Sentences with phrase «color catalogue published»

The exhibition will be accompanied by a fully - illustrated, full - color catalogue published by the Museum of Arts and Design and The Artist Book Foundation.

The exhibition was accompanied by a richly illustrated, full - color catalogue published by the Nasher Museum.

The exhibition will feature a full - color catalogue published by The Contemporary Austin in conjunction with Radius Books, Santa Fe, New Mexico.

Not exact matches

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

Catalogue published in conjunction with the Edition for Artists Space: MATTHEW RITCHIE Sea State One 2001 Four color hand printed, pigminted relief print on Somerset paper.

The exhibition is accompanied by a color catalogue containing essays by Michael Solomon and Kent Minturn, as well as a never - before - published translation of the original appendix for Peintures initiatiques d'Alfonso Ossorio (The Initiatory Paintings of Alfonso Ossorio), Dubuffet's 1951 monograph.

Each book contains a selection of photocopied covers of the monographs and solo exhibition catalogues by women artists and artists of color published during that period of time and that were part of the CalArts library collection.

This catalogue was published in the occasion of the exhibition Eye Contact: Painting and Drawing in American Art and includes 33 color illustrations.

Laughlin's paintings are in numerous private and public collections, and her paintings have been shown in over 43 competitive exhibitions including 10 solo exhibitions or installations, 11 museum exhibitions, and 6 published color exhibition catalogues.

Published by Peradam, the catalogue includes an interview between the artist and Elspeth Walker, as well as full - color images of artwork.

The Nasher Museum publishes richly illustrated, full - color catalogues on the occasion of exhibitions that originate at the Nasher Museum and travel internationally.

Judd made the edition of 12 extruded aluminum works in 12 anodized colors in 1991, one of a series of three - dimensional works published by Edition Schellmann and documented in the catalogue raisonné Donald Judd: Prints And Works In Editions.

This first career retrospective will be accompanied by a 160 - page catalogue with 52 full - color illustrations, published by the Museum and distributed by ARTBOOK D.A.P. Essayists include the curator, Alicia Longwell, who will provide an overview of the artist's profound engagement with the history of art.

This richly illustrated exhibition catalogue, published in conjunction with the artist's first major retrospective in North America, highlights both Dijkstra's large - scale color photographs and her video installations.

A color catalogue expanding on Barrada's recent film - and - performance Tree Identification for Beginners (2017), with an introduction by Adrienne Edwards, will be published to coincide with the opening of the exhibition.

A full color - catalogue expanding on Barrada's recent film - and - performanceTree Identification for Beginners, featuring texts by Adrienne Edwards, will be published to coincide with the opening of the exhibition.

A 224 - page exhibition catalogue (including 200 color illustrations) published by Prestel will be available for purchase in June in SAM Shop ($ 49.95).

A color catalogue of 152 pages with essays has been published in conjunction with the show.

The exhibition, organized by Russell Lord, is accompanied by a catalogue published by Steidl with over 100 color plates from Burtynsky's water series.

A full color catalogue with texts by Maria Barnas is published together with the exhibition.

Published by Michael Rosenfeld Gallery (2014), this fully illustrated, 96 page exhibition catalogue contains 8 color plates and 37 painting detail images.

Scores of scholars, curators, and critics have published copiously illustrated books and exhibition catalogues devoted to retrospective looks at the French artist's five - decade - long career, as well as his use of color, textiles, and ornament, his portraits and still lifes, his penchant for making two versions of the same subject from time to time, his visits to Morocco, the Nice period of the 1920s, his late cutouts, the chapel in Vence, France, and even his collectors.

The catalogue, featuring large - scale color reproductions of over thirty paintings, has been published in conjunction with Sprüth Magers, London.

