Sentences with phrase «color field painters»

By the end of the 1950s and the early 1960s, a group of artists previously linked to Abstract Expressionism shifted their creative course toward geometric abstraction, in particular creatives like Frank Stella, Ellsworth Kelly, Color Field painters like Mark Rothko and Barnett Newman, as well as Hard edge master Ad Reinhardt.

Contrasting the color field painters of the likes of Barnett Newman and Mark Rothko, Abstract Expressionism combines the hand and the experience as one event.

Morris and other Color Field painters used the heroic scale associated with AbEx painting, but eschewed the egotistic and self - referential gesturalism that characterized the earlier movement.

However, in his day, his work separated Gilliam from his peers, the Color Field painters and the Minimalists.

Paul Feeley (1910 — 1966), while often mistakenly associated with the Color Field painters of the 1940s and 1950s, in fact found the inspiration for his work primarily from ancient art, Greek architecture and Egyptian sculpture.

Unlike Morris Louis or the other poured and stained Color Field painters, Sam makes her viewers unable to consider the work as a window into something or a transportation to another place by insisting on the visual reality that they are staring at a piece of cloth mounted onto some wood.

The Color Field painters of the the Washington Color School were mostly linked by curators and critics rather than by social ties.

Pollock's staining into raw canvas was adapted by the Color Field painters Helen Frankenthaler and Morris Louis.

Painters like Brooke Moyse draw strength from abstract and Color Field painters of the 1960s and 1970s.

Later in the decade, he shared a studio with Howard Mehring, who also became part of the group of color field painters.

Her work ended up being quite influential to the Color Field painters — figures such as Morris Louis and Kenneth Noland — whose work was all about the way color sat on a canvas.

Color was the basis of her painting, undeniably reflecting her life - long study of color theory as well as the influence of luminous, elegant abstract works by Washington - based Color Field painters such as Morris Louis, Kenneth Noland, and Gene Davis.

Miro's work has influenced numerous generations of subsequent artists including the Abstract Expressionists (Motherwell, Calder, Gorky, Rothko) and Color Field Painters (Frankenthaler, Olitski and Louis).

Abstract Expressionist color field painters like Mark Rothko practiced a form of color blocking by dividing their canvases into hazy sections of...

The American Color Field painters were their starting point: Morris Louis, Kenneth Noland and Helen Frankenthaler, as well as Lichtenstein.

Overall, I don't see Newman in Innes» work as much as the Color Field painters who came after Newman.

The resulting abstract sculptures explored similar topics as Color Field painters such as scale, form, surface and space.

Abstract Expressionist color field painters like Mark Rothko practiced a form of color blocking by dividing their canvases into hazy sections of solid color.

«These artists borrowed from myriad sources — Art Nouveau, Indian textiles, 1930s cartooning, Pop and Op Art, and even the shimmering vibrancy of the Color Field painters,» notes gallery director David Eichholtz.

He was one of the best - known American Color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s he was thought of as a minimalist painter.

His work led me to the entire group of color field painters who I have been collecting for over a decade: Josef Albers, Paul Feeley, Richard Anuszkiewicz, Frank Stella.

Over the course of his career Gilliam has established himself as one of the foremost African American contemporary Color Field painters and his work, in addition to being featured in numerous exhibitions and private collections, is in the permanent collection of numerous American museums.

While I have seen paintings of his in many exhibitions over the years, my introduction to his work came through a show of Color Field painters organized by the curator Kenworth Moffett at the Museum of Fine Arts in Boston in 1972.

It was also obvious by that time that Caro's and Olitski's sculptures and the Color Field painters were not going to carry the day.

And you had all these Color Field painters that were doing process stuff.

«Pretty Raw» starts with artists such as Larry Rivers and Grace Hartigan, and swings through Color Field painters.

The Color Field painters of the»60s and»70s believed in progress.

One of the original Color Field painters to emerge in the 1950s, Jules Olitski was deeply concerned with the physical properties of paint.

Before the decade was up, he staged several solo shows in New York, including at Andre Emmerich Gallery, a key showcase for celebrated Color Field painters like Jules Olitski and Larry Poons.

Wallace's 2012 Redactor series, for instance, features chaotic and multidimensional collaged paintings, which draw from art - historical styles such as those championed by the Color Field painters and Abstract Expressionists of the mid-20th century.

It's a very simple honest process in which [he uses] the shape, color, and prints of early Post-Abstract Expressionist and Color Field painters as a basis to build [his] video and prints with [his] own animation devices for the show within the space.»

Other notable artists from the second generation of color field painters include Kenneth Noland, Jules Olitski, Alma Thomas and Sam Gilliam among others.

Morris Louis was an American visual artist and a leading member of the Color Field painters and Washington Color School.

When I moved to SoHo in 1973, Frank Stella was my favorite, he and Color Field painters like Kenneth Noland and Morris Louis.

It was interesting in his last article («When It Pours») inthe New Yorker (September 22, 2014), Peter Schjeldahl wrote about the Color Field painters of the»70s, Helen Frankenthaler and Morris Louis.

Along with Morris Louis and Kenneth Noland, Davis was at the center of the Washington, D.C. contingent of Color Field painters known as the Washington Color School.

The Color Field painters, who dominated sales of the 1990s as Jeff Koons and Warhols went unsold, got short shrift in these sales.

So, to make a coherent grouping within those parameters, first we had to leave out Color Field painters and the hard - edged abstractionists.

Color Field painters, Fauvists and Orphists strongly believe that specific colors enhance each other when placed next to each other, creating a sense of movement an vibration within the image.

His research influenced Minimalism, Color Field painters, Abstract Expressionism, Op Art, and continues to inspire a new generation of abstract artists.

He is considered one of the first color field painters and is one of the forerunners of Lyrical Abstraction.

These issues, however, had been redefined by a younger generation of abstract artists and theorists, the Minimalists and Color Field painters, into a question of painting's essential identity: was it a thing or a surface or both?

«She was the one who transmitted a certain kind of freedom and boldness use of the subconscious and impulse from the Abstract Expressionists on through the Color Field painters.»

In some works, big intersecting bars of black and transparent washes evoke the Abstract Expressionist and the Color Field painters.

Expanses of glowing stains evoke the Color Field painters of the 1950s whose palette was as essential as their process to signify meaning.

I think that if I have any conflict with the color field painters, it is their naïve exclusion of the hand, of the automatic and random activities in a canvas, their insistence on almost mechanical craft, comprising the conceptual, reasoning qualities to the exclusion of the other.

Rail: There is a generation around a decade older than you that didn't draw at all, like Stella, Noland, and the Color Field painters, who were connected to Greenbergian Formalism.

Earl Powell, director of the National Gallery in Washington, D.C., who attended a patron reception last Friday, was quite taken by what he called «the authenticity» of the architecture, and by the inaugural exhibition, «Helen Frankenthaler and the Color Field Painters.»

Morris Louis and those color field painters are often shown without frames.

The very title of «Color Field,» she said, evokes the work of color field painters like Mark Rothko and Helen Frankenthaler, while the canvases allude to monochromatic minimalist paintings by artists such as Agnes Martin and Anne Truitt.