Sentences with phrase «color and line become»

Her newest etchings and prints exist somewhere between the beautiful and the brutal, where skyscapes of color and line become politically charged meditations on climate change denial.

Not exact matches

Over the years, our line of men's shaving products has become a staple of Italian culture, and evolved to feature natural - based formulations without mineral oils or artificial colors.

-- On a lower speed, add eggs one at a time and vanilla until well incorporated — Increase mixing speed to high and let it go for 10 minutes — the mixture will become really pale and will almost double in size — In a medium sized bowl, whisk together flour, baking powder, baking soda, and salt — When 10 minutes are up, add flour mixture slowly until just combined, about 45 - 60 seconds — Chop up and mix together all of your baking and snack ingredients in a small bowl, and fold into batter with a spatula until just incorporated — Using a medium - sized ice cream scoop, portion cookie dough on parchment paper - lined cookie sheet and wrap the entire thing tightly with plastic wrap — Refrigerate for a minimum of 1 hour and up to 1 week — Heat oven to 400F and arrange cookies on cookie sheets at least 4 ″ apart — Bake 9 - 11 minutes, until they are golden in color and slightly brown along the edges — Cool the cookies completely on the sheet pan (or just eat them immediately...)

Until this point in my life, I reveled in the bold colors, soft lines, and sweet scents of buds and blossoms, but it hadn't occurred to me just how delicate they could become in food.

If you are of an age where those fine lines have begun appearing and your lips are starting to lose color and become a bit thin, it's time to start looking at safe methods of correcting some of the ravages of time so you can have younger looking skin.

Subra's work in refinery communities like Norco exposes the racial and economic fault lines in rural America, where impoverished communities of color often become the dumping ground for our nation's toxic wastes.

The result, in the case of The Dark Knight Rises, is a movie so rich in lushly cinematic images — with lustrous colors and richly textured night scenes — that it should be displayed side by side with the likes of The Avengers and The Amazing Spider - Man in public forums devoted to educating the audience about what is being lost as the making and exhibiting of films on actual film becomes a museum art — the latest, but surely not the last, casualty of Hollywood's relentless focus on the bottom line.

As the weeks have gone on, students have become more confident in talking about balance, proportion, repetition, emphasis, contrast, line, value, levels, and color.

Our product line is constantly evolving as new colors and patterns become available; so there is always something new for shop owners to include in their displays.»

Instead of the typical flagpole and a castle from the first game, as well as the Hawksmouth gate from the second this time, when the player reaches the end of the level, the colors of the background lose their standard patterns and the whole background becomes mainly black, with some white lines here and there.

In amiibo news, Nintendo confirmed that figures of Roy, Ryu, and a Famicom - colored R.O.B. will be available in stores on March 18th, but there was no mention of whether or not any of them would be retailer - exclusive, which has become a trend for amiibo in the Super Smash Bros. line.

However, once the gameplay mechanics started taking shape, it became clear that the blend of colors and lines running through the space would find an inherent setting in the colorful African tribal art and landscapes.

These puzzles are quite easy in the first area, requiring players to just draw a line from a starting point to an ending one, but things become more complicated quickly, with players having to separate different colored dots and reach the end point, create specific shapes, manipulate panels so that sunlight can reveal the correct path and so on.

Her paintings, which deal with primary colors and mechanically straight lines, have only become more minimalistic over time.

These are characterized by large, interlocking areas of brightly colored wash with hatched lines that become, bush, tree, branch and so on.

Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.

Becky Yazdan's small paintings have become incrementally more abstract over the four years or so since I first saw her work, but they remain anchored by precise composition, balanced line, and subtle choice of color.

Painting has become a way to express my inner feelings with shapes, lines, and color.

Though her brushwork became looser and heavier with time, Fine was always recognized for her ability to create visual rhythms using geometric forms, colors, and lines.

This motive remains prevalent and becomes varied by proportional divisions — halves, thirds, fourths and so on — along with horizontal and vertical divisions of increasingly complex line systems and color schemes.

Color, pattern and line become the building blocks of his language.

Subsequent materials become active players: lacquer, ink, pigment and spray paint interact with concrete to determine relief, color and line.

In the «color field» paintings of Kenneth Noland, John Hoyland and Etel Adnan, for example, pure planes of colour dominate and individual gesture becomes secondary to colour and line, and their interactions.

Hinging panels build a subtle environment and their surfaces become a topography of kinesthetic and rhythmic intelligence — line becomes thread, embedded or removed; surface, color, and density all partially reveal their encrypted touch.

The soft pastel colors and delicate fragility of line in a work like Skywiper No. 57 (2015) seem to run uncomfortably close to abstract kitsch, asking viewers to regard the difficult question that surrounds abstract painting today: Has it become a placeholder (or stock image) for pure presence, instead of a politically charged genre that worked to resist materialism?

