The
College of Education at the University of Florida last week announced the launch of a new center on «Collaboration for Effective Educator Development, Accountability, and Reform» — also known as the CEEDAR Center — focused on supporting states in developing teachers to prepare students with disabilities for college and c
College of Education at the University of Florida last week announced the launch of a new
center on «Collaboration for Effective Educator Development, Accountability, and Reform» — also known as the CEEDAR Center — focused on supporting states in developing teachers to prepare students with disabilities for college and ca
center on «Collaboration for Effective Educator Development, Accountability, and Reform» —
also known as the CEEDAR
Center — focused on supporting states in developing teachers to prepare students with disabilities for college and ca
Center — focused on supporting states in developing teachers to prepare students with disabilities for
college and c
college and
careers.
His work has
also been the subject of important group and solo shows throughout the span of his almost 50 - year
career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art
Center, Ephraim (2012); Reenactor, Williams
Center Gallery at Lafayette
College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter
Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena
Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International
Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine
College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine
College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).