Sentences with phrase «color and line pull»

The navigation of color and line pull the viewer into Jeanne Tremel «s small - scale paintings.

Not exact matches

Cups: Underwire; seamless spacer fabric has slight stretch; side sling Sides: Soft powernet lined lace Straps: Adjust in back entire length of strap, embossed 5/8» elastic; side pull Back: Leotard back, 2 - 3 rows, 4 hook and eye closure, depending on size Nursing Opening: Top open universal one - hand clasp, full access Fabric: Cup, 100 % Polyester; Lace, 55 % Nylon, 20 % Polyester, 14 % Spandex, 11 % Rayon; Back lining, 92 % Nylon, 8 % Spandex Colors: Black, Chai (Nude), Ivory Sizes: 32D / E, 34 - 38 B / C, D / E, F / G (each bra size spans 2 cups) Care: Hand wash cold, line dry Origin: Imported

BOX 15, A-15-6; 30219214 / 734997 SAPA Part B - 1st Draft, c. 1972 Using Numbers - Numbers and the Number Line, JRM Observing - Observing the Weather Measuring - Making Comparisions Using a Balance, JE Alternate Auto - Instructional, Measuring 1 - 4 / Measuring Area, Gillis Classifying - Trees in our Environment, JRM, c. 1972 AAAS - Xerox Film Loops Guide, A11 Exercises - Shapes and Symmetry, Hansen, 1972 SAPA Part B - 1st Draft, 1972 Observing - Observing Color and Color Changes in Plants, HM Communicating - Identifying Objects and their Variations, RN Communicating - Different Kinds of Forces, AHL Communicating - Graphs, JRM Classifying - Observing Living and Nonliving Things, Smith Using Space / Time Classifying - Animals in Our Environment: Part B (alternate) Using Space / Time - Shadows, Smtih Alternate (Autoinstructional)- Using Numbers - Numbers and the Number Line Observing - Observing Soils, JRM SAPA Part B 2nd Draft, 1972 Measuring Area 1 - 4, CCP Measuring 1 - 4, Volume of Solids, Alternate 2, CCP Measuring 1 - 4, Volume of Solids, Alternate 1, CCP Measuring Length 4 - 6, Linear Measurement Using Metric Units, CCP Communicating - Intro to Graphing, JRM Communicating - Pushes and Pulls, AHL Communicating - Identifying Objects and Their Variations, RN Classifying - Trees in Our Environment, JRM Classufying - Observing Living and Nonliving Things, Smith Observing - Observing Color and Color Changes in Plants and Observing Changes in Mold Gardens, HGM Observing (alternate)- Observation, Using Several of the Senses, HGM, c. 1972 Using Numbers - Numbers and the Number Line, JRM Measuring - Making Comparisions Using a Balance, JWE Using Space / Time - Shadows, Smith Using Space / Time Relationships - Time Intervals, HGM Observing 10 - Observing the Weather, JWE Observing - Observing Soils Using Several of the Senses, JRM SAPA Part B Tryout Draft, 1972 Communicating - The Same but Different Observing 10 - Observing the Weather Observing 9A - Observing Soils Observing (alternate)- Using Several of the Senses Observing - Observing Change Classifying - Trees in Our Environment Classifying - Observing Living and Nonliving Things SAPA Part B, Observing - Changes in Molds and Other Plants, c. 1972 SAPA Part B Tryout Draft, 1972 Observing - Observing Changes in Plants Observing - Changes in Mold and Green Plants Measuring - Making Comparisions Using a Balance Measuring Length - Linear Measurement Using Metric Units Measuring Volumes of Solids, 1 - 4 Communicating - Pushes and Pulls Comparing Area, c. 1972 Using Space / Time Relationships - Shadows, 1972 Addition of Postive Numbers, Sums 1 - 99 (not being tried) SAPA Part B 3rd Draft (alternate), Using Numbers - Numbers and the Number Line, 1972 SAPA Part C 1st Draft, 1972 Classifying - Classifying Components of Mixtures, Livermore Inferring 2 - How Certain Can You Be?

If you have not released the air from the bag, you need to remove the clip from michael kors handbags the air bag solenoid, then turn the solenoid to release the air, it will come out pretty fast, since you already have the clip off, you need to pry up on the lower spring seat, the plastic part, it is sitting on a cone sha michael kors handbags pe boss on the rear housing, then to remove the air lines, you need to push in on the colored ring and pull the plastic air line at the same time.

Pull out some liners that match our theme (I use Wilton Color Cups as they hold their color and never turn brown) and line your cupcake Color Cups as they hold their color and never turn brown) and line your cupcake color and never turn brown) and line your cupcake pans.

BENEFITS • Provides true color (color in package is the same as on eyelid) • Stays color true (color does not change hue / color as it wears) • Fuss proof / fail proof • Doesn't pull or tug on eyelids • Defines eye with perfect precision • Creamy smooth glide - on - color • Acceptable for use as a kohl liner • Retractable • Long wearing • Self - sharpening • Available in Majestic Plum, Blackened Green, Blackest Black, Saturn Grey, Starry Night, Cosmic Brown, Classic Emerald • Clinically tested • Smooth, creamy finish TO USE • Swivel point up to desired length (no more than 1/4 inch), and draw a fine line along upper and lower lash lines, as close to the lashes as possible

I liked this desk for her simple lines and those awesome oval pulls - I could envision her painted up in a lighter and brighter color.

IMSE's OG Lesson Planning and Assessment Program allows teachers to pull from a multitude of resources such as master lesson plans, help in creating your own original lesson plans, colored copies of all Master pages in our Training Manual, and our assessment program all on - line.

The roof is not like other cars and when I pull up to stop lights (on the white line) I have to duck my head to see what color the light is.

The book is enclosed in an elegant, two - color cloth box lined in velvet with a magnet closure, silk ribbon pull, and inscriptions on the interior of the box.

He has had numerous solo exhibitions, including «Evolving Geometries: Line, Form, and Color,» Center for the Arts at Virginia Tech, Blacksburg, VA; «Patrick Wilson: Pull,» University Art Museum, California State University Long Beach, Long Beach, CA; and exhibitions at Susanne Vielmetter Los Angeles Projects; Ameringer, McEnery, and Yohe, New York; Marx & Zavattero, San Francisco, and Curator's Office, Washington DC.

First I painted them, and then hung transparent plastic panels on them and... got the colors and the positioning right (the image was very often fairly complex, and I only had a black - and - white ink drawing: it wasn't easy to pull out the colas from the complex web of white lines).

His work focused on a futuristic look at what graffiti might look like in tomorrows world, complex and angular lines pulled together by great use of color.

I wanted to hold, pull, stretch, wrap and twist the surface while I simultaneously applied color and line.

My cutting and stitching with line and color is similar to the way you pull, scratch and smear the paint.

A later painting in the exhibit titled «To Charles Ives» (above), its calligraphic snaky lines eliciting homage or reference to Brice Marden, is an experimentation with laying rope on paint, pulling it off and scraping some areas to reveal layers of color beneath.

I'm pulled toward soft colors and a more eclectic look, Clean lines with some rustic wood thrown in.

I liked this desk for her simple lines and those awesome oval pulls - I could envision her painted up in a lighter and brighter color.