Sentences with phrase «color fields»

I had arrived on the shore of color field painting several years before but found that I wasn't bringing anything new to the table.

Early in her career she developed the stain painting technique, which became a catalyst for a generation of color field painters.

The medium also found favor with the artists associated with color field painting.

Perhaps no great theory or philosophy or ideas, but certainly a committed lover and participant of American color field painting.

It began as a large color field painting, an experiment with color.

A good example of hard - edge geometric color field art.

His position as a so - called color field painter was difficult to dispute.

Perhaps the only aspect reminiscent of his prior work is the contrast of color field background.

This is a museum - quality painting that encompasses the languages of color field theory.

Some of the works appear more graphic, while other are either vibrant colors field or bear powerful expressive qualities.

Known internationally for his unique style of painting that owes allegiance to abstract expressionism and color field genres, his canvases live on the border between image and abstraction.

The Spanish artist paints an irregular color field at the bottom of each one.

His bold use of saturated color fields make the artworks impressively iconic and individual.

In some paintings, the clarity of the grid becomes muted by an all over color field.

Instead, the objects appear to float against various bold color fields.

In 1966 he painted a group of soft toned colored fields often broken by three parallel horizontal lines of approximately two inches in width, floating or stacked on the surface.

Still, I seek to update the medium through a North American hard edge / color field sensibility expressed through saturated colors.

We put together today's wedding color board to suggest materials in this exquisite color field that will truly make your invitations shine!

Certain artists quoted references to past or present art, but in general color field painting presents abstraction as an end in itself.

In this case, images and color fields act as support for or reactions to sound and language.

The best of color field meets an emotionally charged imagination of an artist at work.

Wherever the lyrical color fields might have gone, we won't know.

Larger color fields help give shape and rhythm to new and larger paintings in much the same way.

His portraits have such strong color fields and clean lines.

The result is a comical color field adventure; higher learning at its finest.

Does he ever get so sick and tired of painting the date in plain block letters on a plain colored field, to the point that it becomes an obligation?

He was one of the great artists of the 20th century, a founder of the abstract expressionism movement, best known for his enigmatic color field paintings.

His signature works include brightly colored figures, flowers, and landscapes rendered in bold forms and graphic color fields.

He has produced work in a range of styles but is often associated with color field painting.

And there's an idea about the «field» that's as much American color field painting as it is animated cartoon space.

The works are explorations of color field theory at hyper speed.

The complex compositions are all combined with large color fields.

Kenneth Noland, 1990 Renowned as one of the leading figures of the American Color Field movement, Kenneth Noland has been described by art critic Karen Wilikin as «one of the greatest colorists of the 20th century.»

Realized by Color Field artist Sam Gilliam, this unique painted work layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composition.

A Manolo Valdés metal bust stands near glass «Wall Drops» by Rob Wynne and a work by Color Field painter Morris Louis.

The resulting panes are abstract color field works evoking landscape or otherworldly imagery.

The abstract Color Field painter Morris Louis would famously remark that Frankenthaler's Mountains and Sea was «the bridge between Pollock, and what was possible,» but the staining in her own work is often accompanied by paint drawn, scrawled, and splattered, and redolent with associations.

Ranging from thick paint to airbrush, from Color Field abstraction to a joking (possibly Hairy Who) representation, she forces everything into carefully orchestrated collisions, taking considerable joy in celebrating her medium's potential for visual artifice.

Critics have argued that his work is distinct from Color Field painting in its classical rigor and forms, whether derived from ancient Greek and Moorish decorative patterns or Cycladic and Egyptian statues.

Milton Avery's impact on Color Field painting through his friendship with Mark Rothko often comes to mind, as well as the psychological landscapes of Charles Burchfield, Albert Pinkham Ryder, and Ralph Blakelock.

These outliers contributed to the rise of movements like Color Field Painting, Post Painterly Abstraction, Minimalism and Neo-Expressionism, and contemporary abstraction would not be the same without them.

June 4 — July 27, 2011 The premise for Color Field Revised opening at Loretta Howard Gallery on June 4, 2011 is simple.

During the 1960s, African American painter Alma Thomas emerged as an exuberant colorist and member of the Washington Color Field School, abstracting shapes and patterns from the trees and flowers around her and creating works that shimmer with color.

Dickenson's works utilize a repetitive process of stretching thin sheets of fragile plastic creating color field abstractions where each superimposed stratum creates depth and spatial perspective.

The resulting abstract sculptures explored similar topics as Color Field painters such as scale, form, surface and space.

Even more surprisingly, the opening show wasn't a group exhibition with a bombastic title about the current and most provocative trends in art but a sober solo presentation of the late John Hoyland, a British color field pioneer whose groundbreaking work has once had to endure the scrutiny of famed realist sculptor Charles Wheeler over whether abstract artists can actually paint or not.

Prior to this exhibition, I associated Jules Olitski with his stained color field canvases from the early 1960s.

In some ways, Louis's immersive works seem to have more of an affinity with paintings by other Color Field artists like Newman and Rothko than they do with Frankenthaler's stains; they evoke sublime, magisterial experiences of caves and grottos (as in the somber «Curtain,» with its stalactitelike points) or waterfalls (in the luscious «Tet,» on loan from the Whitney Museum of American Art).