the artist collective known as the Independent Group at London's Institute of Contemporary Arts.

Following an unmistakable trend — maybe better to use the word pattern or even a collective consciousnesses - like shift in thematics — of body politics in the emerging art scene, Body Anxiety brings together a group of diverse artists umbrella - ed perhaps only in their examination of «gendered embodiment, performance and self - representation on the internet».

Swedish brand COS teamed up with Berlin - based art collective Numen / For Use for an interactive installation at the Palais de Tokyo, made entirely of 44 km of clear plastic tape.

Billy Grant, a founding member of the legendary psychedelic art collective Dearraindrop, premiered Untitled Car Ride Movie, a study in familial road trip dynamics using loosely animated sketches and deranged sound design.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Information session offered for artists and artist collectives interested in applying to Studio in the Park — a residency program that provides an artist or artist collective use of a 150 square foot mobile studio space, situated in an NYC public park, to carry out a community engaged art project over the course of 6 weeks.

The surrounding walls of the entrance gallery sport colorful vinyl banners by the Guerrilla Girls, the anonymous artists collective that uses billboard and other advertising techniques to chronicle sexism in the worlds of art and popular culture.

, providing an artist or artist collective use of a 150 square foot mobile studio space, situated in an NYC public park, to carry out a community engaged art project over the course of 6 weeks.

Navigating between art historical references, the existing art context and the aesthetics of the every day Bonacina's practice emphasizes the importance of the manifestation of meaning through the use of iconic elements such as images, actions and customs which are rooted and constantly reproduced in the collective today.

The collective sketchbook group show, Moleskine Project IV at Hashimoto Contemporary, celebrates the power of the sketchbook and its use by artists that come from different creative backgrounds, including animation, comics, illustration, fine art, street art, film and more.

«Let the Record Show...,» one of the first major art world responses to the AIDS crisis, is organized by Curator William Olander with ACT - UP, sparking the organization of Gran Fury, an activist artists collective that used graphic design strategies to raise awareness about AIDS.

The exhibition, «Not Ready to Make Nice, 30 Years and Still Counting,» uses the interior and exterior of Abrons's gallery space, just blocks from the NADA art fair, to present a comprehensive timeline of the collective's actions.

Simpson continues to influence the legacy of black artists today by speaking with artists and activists such as the Art Hoe Collective, a group of young women using social media to give marginalized groups a safe platform to broadcast their artwork.

Let There Be Light at Gazeli Art House, London, brings together a group of works from international artists and design collectives which use the medium of light as their primary means of expression.

/ / RESIDENCIES AND AWARDS / / 2018 Membership Award and Purchase Prize for Objects of Unknown Use in Fertile Ground: Artists Respond to a Collective Geography, Rosenwald - Wolf Gallery, University of the Arts, Philadelphia, PA

In 2000, with Malik Gaines and Alexandro Segade, she formed My Barbarian, an art collective that uses performance to explore social difficulties, theatricalize historic problems, and imagine ways of being together.

Through his depiction of appropriated portraits, architecture or other remnants of historic events from our collective memory, he investigates the use of art, architecture and figuration as propaganda for ideology of any kind.

Mohamad Hafeda from artist collective Febrik, reflects on the use of art processes as urban research tools

A local art collective, REBAR, dreamed of how a metered parking spot could be better used: 70 % of San Francisco's downtown space is devoted to vehicular parking space.

A state — and those states seeking to assist in this regard — may use force to respond to an imminent or actual armed attack by way of self defence / collective self defence (Art 51).