Sentences with phrase «color and line began»

Not exact matches

If you are of an age where those fine lines have begun appearing and your lips are starting to lose color and become a bit thin, it's time to start looking at safe methods of correcting some of the ravages of time so you can have younger looking skin.

I am not sure what the whole process looks like, as far as how they come up with the colors for each season and how those translate to fabric versus paint or graphic design, but if you start paying attention to the Pantone colors, all of a sudden you will begin to see those colors in the new season's line of clothing, home furnishings, graphics and even architectural designs for offices.

Between 1883 and 1894, Courtaulds» sales figures decreased in value by 62 percent, and in 1896, it began to shift its production emphasis, introducing new lines of colored silks.

Spring training has just begun and Brooklyn Dodgers general manager Branch Rickey (Harrison Ford) has decided to make the bold move to break the color line and bring the first black player into the National League.

OK, the not so good stuff: I am beginning to despise 3 - D (it adds nothing, while diminishing the brightness of colors); Jotunheim (land of the Frost Giants) is plain, gray and boring; Natalie Portman, fresh off an Oscar is just terrible as an astro - physicist with a teenager - style crush on Thor; Tom Hiddleston as Loki is one of the weakest villains I have ever seen in a super - hero / comic book movie; Rene Russo must not have read the script prior to accepting her role — she has about 3 lines and is totally wasted.

«Once there were two towers side by side,» Gyllenhaal begins as the colored line drawings come to life and we're introduced to Petit, who had previously astonished Paris by tightrope walking between the steeples of Notre Dame.

While a toddler or preschooler might scribble all over a coloring sheet, with no respect for the boundaries (lines on the coloring page), as the child gets older, they will begin to respect those lines, and make an effort to color between them.

Appropriately named «tear stains,» the reddish - brown lines that begin at the corner of a cat or dog's eyes and extend down along the side of the base of their muzzle, appear on certain breeds more than others and even more so if the coat color is white.

I begin my artwork in abstraction, very spontaneously, letting layers of color and line build up; catching a moment in time, I reference the figure and landscape.

Magnavox's Odyssey 100 began a line of alt - color machines that would traverse the hues of yellow, white, red and, um, white again all while competitors were cranking out wood - panel machines by the crate, because God bless the 1970s.

The works begin by employing the basic sculptural predicament of pedestal and base, only to rapidly veer off - course into an amalgamation of genres, formal punch lines, and an optical, vibrating used of color and pattern.

From 1960 Stella began to produce paintings in aluminium and copper paint which, in their presentation of regular lines of color separated by pinstripes, are similar to his black paintings.

The exhibition focuses on the pivotal two - year period between 1962 and 63 when Frankenthaler moved away from line - based composition and began «composing with color,» leading up to her iconic stain technique.

The exhibition features still lifes (1940s - 1960s) and ceramics (1950s) by Peláez, which exemplify the way in which color and line go beyond their representational duties and begin to serve abstract purposes in her oeuvre.

At the age of 22, she began painting, finding a spiritual connection to dance in the movement of line and color.

Christine's love for broad bands of color, horizon lines, and quiet landscapes began on the small family farm near Springfield, OH where she grew up.

In the most triumphant works, further abstraction occurs, color is incorporated to energizing effect, and lines begin to fall away.

In the 1980s, LeWitt moved away from his strictly black and white palette and began experimenting with undulating lines of bright colors in contrasting tones on top of solid color backgrounds.

In the «60s Kelly also began applying his approach to color, form, and line to printmaking.

Differences between the lines and colored bands begin to emerge and evolve.

Adams's amalgamation of structure, line, and color places her in the strain of abstract painting that seems to have originated in New York in the mid-1980s, when Mary Heilmann began showing again after a long hiatus, and dates back earlier to Lee Krasner's paintings with floral forms.

In 1912, Mondrian began to create his «compositions,» paintings constituted by grids of horizontal and vertical black lines in three primary colors.

Early in his career, Roy Lichtenstein had done abstract expressionist paintings, with comic book characters embedded in the canvas, but it wasn't until he began to strengthen his lines and use Ben Day dots to show texture and color, that his style became his own.

Throughout the 1970s Martin began opening up her grids, emphasizing the intervals between the lines, creating different sensations of space and atmosphere through color and tonal variations.

Hubacher began her «Chesapeake Journal» with 10 ″ by 8 ″ panels that used simple divisions of horizon lines and a palette of colors to evoke the surface and sky of the Chesapeake Bay.

In the late 1960s, Noland switched to using rectangular canvases and horizontal lines in a new series he called «Stripes», he began playing with scale, color, and form on new levels.

Now known for squiggly black lines, thick impasto paint, and bright bold colors, the early paintings show the beginning of issues he would continue to mine in painting for the next thirty years.

There will also be daily exhibition tours throughout the weekend to help contextualize the festival within Hancock's evolution as an artist, beginning with his early childhood drawings and the comic strip he developed for his college newspaper, and followed by a more in - depth investigation of his evolving use of line, color and humor.

Beginning as multiple variations of digital compositions, the paintings in this series are transferred to canvas via stencils prepared with masking tape, allowing a crisp definition of color and lines in the tradition of Michael English and other airbrushing artists of the 1970s and 80s.

Here, Kandinsky theoretically examined the use of colors, and under the influence of Gestalt psychology, he began to focus on straight lines, which led to the contrasting tones of curved and angled lines on final compositions.

While his early pieces were black and white, as in the series «Linienbildern» (Line Paintings)(1966 - 69), he began to explore vibrant, saturated color in 1974 with his friend and classmate Blinky Palermo, to whom he would dedicate «24 Farben für Blinky» («24 Colors for Blinky»)(1977), a series of brightly colored irregular shapes.

In the post-war era a new generation of artists emerged who, eschewing the gestural heroics of the Abstract Expressionists, began making work that challenged the eye through chromatic vibration, line interference and successive color contrasts.

... Everyone needs to adventure to discover his own sensibility and his own form, to begin, no matter how poorly at first, to speak out of his own soul, to make a music of his own sounds, a poem of his own words, a painting of his own lines, colors and forms.»

This medium provides an engaging set of challenges in terms of color, composition, and representation, all beginning with an initial contour line drawing.

As his work progressed, the heightened colors and elegant lines of the abstractions began to creep into the more figurative works, and the coincidence of figures and abstractions continued well into the 1940s.

Since the beginning of his career in the mid - «60s, Robert Mangold (b. 1937, North Tonawanda, NY) has combined the classic elements of composition — shape, line, and color — to create abstract works of architectural scale, drawing by hand thick and thin graphite lines on subtly modulated planes of color.

An early Alfred Jensen, «Heaven and Earth» from 1960 indicates the early date from which Jensen began his obsessive mystical calendaring of color and line as energy fields.

Beginning Oct. 25, it can be purchased for $ 299.99 with a new line or eligible upgrade and two - year service agreement (excludes taxes and surcharges) for either color option — Marble White or Titanium Gray.

The cabinet paint is Mourning Dove Gray (MS 151) and the wall paint is Evening Moth (MS 173), both from the Martha Stewart Colors line, which will be sold through Home Depot beginning in March of 2010.