By the 1980s, suffering from alcoholism and dementia, De Kooning's paintings became more sparse and graphic, featuring amorphic lines with shapes of color, less dense and more open and airy than his earlier works.

Moving from one drawing to the next the viewer will also discover thickets of angled sticks; lightly rendered floating lozenges; surprisingly colored vortexes; compilations of line passing as broad brushed symbols; hermetic compositions repeating within the same drawing; forgotten hieroglyphs becoming form; atmospheres menacing and combative and others lighter than the last wisp of sun - dissipated fog.

Only color, form and line count and structure and composition become very important.

By manipulating color and line in this way, Haggerty's imagery becomes a study in spatial and sensory perception, appearing to hum and even making his two - dimensional paintings appear to be three - dimensional.

The paintings become side by side with the «crossroads» of New York, comparing Perez's strokes, colors and lines with the roads and highways that connect our city to others.

«Straight parallel lines are created by stacking up slices of various colored clays but in the manipulation of the resulting soft block of clay, the lines become undulating or are perhaps made to taper down to hair's breadth... I think of my patterns as being a collaboration between my imposed structure and the clay's wise alteration of that structure.»

Early in his career, Roy Lichtenstein had done abstract expressionist paintings, with comic book characters embedded in the canvas, but it wasn't until he began to strengthen his lines and use Ben Day dots to show texture and color, that his style became his own.

In a career of more than fifteen years, they have become known for their picturesque, color - saturated photographic series and their deliberately slow - paced video installations, which feature slow pan shots, endless loops, and puzzling plot lines.

At this time, his work becomes increasingly more atmospheric than his previous efforts; multi-colored wavy lines and sprayed colors replace solid geometric fields of single colors.

In the seascapes in the Washed Ashore Series, debris including discarded plastic, styrofoam, rubber, computer chips and nylon fishing line is camouflaged as it is to sea turtles, albatross and dolphins, who think the plastic is plankton, are caught in the fishing line, grow encumbered and strangled by six pack holders or become immersed in rusty colored oil slicks.

Griffa's discourse, which has become increasingly dynamic in more recent years through color variation and the illustration of characters, symbols, and numbers representative of the Golden Ratio, (also the focus of a solo exhibition to be on view this February at Fondation Vincent van Gogh Arles, curated by Bice Curiger), originated from a simple mark; the unadorned line that reaches horizontally from left to right.

Born in Schwabisch - Gmund, Germany, Emil Holzhauer became an avant - garde painter whose work is characterized by heavy lines filled with color and with rhythmic, harmonic space.

Expression became characterized by shocking juxtapositions of color, light, and line.

As one of the progenitors of what eventually became known as Op Art, Stanczak was a pioneer who discovered the extraordinary things that can be accomplished using only the simple elements of color and line.

«As the visitor moves around the space, I want to have areas where this intricate line drawing will be filled in with sporadic color,» Kerwin says, «but I also want places where the color breaks away and becomes more dynamic and abstract.

And while studying under Albers he became assured that indeed everything that he had been longing to express could be expressed with color, along with the simple addition of line.

This includes a large painting of a night sky in reverse — featuring dark stars on a light sky — and a close - up painting of cracks on a plate that becomes a pattern of lines and color.

Part of it is the Fakires piece, where letters become pictorial elements immersed in expressive flows of a richer color palette and brushstrokes, underlined by intense black lining.

The meanings of the gestures becomes amplified by the accumulation of lines, objects, color or images as they are gathered and reiterated over time, grounding the work in opaque process - driven rigor, despite the transparency, both in materiality and in concept.

Yet here the line of representation inevitably blurs, as the artist nudges his forms toward abstraction and surrealism through softened edges, shifts in scale, lush but strange colors, manipulated perspective, and shapes and imagery that repeat but become altered over time.

Scully has since become best known for his paintings of lines, stripes, and blocks of color.

Born Cornelis Theodorus Maria van Dongen on January 26, 1877 in Delfshaven, outside of Rotterdam in the Netherlands, the artist's flagrant use of color and expressive line became his signature style, and inspiration gained from international travel set him apart from his peers — the French artists he exhibited with while living in Paris during the early part of the 20th century.

Between 1972 and 1982, he undertook a number of in situ projects, adapting his characteristic lines to specific locales: his stripes took form on the street in front of the Philadelphia Museum of Art, in the front windows of the Willard Hotel in downtown Washington, on the walls of the Corcoran Gallery Rotunda, on the ground of the parking lot at Artpark in Lewiston, New York, and even became colored tubes of water for the Muscarelle Museum of Art in Williamsburg, Virginia.

When using neutral colors like this, there's a fine line between a clean, modern look and being too sterile so I was excited that in 2017 market leaders like Houzz and Sherwin Williams started pushing for warmer tones to offset the cool greys that have become so prevalent.

A couple of elegant hanging ferns have become the classic look for any Southern porch, especially one with clean - lines and a smooth white color scheme.