Sentences with phrase «collective working under»

Artworks by the Paris collective working under the name Claire Fontaine in her first Metro Pictures exhibition.

Initally Allistair Burt of Hole in my Pocket found it difficult to promote himself: «Its hard to talk enthusiastically about something I've made and I found it easier to talk about «we» as a collective working under the Hole in My Pocket banner.

The Company web site contains copyrighted material, trademarks and other proprietary information, including, but not limited to, text, software, photos, video, graphics, music and sound and the entire content of the web site is copyrighted as a collective work under UK and International copyright laws.

This Website contains copyrighted material, trademarks and other proprietary information, including, but not limited to, text, software, photos, video, graphics, music, sound, and the entire contents of OrlandoStrollerRentals.com protected by copyright as a collective work under the United States copyright laws.

The entire contents of the website and the technology underlying, including but not limited to text, graphics, images, audio files, videos, digital downloads, data compilation, or code is copyrighted as a collective work under the United States and other copyright laws, and is the property of WellnessMama.com and is protected by copyright and other intellectual property or proprietary rights.

The entire content included in this site, including but not limited to text, graphics or code is copyrighted as a collective work under the United States and other copyright laws, and is the property of Integrative Health Care, P.C..

The entire content included in this site, including but not limited to text, graphics or code is copyrighted as a collective work under the United States and other copyright laws, and is the property of Activation Products.

Copyright The entire content included in this site, including but not limited to text, graphics or code is copyrighted as a collective work under the United States and other copyright laws, and is the property of Perfect Supplements, LLC.

The entire content included in this site, including but not limited to text, graphics or code is copyrighted as a collective work under the United States and other copyright laws, and is the property of PA Principals Association.

The entire content included in this site, including but not limited to text, graphics or code is copyrighted as a collective work under the United States and other copyright laws, and is the property of the Santa Ynez Valley Humane Society.

The entire content included in this site, including but not limited to text, graphics or code is copyrighted as a collective work under the United States and other copyright laws, and is the property of the Arizona Humane Society.

Not exact matches

Currently, about 130 people working in Carei will receive full company support under the terms of the collective labour agreement, including a social plan and assistance in finding future career opportunities.

He said, «I feel, especially in the first half, we wanted to play with high pace, put them under pressure, play at a very high collective connection and speed of passing — it worked quite well.

The game harked back to times in the not so distant past where a calamitous Liverpool defence would have to rely on a breathtaking attack if it were to dig itself out of a hole, but under the new manager the team are required to work as a unit, and this collective responsibility is something which should be beneficial in the long run.

The web site and all the content contained therein are, among other things, protected as a collective work or compilation under applicable U.S. law and other laws and treaties.

As Edward Said argued in the wake of the 9/11 attacks in his 2003 preface to his seminal work, Orientalism, «the terrible conflicts that herd people under falsely unifying rubrics such as «America,» «the west» or «Islam» and invent collective identities for large numbers of individuals who are actually quite diverse, can not remain as potent as they are, and must be opposed.»

Beyond protecting the money that goes to public education, Root said the association ensures its members» collective bargaining rights are upheld and they're working under a contract.

Maybe a better answer: They are allowed because they are a collective of workers working under management.

At a time when collective bargaining is under attack all over the country, the CSEA vote demonstrates that collective bargaining can work for the common good.

Some of the X-ray crystallography work included in the paper was performed under the auspices of the Crystallography Collective program, which is run by research scientist Banumathi Sankaran at the Advanced Light Source.

It's not hard to pinpoint where the difference in quality between the two Vacation films comes from; although they have a solid comedy hit under their collective belt (Horrible Bosses), writer / directors John Francis Daley and Jonathan M. Goldstein just don't compare to the team of Harold Ramis (Ghostbusters, Caddy Shack) and John Hughes (Ferris Buller, Breakfast Club) working in their heyday.

Notwithstanding the requirements of this subdivision, participation in professional development outside the regular school day or regularly scheduled working days of the school year shall be volitional for teachers, unless otherwise agreed upon as a term or condition of employment pursuant to collective bargaining under article 14 of the Civil Service Law.

