Sentences with phrase «color around the canvas»

Not exact matches

You are using your nails as a blank canvas and splashing some colors around for that cool effect.

The silhouette may vary, but the LBD is the essential canvas, ready to be dressed up with a bit of sparkle or a splash of color, or ready for an afternoon of racing around with flats and a carry - the - world - around handbag.

The edge color of my canvases varies from canvas to canvas, some are black, some are white, some are created with colors from within the art, and some have no border at all, instead, the art continues around the edge of the frame.

Taking the act of painting beyond the studio and off the canvas, she enters into the landscape to discover moments when the power of pure color alters our awareness of the world around us.

The second series of paintings focuses on color and consists of seven vertical canvases, each with a palette centered around a particular hue while bearing witness to the artist's melding of architectonic composition and organic form.

In these paintings, gestural lines sinuate around, sometimes emerging into vague shapes, other times into obscure forms, creating a rich schema of marks, symbols and colors - self - contained and relating to each other within the boundaries of the canvas.

She began from the simple explorations of clear glassware and its transparency and reflection and over the time her depictions were developed into complex and powerful representations characterized by pictorial movement around the canvas and more and more intense, harmoniously and precisely arranged colors.

The treatment of color pulses with an almost thermal intensity at the core of Black Coal Bay, a large - scale mixed media on paper work, and it deftly dances around the powerful black architecture of Stacked Black, an acrylic and gouache on canvas.

Neither artist may escape the charge of throwing colors around partly bare canvas, but both also make a point of subjectivity.

Lucas strive to capture on canvas what she observes as reflected and refracted light alters shapes and scatters color — analogous with our personal imprints on the area around us.

This is the Brooklyn - based color painter's first solo exhibition with the gallery and it will feature a suite of new acrylic on canvas paintings conceived around the color gray.

Walking around a canvas, building a structure from blocks and streaks of color, he would see the possibility of a figurative image.

Her current work is based around figurative art and using bold colors to extenuate her energy and emotion onto canvas.

Where Louis harnessed the power of gravity to pull his pigments down the canvas and Frankenthaler very deliberately pushed her paints around, Stern's colors seem to grow and blossom organically across the composition.

Only, in his work, Enrico Castellani would cover his framework of nails with a stretched canvas, painted in a single color, letting the structure underneath create endless patterns and landscapes, unique sequences and narratives that interact with the world around them.

These paintings had vivid colors geometric configurations around positioned throughout the canvas resembling a mural.

It was probably around 1970 that Jack, with his brilliant invention of a device that he called a «developer» or «processor» (a comb - like apparatus with a broom head at one end, and a squeegee blade at the other), began layering various colors on canvas stretched on the floor.

While it was around this time that Frankenthaler's canvases began to achieve a lightness — a kind of openness that allowed the composition to breathe — it was in the 1970s that the artist had moved away from the literal and figurative landscapes seen in her early work, such as the celebrated Mountains and Sea from 1952, and towards a more emotional and expressive representation of Color Field paintings where she developed a new sumptuousness and sensuality characterized in the present work.

«These black - and - white drawings inspire her bold - hued paintings with touches of cubism, color field, and strong lines that keep the eye darting around the canvas.

It is the contrasting compositional format which slyly creates indeterminate spatial relationships in each work — what is foreground, what is surface, what color is it exactly, for the colors shift as one moves around the canvas, enhanced by his use of iridescent pigments.

He allows himself to smush around too much white — muddy the colors and mix paint directly on the canvas.

and also mmx canvas 2 colors is available for around 7700 rupees with same but slightly better specifications....