Sentences with phrase «color catalogue of»

A full - color catalogue of the exhibition is available, with texts by Anthony Ausgang, Don Bachardy, Alexis Smith, Mike Kelley, Sandeep Mukherjee, Tom Knechtel, Roy Dowell, Karen Carson, Sandow Birk, Paul McCarthy, Thomas Woodruff and Cliff Benjamin.

A free color catalogue of the exhibition will also be available.

Life On Mars Gallery has also created a 19 - plate color catalogue of his works, including an essay by art historian Robert C. Morgan to accompany the exhibition.

A full - color catalogue of the exhibition is available for purchase.

A color catalogue of 152 pages with essays has been published in conjunction with the show.

A Blurb full color catalogue of the exhibit with all the accepted entries will be available for purchase.

Not exact matches

It is by no means clear that this is much of an achievement, especially when «people of color» is now but one category in an endless catalogue of victimizations and entitlements.

The looks are some of the best from the Givenchy's catalogue and the color red might not make all the outfits justice, but a fun touch nevertheless.

Maintain an enviable color selection (inspired primarily by J.Crew catalogues to which I attribute the majority of my uncommon color pairings); and

The company «A Pretty Woman» started in 1994 from printing colored catalogues and arranging meetings of American men and Russian women through their office in Florida.

A Pretty Woman started in 1994 from printing colored catalogues and arranging meetings of American men and Russian women.

To forestall such questions, and distract us from the film's core emptiness, director Paul McGuigan (Gangster No. 1, Wicker Park) and his crew very nearly art - direct everything into the dirt: The wallpaper in ordinary apartment buildings is a catalogue of optical illusions, and one fleeting overhead shot of a parking lot features an array of vehicles so expertly color - coordinated they could be photoshopped into a Kelly - Moore spread.

Now for all the goodies that are included in this release, included is a 48 - page hardcover book «Harry Potter Catalogue of Artefacts», a 32 - page «Harry Potter Label Collection» booklet, an envelope containing five wonderfully detailed black - and - white Stuart Craig drawings which are printed on heavy - stock cards, concept art color paintings also on heavy - stock cards, a Holocrux locket replica, a weathered blueprint poster of the Hogwarts castle, a large 24 ″ x 36 ″ cloth map of the Hogwarts grounds (pictured below) and, of course, a numbered certificate of authenticity.

No matter what you desire in a paintjob, you'll find it in Chevy's catalogue of colors.

This online catalogue documents all of the mosaics in the Getty Museum's collection, presenting their artistry in new color photography as well as the contexts of their discovery and excavation across Rome's expanding empire — from its center in Italy to prov...

BASIC MARKETING PACKAGE MATERIALS Word Association will write, design and print the following: (25) News Releases A sample cover letter (100) 2 - sided Business Cards (100) bookmarks (50) 2 - sided post cards (5) 11 x 17 full color posters (5) 8 1/2 x 11 full display card (25) promotional book covers with author bio and photo (5) promotional, pre-publication copies of your book will also be included in this package Also available upon special request are price quotes for Additional pre-publication copies of your book Oversized posters and banners Additional quantities of any of the marketing materials Personalized catalogue envelopes Publicity For authors who want to take their marketing activity to the next level, we partner with several public relations firms that can create custom publicity programs and marketing plans designed to bring nationwide attention to the author and book.

We absolutely love our books, and are on a mission to create a worldwide catalogue of destination - themed coloring books.

Art historian Daniel S. Palmer writes in the show's catalogue essay, «He uses the formal characteristics of the medium — intense color, powdery luminosity, and a rapid, direct process — to materialize the mysterious landscape of his mind and achieve a more complete understanding of himself.»

CATALOGUES 2016 Marnie Weber, The Day of Forevermore: Synopsis, Script, Storyboard, introduction by Paul Bernard, 96 pages, Museum of Modern and Contemporary Art (MAMCO), Geneva, Switzerland 2015 Unicorn Girl, written by Darcey Steinke, illustrated by Marnie Weber, Spirit Sister Publication 2010 Marnie Weber, The Cinema Show A Film Retrospective and Installations, texts by Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon, artist interview by Mike Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de Grenoble, France 2007 Sing Me A Western Song, text by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter Gallery, Santa Monica, CA 2005 Marnie Weber, From The Dust Room, texts by Julie Joyce, Amy Gerstler, Darcey Steinke, 56 pgs., 37 color ill., Luckman Gallery, California State University, Los Angeles, CA SOLO ALBUM RELEASES 2008 Marnie Weber, Lonely Soundtracks, 1993 — 2008 2005 Songs Forgotten: Selections From Marnie Weber 1989 — 2004 1996 Cry for Happy.

