Sentences with phrase «color catalogue accompanying»
State of Emergency is a 48 - page, full color catalogue accompanying the State of Emergency exhibition in the Van Every / Smith Galleries at Davidson College, January 16 - February 28, 2014.
http://www.davidsoncollegeartgalleries.org/
Kent Williams: Native Bone and Far to Home is a 44 page, full color catalogue accompanying the exhibition in the Van Every / Smith Galleries at Davidson College, on view from November 5 — December 16, 2015.
As Matthew Israel writes in the full - color catalogue accompanying the exhibition, «in a moment where abstract painting has definitely returned to prominence — Held's 1950s paintings seem like they could have been made by a current young abstract painter.
Dieter Schwarz, Director of Museum Winterthur from 1990 — 2017, has contributed a new essay on Ryman's drawings for the full - color catalogue accompanying the exhibition.
A full - color catalogue accompanies the exhibition, and is available for purchase in the Kemper Museum Shop.
A color catalogue accompanies the exhibition with an essay by Justin Spring.
A full - color catalogue accompanies the exhibition, including a new text by Oldenburg.
Not exact matches
Inside the standard blue keeepcase, an insert touting Olive Films» Blu - ray catalogue and enabling you to sign up for the company's mailing list accompanies the full - color disc.
Exhibition Catalogues @Large will be accompanied by two richly illustrated, full - color publications: a hardbound edition available at museum shops and bookstores worldwide and a softcover catalogue sold at Alcatraz Island.
The exhibition will be accompanied by a full - color catalogue with an essay by John Yau.
The show will be accompanied by a full color catalogue with an essay by Joe Fyfe.
The show is accompanied by a full color catalogue with essays by Kay Larson and Matthew Israel.
Accompanying the exhibition is a clothbound catalogue featuring an interview by artist Matt Connors and full - color reproductions of over sixty works.
The exhibition is accompanied by a full - color catalogue with scholarly essays.
A fully - illustrated color catalogue to accompany the exhibition Stroke!
The show is accompanied by a full color catalogue with an essay by John Yau.
A full - color, limited edition catalogue to accompany the exhibition will be available for sale.
The exhibition is accompanied by a catalogue edited by Klaus Biesenbach, with essays by Susan Sontag and Rainer Werner Fassbinder as well as 570 color film stills, the complete screenplay, biography, bibliography, and filmography.
An accompanying exhibition catalogue, featuring dynamic color plates of the work and scholarly essays by the curators as well as the legendary art historian Barbara Rose, provides the cultural context for Moses's mutational practice.
A catalogue with a foreword by Arne Glimcher and more than 250 full color illustrations will accompany the exhibition.
A full - color catalogue with an essay by Sam Hunter will accompany the exhibit.
The exhibition is accompanied by a full - color catalogue with a text by Richard D. Marshall.
... [while other images] celebrate Africa as a continent in which the geopolitical boundaries imposed by European colonial authorities were completely dissolved... [giving] artists the freedom to... borrow visual icons from any part of the continent... This exhibition has been organized with Pace Primitive, New York, and is accompanied by a fully - illustrated color catalogue with an essay by Dr. Nnamdi Elleh, Assistant Professor of Architecture History and Theory at the University of Cincinnati, Ohio.
A color catalogue will accompany the exhibition with new scholarship by Pellom McDaniels III, Ph.D., Curator of African American Collections in the Stuart A. Rose Manuscript, Archives, and Rare Books Library at Emory University in Atlanta, Georgia.
A full color catalogue with artists» recollections accompanies the exhibition and can be downloaded here.
The exhibition will be accompanied by a full - color catalogue.
The exhibition, Falkenstein's second large - scale solo show at Michael Rosenfeld Gallery, will be accompanied by a fully - illustrated color catalogue, featuring a reprint of an Archives of American Art oral history interview conducted between the artist and Paul Karlstrom in 1995.
