Sentences with phrase «college film class»

Not exact matches

1989 was the same summer that Spike Lee's race - relations film, DO THE RIGHT THING came out, I had just read Malcolm X's Autobiography for a class, my IVCF chapter was more and more seeking to explore the implications of «multi-ethnicity» for campus ministry, and as a college radio DJ I had been exposed to more of the best rap than most white suburbanites — that is, a number of threads came together for me at that time to allow me to be a right - on - the - sidelines spectator of the rap youth culture phenomenon.

I could probably tell you what the director was trying to achieve if I'd ever taken some kind of film class, but I studied real things in college.

Don't get me wrong, I can enjoy / understand some «artsy» films, but when they forced me to watch Citizen Kane in this film class I took in college, I quite literally fell asleep I was so freakin» bored.

Telling the tale of a real - life botched heist by a band of upper - middle class white college guys, director Bart Layton (in his feature debut) injects his film with interviews of the film's real - life protagonists, to an overwhelming degree.

The five girls featured in the film are with the first graduating class of the Oprah Winfrey Leadership Academy for girls — the film finds them on the cusp of their next milestone: college graduation.

She lived during a time when upper - class women were appreciated primarily as wives and mothers, when little more was expected of them than to marry and procreate; as the film plays out, though, her daughter leaves for college, and for a life of her own.

He even crashed a college class that was showing the film as part of their curriculum.

The film shifts back and forth through Goodbody's confused service with the sweetly stupid and misguidedly cocky upper - class twit of a college boy, promoted to officer by virtue of class rather than any talent, intelligence or aptitude for leadership, periodically turning to the audience to spin a narrative that has little to do with the incompetence and tomfoolery onscreen.

A pair of middle - class college student plan an art heist in this film from the director of one of my favorite modern documentaries, The Imposter.

For instance, in one corner, a college representative might be meeting with a group of students; in another corner, parents may be interacting with teachers; students might be completing their language assignment in a third corner; or they may be filming a video for a class assignment in a fourth corner.

The money will give pupils a range of cultural opportunities including training at the Royal Ballet School in London, film - making classes at the BFI Film Academy and free opportunities to study art and design at their local college or university; and visits to museums and galleries, using quality resources to support their classroom teaching.

While my interested in videography and filmmaking goes back to «throwing my college career away» in high school to take film instead of english class, there was one video in particular which pushed me over the edge to get into travel videography and filmmaking; a story for tomorrow by Gnary Bay.

In addition to required classes, graduate students can audit classes from the various diverse offerings in our undergraduate college, including film, animation, fine arts and humanities.

Filmmaker Saul Levine has left his professorship at the Massachusetts College of Art and Design following anonymous complaints after he screened his work Notes After Long Silence (1989) to his class — the film contains images of Levine having sex with his partner.

«I remember with Merce just his sense of focus, his sense of being upright, being in the body and moving and knowing what you were going to do, being ready for the next thing, but enjoying where you are, that was just contagious» — Theodore Dreier Jr. in a film and interview with Sigrid Pawlke on his classes with Merce Cunningham and other influencing faculty at Black Mountain College

-- Ati Gropius Johansson in a film and interview by Sigrid Pawelke on her initial refusal of going to Black Mountain College and her later admiration for Josef Albers and his design classes.

Theaters in the Living Room Theaters complex are used for film study classes in our College's School of Communication during the day, and are open at night and on weekends showing independent and foreign films, and serving lunch and dinner.