Rounding out the catalogue are numerous details and installation views, atmospheric color photographs of the artist's studio and materials, and an illustrated visual appendix showing a selection of Frecon's reference sources for the comprised works, including insightful commentary written by the artist.

Accompanying the exhibition is a clothbound catalogue featuring an interview by artist Matt Connors and full - color reproductions of over sixty works.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

-- ArtForum «The comprehensive book is special because it includes many color reproductions of paintings otherwise seen only in black - and - white (and small) in the artist's catalogue raisonné from 2001.»

The purpose of their protest was stated in the introduction to the catalogue, which described them as «experimenters» and «strongly individualistic» and explained that the purpose of their association was to call attention to American art that was not literal, not representational and preoccupied with local color, and not «contemporary only in the strictly chronological sense.»

2005 «Barnett Newman,» in The Shape of Color, exhibition catalogue (Toronto: Art Gallery of Canada, 2005).

Not I, We, Gavlak, Los Angeles, CA 2015 Ten Year Anniversary, GAVLAK, Los Angeles, CA and Palm Beach, FL Surface of Color, curated by Paul Pescador, The Pit, Los Angeles, CA (catalogue) Paperworks, Craft and Folk Art Museum, Los Angeles, CA (catalogue)

Besides her exhibition catalogues, Smith's writings have appeared in such publications as Revolution in the Making: Abstract Sculpture by Women 1947 - 2016; Helen Frankenthaler: Composing with Color, 1962 - 1963; The Drawings of Do Ho Suh; The Architecture of Bertrand Goldberg; Chicago Makes Modern; Buckminster Fuller: Starting with the Universe; Design Cities; Birth of the Cool; and the 54th Carnegie International.

Richly illustrated with over 150 color plates, the catalogue features essays that touch on key aspects of her practice and historical reception, as well as an extensive annotated chronology that provides an in - depth exploration of the intersection of her life and art.

The focal point of the catalogue is the painstakingly reproduced color plates of fourteen recent paintings, many of which are depicted several times in various types of light and from multiple angles, allowing the reader to experience the work in a way that is more akin to seeing them in person.

An accompanying exhibition catalogue, featuring dynamic color plates of the work and scholarly essays by the curators as well as the legendary art historian Barbara Rose, provides the cultural context for Moses's mutational practice.

This oversized catalogue includes large color reproductions of each artist's work, as well as black and white portraits of the artists that convey both the mood and mode of the 1980s.

In addition to color plates and illuminating details, the exhibition catalogue includes an essay by Peter Galassi that explores the full range of Wall's artistic and intellectual interests and offers fresh perspectives on one of the most adventurous creative achievements of our time.

A full - color illustrated catalogue of the exhibition will be available.

The catalogue for the 1986 exhibition at the Los Angeles Contemporary Museum of Art, an amazing collection of color illustrations plus essays on synesthesia, theosophy, alchemy, hermeticism, Zen and more.

It has something of Jennifer Bartlett and Rhapsody in its warm, bright colors and its catalogue of painting, architecture, and remembered pleasures.

... [while other images] celebrate Africa as a continent in which the geopolitical boundaries imposed by European colonial authorities were completely dissolved... [giving] artists the freedom to... borrow visual icons from any part of the continent... This exhibition has been organized with Pace Primitive, New York, and is accompanied by a fully - illustrated color catalogue with an essay by Dr. Nnamdi Elleh, Assistant Professor of Architecture History and Theory at the University of Cincinnati, Ohio.

A color catalogue will accompany the exhibition with new scholarship by Pellom McDaniels III, Ph.D., Curator of African American Collections in the Stuart A. Rose Manuscript, Archives, and Rare Books Library at Emory University in Atlanta, Georgia.

The exhibition, Falkenstein's second large - scale solo show at Michael Rosenfeld Gallery, will be accompanied by a fully - illustrated color catalogue, featuring a reprint of an Archives of American Art oral history interview conducted between the artist and Paul Karlstrom in 1995.

Although installed on two floors of the Museum, the exhibition definitely has a sense of cohesiveness thanks to the poppy pink color used throughout the installation, which in turn echoes the catalogue design.

The exhibition is accompanied by a color catalogue containing essays by Michael Solomon and Kent Minturn, as well as a never - before - published translation of the original appendix for Peintures initiatiques d'Alfonso Ossorio (The Initiatory Paintings of Alfonso Ossorio), Dubuffet's 1951 monograph.