The exhibition is accompanied by a color catalogue containing essays by Michael Solomon and Kent Minturn, as well as a never - before - published translation of the original appendix for Peintures initiatiques d'Alfonso Ossorio (The Initiatory Paintings of Alfonso Ossorio), Dubuffet's 1951 monograph.
Odyssey is accompanied by a full - color catalogue that features the sculptures made by Whitten over the past 50 years, as well as the Black Monolith series of paintings, and archival photographs.
The exhibition will be accompanied by a fully illustrated color catalogue.
The exhibition is accompanied by a full - color catalogue with an essay by Joe Fyfe.
The exhibition is accompanied by an in - depth catalogue featuring full - page color reproductions of all works in the exhibition as well as a detailed chronology, historical photos, reprints of key texts by Jean Dubuffet and Franz Schulze, and new essays by the exhibition curators and Dennis Adrian, Jon Bird, Thomas Dyja, Mark Pascale, and Arlene Shechet.
The exhibition will be accompanied by a fully illustrated color catalogue with an introduction by Helen Tworkov and an essay by Stephen Westfall.
Future Shock will be accompanied by a 144 - page full - color catalogue documenting the works in the exhibition and the legacy of the ideas of Toffler's vision of the future.
Organized by VMFA and curated by Dr. Kendall Brown, Professor of Asian Art History at California State University, Long Beach, the exhibition is accompanied by a 228 - page, full - color catalogue.
The exhibition will be accompanied by a full - color catalogue featuring a text by Richard Shiff.
The exhibition is accompanied by a catalogue that includes more than thirty full color plates as well as essays by Anfam and Neil Benezra, director of the San Francisco Museum of Modern Art.
A full - color catalogue, with an essay by Stephen Westfall, accompanies the exhibition.
The exhibition is accompanied by a 32 - page color catalogue, with texts by Anne Neely, Sarah Sze, Suzette McAvoy, and John A. Tyson.
A fully illustrated catalogue accompanies Donald Moffett: The Extravagant Vein, featuring essays by exhibition curator Valerie Cassel Oliver; Bill Arning, Director, Contemporary Arts Museum Houston; Douglas Crimp, Fanny Knapp Allen Professor of Art History at the University of Rochester; and Russell Ferguson, Chair of the Department of Art at the University of California, Los Angeles, as well as color reproductions, the artist's biography, and a bibliography.
Organic New York, 1941 - 1949 is accompanied by a fully - illustrated color catalogue with an essay by Robert C. Morgan.
A fully - illustrated color catalogue with an essay by Martica Sawin to accompany the exhibition Seymour Lipton: Abstract Expresssionist Sculptor.
A full - color 136 - page catalogue accompanies the exhibition.
The current exhibition will be accompanied by a fully illustrated color catalogue featuring a newly transcribed and previously unpublished oral history interview with the artist.
This first career retrospective will be accompanied by a 160 - page catalogue with 52 full - color illustrations, published by the Museum and distributed by ARTBOOK D.A.P. Essayists include the curator, Alicia Longwell, who will provide an overview of the artist's profound engagement with the history of art.
Bob Thompson: Meteor in a Black Hat will be accompanied by a fully - illustrated color catalogue with a contribution by Stanley Crouch.
A 350 - page, full - color catalogue with essays by Dennis Szakacs, John C. Welchman, Michael Darling, Jeffrey Weiss, and Hans Ulrich Obrist will accompany the exhibition.
Exhibition Catalogue Inventing Downtown will be accompanied by a four - color, lavishly illustrated 296 - page book with a bibliography and index.
This exhibition is accompanied by a fully illustrated color catalogue with an essay by William C. Agee, Professor of Art History at Hunter College, NY.
This exhibition is accompanied by a fully illustrated color catalogue, with a foreword by Frederic E. Ossorio, Jr., and an introduction by Harry Cooper, Curator of Modern Art at the Fogg Art Museum.