(1983 - 84) and Things Have Tears and We Know Suffering (1983 - 84);
Field of Flowers (1993), a monoprint that is a sorrowful response to AIDS, death, and grief; and My Work... (1997), a masterful combined
color intaglio and woodcut fusing female sexuality and
sensibility with passionate creativity.
My guess is that her artistic
sensibility was formed in a time when abstract expressionism and
color field painting was at its height.