CATALOGUE Magasin 3 has published a full color catalogue in newspaper format for the exCATALOGUE Magasin 3 has published a full color catalogue in newspaper format for the excatalogue in newspaper format for the exhibition.

planographic color lithograph 33 x 42 1/2 inches Edition of 60 Numbered and titled lower left, «Woman in the Sun» Signed and dated lower right, «James Rosenquist 1991» Tyler Graphics Ltd., blind stamp, lower right Workshop number on verso in pencil, lower left: «TR91 - 1068» Published by Tyler Graphics Ltd, Mount Kisco, New York Literature Constance Glenn, James Rosenquist Complete Graphics 1962 - 1992, Rizzoli, NY, Catalogue Number 225.

Framed color woodcut, «Cameo,» 1980, by Helen Frankenthaler (American, 1928 - 2011), pencil signed lower right, pencil numbered edition of 51, published by Tyler Graphics, paper: 42.1 «h x 31.9 «w, overall: 45.25 «h x 35.25 «w. Catalogue Reference: Harrison, 75

A 200 - page full - color catalogue has been published by the Newark Museum and Guild Publishing of Madison, Wisconsin, and is available through the Museum Shop.

To commemorate the two consecutive exhibitions, David Zwirner Books is publishing a fully illustrated catalogue called Josef Albers: Midnight and Noon — a title that nods to Albers» 1964 series of color lithographs, which brought together two opposing colour sets (blacks and greys and an array of yellows) in a single portfolio.

Southern Accent: Seeking the American South in Contemporary Art was a beautiful example of what we do best: organize a groundbreaking contemporary exhibition, publish an accompanying scholarly catalogue, attract diverse audiences with exciting programs, teach a new chapter of art history, feature global artists of color, and invite meaningful dialogue and debate.

Published on the occasion of the exhibition «Judith Brotman & Fraser Taylor: Missed (and Other) Connections» at the Riverside Arts Center, this full - color catalogue features essays on the works of Brotman and Taylor by exhibition curator Karen Azarnia, Scott J Hunter, and Annie Morse.

Lot 198 Jasper Johns Flag (Moratorium) 1969 Offset color lithograph on wove paper # 77 of 300 Published by the Committee Against the War in Vietnam Edition lower left margin beneath image; signed lower right margin; printed «© Jasper Johns 1969 ″ lower right edge of sheet Image: 17.125 ″ x 26 ″; Sheet: 20.5 ″ x 28.5 ″; Frame: 21.125 ″ x 29.25»; (Image: 43 x 66 cm) Provenance: Leo Castelli Gallery, New York, New York; Private Collection, Beverly Hills, California (acquired directly from the above) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisonné.

This full - color, 80 - page catalogue was published in conjunction with Yun - Fei Ji's second solo exhibition at James Cohan Gallery, February 19 — March 27, 2010.

The James Cohan Gallery is publishing a full - color catalogue «Constellations» to accompany the exhibition, with essays by art historians Karen Lang and Pepe Karmel.

An 86 - page catalogue with 31 color plates and an essay by Linda Nochlin will be published to accompany the exhibition.

(A full color catalogue also includes more biographical material on — and by — Still than has heretofore been published.)

ISBN 978 - 0262521802 [24] As quoted by Daniel Birnbaum in «Pictures Eating Pictures: Notes for Wade Guyton» from Parkett, vol 83, 2008, in reference to the essay by Scott Rothkopf «Modern Pictures» in Wade Guyton, Color, Power and Style, Exhibition Catalogue - Cologne: Walter Koenig, 2007 [25] Christy Wampole, «How to Live Without Irony», The New York Times, November 11, 2012 (first published on the «Opinionator Blog» then reprinted in «The Sunday Review» [26] ibid.

The exhibition is accompanied by a scholarly catalogue, published by The Phillips Collection and Zentrum Paul Klee in association with Prestel, featuring color plates and essays by the curatorial team and outside scholars Katy Siegel, Eugene V. and Clare E. Thaw Endowed Chair in Modern American Art, Stony Brook University, and Elke Seibert, Postdoctoral Research Fellow at the German Center for the History of Art (DFK) in Paris.

In conjunction with Fore, the Studio Museum will publish a catalogue including full - color reproductions, essays by Haynes, Keith and Lax and a biography and commissioned essay by an emerging critic, curator or art historian for each artist.