Cultures under Siege: Collective Violence and Trauma, edited by Harvard Graduate School of Education Professor Marcelo Suárez - Orozco and Utrecht University Professor Antonius C.G.M. Robben, draws on the work of anthropologists, psychologists, and psychoanalysts to look at the complex, overlapping ways that societies and individuals come to grips with the traumatic effects of violence, humiliation, discrimination, and feelings of historical injustice.

Unlike most charters, Green Dot is unionized, but teachers at Clay, who work under a different collective - bargaining agreement, would not be entitled to remain.

Under Templin's leadership the college created a strategic plan to increase college access and student success for 25,000 additional students drawn primarily from low - income and immigrant communities through a collective action strategy that champions closer working relationships between NOVA and the region's high schools, community - based non-profit organizations, universities, and employers.

For example, an employer's contribution under a collective bargaining agreement may be based on a participant's hours of covered work.

All Site content and collective work comprising the Site, including information, articles, data, software, photographs, graphs, videos, typefaces, graphics, music, sounds, the «look and feel» and other artwork and material (collectively «Content») is protected by copyright, trademark, patent or other proprietary rights under United States and / or international laws and held by PetSmart Charities and / or the original creator of the Content, including PetSmart Charities's suppliers and / or affiliates and Site visitors contributing material in connection with our Pet Community, Blog, Ask an Expert, and similar services (for more information, see Contributions to this Site; Content and Submissions below).

Dunnett is part of a collective of artists working under the title Chasing Shadows.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

Working under the name rosenclaire, Rose Shakinovsky and Claire Gavronsky present a conversation between their respective and collective practices and identities in re.collections.

For Greater Columbus, Paige Früchtnicht shows work with Greg Ponchak under the collective name OGH, and Dani Leventhal presents collaborative work with Sheilah Wilson.

This publication brings together three major bodies of work: the photographic and video works produced under the fictional collective name The Atlas Group; various series of seemingly «straight» photography of his native Beirut titled Sweet Talk: Commissions (Beirut); and his most recent project, Scratching on Things I Could Disavow: A History of Art in the Arab World.

«NEWD will feature a tightly edited roster of 36 participants — area non-profits, galleries, artist collectives, and project spaces — whose work promotes new art initiatives and, taken together, demonstrates innovative methods for supporting artists that would otherwise be under the radar.»

Vox Populi (Philadelphia) is an artist collective that works to support the challenging and experimental work of under - represented artists with monthly exhibitions, gallery talks, performances, lectures, and related programming.

Founded in 1988, Vox Populi is an artist collective that works to support the challenging and experimental work of under - represented artists with monthly exhibitions, gallery talks, performances, lectures, and related programming.

Multidisciplinary artists Charles Gaines, Clifford Owens, and Kamau Amu Patton discuss their work under the banner of the Lone Wolf Recital Corps, the performance collective founded by artist and musician Terry Adkins (American, 1953 — 2014).

Presented in a white wooden frame under plexi - glass (see work in situ) Can be hung individually or as a collective

Next spring, Esther Schipper and KW Institute for Contemporary Art in Berlin will showcase works by Bronson and his collective, as well those created under his pseudonym «JX Williams».

The solo exhibition «Unreal Estate # 2» at Tique art space, Antwerpen, is the second in a series of exhibitions by Ksenia Galiaeva under this collective name: with new works from 2016, an edition of posters and two new publications: `????

At a time when art stars take centre stage and become brands in their own right, the Bruce collective is working under the shroud of a group name while the revolving core of between five and eight individual members remain anonymous.

Outside of Art Basel and the New York events it appears that museums and galleries are now ready to focus on work created in Latin America, 2017 will see a series of no less than 46 exhibitions and events launched in Southern California under the collective title of Pacific Standard Time: L.A. / L.A. (Los Angeles / Latin America), a follow up to the 2011 - 2012 shows that showcased the creations of Southern California titled Pacific Standard Time: Art in L.A. 1945 - 1980 and will be partly funded by a $ 5milion research grant from The Getty Foundation.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

Since 1993, Tallentire has also worked on many collaborative projects with John Seth, under the collective name «work — seth / tallentire».