The 160 - page catalogue includes 52 color images and essays by Stéphane Aquin, Curator of Contemporary Art, Musée des Beaux - Arts de Montréal, art historian David Anfam, Robert Lawlor, author of Scared Geometry: Philosophy & Practice, and Alicia G. Longwell, the Parrish Art Museum's Lewis B. and Dorothy Cullman Chief Curator, Art and Education.

2010 Art of The Eighties, Nymphius Projekte, Berlin Re-Seeing the Contemporary: Selected from the Collection, Dallas Museum of Art, Dallas Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum of Art, TX (catalogue); travelled to Memorial Art Gallery, University of Rochester, NY; Telfair Museum of Art, Savannah, GA Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Andover, MA Art of the Eighties, Nymphius Projekte, Berlin Color and Form, Los Angeles County Museum of Art, Los Angeles Once Removed, The Apartment, Athens Masters of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY VaXiNation, Xippas Gallery, Athens Global Art Show, The Columns, Seoul Track and Traces, Galleria in Arco, Turin, Italy Abstract Vision 2010, Art + Art Gallery, Moscow The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Painting Panel Exhibition, in conjunction with the College Art Association Annual Conference, Shane Campbell Gallery, Chicago, IL Personal Structures: Time — Space — Existence, Künstlerhaus Palais Thurn and Taxis BV: BKV, Bregenz, Austria Pictures about Pictures: Discursive Painting from Albers to Zobernig, Daimler Art Collection, Museum Moderner Kunst, Vienna España / America: The Redefined Abstraction, Galeria Max Estrella, Madrid (curated by Demetrio Paparoni)

Odyssey is accompanied by a full - color catalogue that features the sculptures made by Whitten over the past 50 years, as well as the Black Monolith series of paintings, and archival photographs.

Each book contains a selection of photocopied covers of the monographs and solo exhibition catalogues by women artists and artists of color published during that period of time and that were part of the CalArts library collection.

Museum Collection, Museé d'art moderne, Saint Étienne Métropole, France Oracle, The Broad Museum, Los Angeles nonObjectives, Sheldon Museum of Art, Lincoln, Nebraska Instant Karma, Achenbach Hagemeier Gallery, Düsseldorf The Healing Power of Art, Elgiz Museum, Istanbul Color Block, Triple V, Paris Colour Is, Waddington Custot, London (catalogue) Pattern Recognition, Xippas Galleries, Paris

2012 Extended Minimalism, Galeria Javier Lopez, Madrid The Geometric Unconscious: A Century of Abstraction, Sheldon Museum of Art, University of Nebraska, Lincoln, NE Sense of Colors, Keitelman Gallery, Brussels Cellblock I & II, Andrea Rosen Gallery, New York (curated by Robert Hobbs, catalogue) La Ligne Passé, Galerie Bernard Ceysson, Luxembourg Artists of the Gallery, Galerie Hafenrichter, Nuremburg, Germany HEUTE.

Carmean, E.A. «Toward Color and Field», Exhibition Catalogue, Houston Museum of Fine Arts, 1971.

This catalogue was published in the occasion of the exhibition Eye Contact: Painting and Drawing in American Art and includes 33 color illustrations.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

2003 Painting Lesson, Galleria Cardi & Co., Milan (catalogue) Conversations: Influence and Collaboration in Contemporary Art, Evergreen House, Johns Hopkins University, Baltimore, MD (catalogue) A Notion of Time, Ingrao Gallery, New York Intersection... Art / Design / New Media, Jan Abrams Fine Art, New York Fall Colors: Group Show, Baldwin Gallery, Aspen, CO On the Edge: Contemporary Art from the DaimlerChrysler Collection, The Detroit Institute of Arts, Detroit, MI On: Inaugural Show, Galerie Xippas, Athens Unframed First Look, Lehmann Maupin Gallery, New York The DaimlerChrysler Collection, Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany The Past of the Present: Selections from the ABN AMRO Collection, Shanghai Art Museum, Shanghai, China; travelled to Singapore Art Museum, Singapore; Pinacoteca do Estado de São Paulo, São Paolo Painting: from Rauschenberg to Murakami, 1964 — 2003, 50th Venice Biennale, Venice (catalogue) American Beauty, McClain Gallery, Houston, TX Recent Screenprints, Maya Stendhal Gallery, New York New York Contemporaries, Maya Stendhal Gallery, New York White on White, Galerie Xippas, Paris