We executed five projects as the NAIL curatorial collective, working together until May 2009 under this name.

Her curatorial work researches instances of collective imagination under situations of political exigency, political and philosophical motivations for choreography, and under - represented art historical narratives.

In 1970 he made a second, bigger splash with «Information,» an international survey of about 130 artists, filmmakers and collectives that explored the tangled strains of mixed - media, participatory and ephemeral works gathered under the umbrella of Conceptual art.

Born 1977, Mexico City, Mexico Solo Exhibitions 2018 «Under the immortal skin», T293, Rome 2018 «Temazcal», Michael Benevento, Los Angeles 2017 «Works and Days», Atlantis, Chevalier Roze, Marseille 2016 «Retrospectiva», Lulu, Mexico City 2016 «Chambres aver vue sur le champ», Untilthen, Paris 2016 «Paradise», DREI, Cologne 2016 «Frenetic Gossamer», Palais de Tokyo, Paris 2016 «Huellas de la Revolución Industrial», Museo Pietro Canonica a Villa Borghese, Rome 2015 «La bella durmiente», Museo Universitario del Chopo, Mexico City 2015 «Caramel Huysmans», Proyectos Monclova, Mexico City 2015 «The Contemporary Comedy: Glossy Mist», Clifton Benevento, New York 2014 «Luster Butterfly», T293, Rome 2014 «All That I Never Was», Michael Benevento, Los Angeles 2013 «Mariposas Migratorias», Clifton Benevento, New York 2012 «I miss my thread», Karma International, Zurich 2012 «The Equation of Desire», Kunsthalle Winterthur 2012 «The Bright of the Whisper», Kunstraum, Innsbruck 2012 «La Alcoba Doble», T293, Rome / Naples 2010 «Martin Soto Climent — A bridge between two towers», Clifton Benevento, New York 2010 «A Long Chapter One», Sorcha Dallas, Glasgow 2009 «El Mago», Martin Van Zomeren, Amsterdam 2009 «Laberintome», T293, Naples 2009 «Impulsive Chorus», X Initiative, New York 2009 «The Intimate Revolt», Karma International, Zurich 2009 «For your eyes only», La Sala, Mexico City 2009 «Martin Soto Climent», Michael Benevento, Los Angeles 2008 «Hidden Symmetries», Broadway 1602, New York 2008» Parabolic Dust», Broadway 1602, New York 2008 «01.18.08», T293, Naples 2007 «Vacio Contenido», Museo de Arte Carrillo Gil, Mexico City 2006 «Checkmate», Broadway 1602, New York 2006 «Study Objects», Nina Menocal Gallery, Mexico City 2005 «Other Objects», The Other Gallery, The Banff Center, Alberta 2005 «Biotic Project», Subway Station Tacuba, Mexico City 2004 «Cotton Candy Doves», MUCA, Mexico City 2004 «Throw Balls», UNAM — The University Cultural Building, Mexico City 2003 «Curious objects vol1», Curious objects vol2», The space, Mexico City 2003 «03-03-03», installation in Jardín Hidalgo, Coyoacán, Mexico City 2002 «It was green», Museum Desierto de los Leones, Mexico City 2001 «Empty Spaces (Journey Sensations)», Casa de la Cultura Malinalxochitl, Malinalco, Mexico 2001 «One of so Many, Young Artist Collective», Sebastián Foundation, Mexico City Group exhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 «Deseo.

The international climate negotiations under the UNFCCC are working toward a collective global response to the common threat of climate change.

In this highlights report, we reflect on some of our collective achievements from last year — and we look forward to working with you in 2018 to continue building a world of under 2 °C of global warming and greater prosperity for all, without delay.

That pool of homes was then grouped together, and installers invited to tender for that work under a reverse auction designed to deliver collective savings.