Yoshida, who encouraged the use of commercial and popular cultural imagery, led a group of artists who came to be known as the Imagists who distinguished themselves from the art scenes in New York and Europe with high
color figurative paintings and drawings.
The exhibition, which opened yesterday, includes five large - scale hyper -
color figurative paintings and eight monochromatic watercolor paintings.
Jerry Saltz writes in the October 23rd, 2017 issue of New York Magazine, «Christina Quarles makes a splash here with tightly composed, kaleidoscopically
colored figurative painting.»
Several galleries used the fair as an opportunity to preview upcoming exhibitions, such as Lehmann Maupin, which has show of Hernan Bas's brightly -
colored figurative paintings planned for its Chelsea location.
She mentioned artists like Antonia Eiríz Vázquez, a painter of powerfully dark Goya - like visions who died in 1995; Raúl Martínez, a Pop - inflected painter and graphic designer, who also died in 1995; and Alfredo Sosabravo, whose vividly
colored figurative painting often combines whimsy with a social bite.
R.B. Kitaj was a major influence on British pop art due to his brightly
colored figurative paintings.
Christina Quarles makes a splash here with tightly composed, kaleidoscopically
colored figurative painting.
Not exact matches
For one, there is an institutional urgency to speak to a more diverse audience with
painting that depicts the black community, the Asian - American experience, the Latino face, to attract the various people who had been excluded from the museum by remaking the history of
figurative painting, this time with
color.
Sometime in 1940 Rothko makes his last
figurative painting, then experiments with Surrealism, and eventually does away entirely with any figural suggestion in his
paintings, abstracting them further and paring them down to indeterminate shapes floating in fields of
color - Multiforms as they were called by others - which were greatly influenced by Milton Avery's style of
painting.
Tim Eitel (b. 1971, Leonburg, Germany) conveys a deep command of
color, technique, and form in his
figurative paintings inspired by his observations of contemporary life and art history.
«The Beautyful Ones» Series # 2 demonstrates Njideka Akunyili Crosby's rich use of
color and collage in her complex,
figurative paintings.
He established himself as a major artist of the movement in Italian
figurative painting known as the Transavanguardia, a Neo-Expressionist movement that sought to re-emphasize
color and representation in reaction to the Conceptual Art of the times.
But when it comes to viewing David Park's body of work, this book shines with superb
color plates dispersed throughout, showing Park's development as a painter from his early days, his non-
figurative period, his return to
figurative painting, and his final
figurative work in gouache.
Standout artists in the show include Tomashi Jackson, who uses Josef Albers's 1963 text Interaction of
Color to explore the history of racial segregation in her painterly assemblages; David Shrobe, who creates surreal portraits by combining his
figurative paintings and drawings with found materials; and Kennedy Yanko, who makes abstract sculptures by blending rubbery skins of poured
paint and crumpled paper with bits of marble and scrap metal.
De Kooning is well known for
paintings of the female figure that transcend traditional
figurative and abstract categories and break up conventional aesthetic frames of reference by maximizing the expressive power of
paint in line and
color.
Beginning with
figurative paintings in the 1960s and»70s, she moved on to bold,
color drenched, landscapes and eventually abstractions that explore
color spectrums.
Pollock's energetic «action
paintings», with their «busy» feel, are different, both technically and aesthetically, from the violent and grotesque Women series of Willem de Kooning's
figurative paintings and the rectangles of
color in Mark Rothko's Color Field paintings (which are not what would usually be called expressionist, and which Rothko denied were abstr
color in Mark Rothko's
Color Field paintings (which are not what would usually be called expressionist, and which Rothko denied were abstr
Color Field
paintings (which are not what would usually be called expressionist, and which Rothko denied were abstract).
Though he emerged in the New York art world in the 1950s during the heyday of Abstract Expressionism, Katz has been dedicated to
figurative painting throughout his career, anticipating Pop art with his bold use of
color and stylized renderings of humans, animals, and landscapes.
Whereas Bickerton's early works tackle form, function, and communication, with sometimes single words acting as the entire
painting, his later
figurative pieces are visually deafening, with bright
color and cluttered objects mirroring the over-the-top excess featured as the work's subject.
Gary Hume is known for
figurative and abstract
paintings on aluminum panels, which often feature startling
color combinations made with
paints purchased premixed from a hardware store.
A few years ago, neutral -
colored abstract
painting was hot; this year, colorful
figurative painting is more in demand.
After starting with
figurative paintings in the 1960s and»70s, she moved on to bold,
color drenched, landscapes and eventually abstractions that explore
color spectrums.
In 1972, he returned to
figurative painting with a looser hand and a softer, more muted,
color palette.
Widely associated with a re-emergence of the
figurative in contemporary
painting, she has always maintained the primacy of
color, with her narratives intricately based in her use of
paint.
British artist Gary Hume is known for his brightly -
colored, Minimalist
paintings, which are usually
figurative, yet highly reduced and abstracted.
In those days, people would have seen gestural abstract
painting or
color field
painting as sweeping away
figurative art.
All of these —
Color Charts, Grey
Painting, Inpaintings, and Photo - Enlargements represent Richter's efforts in exploring abstraction and attempts of dismantling the figurative p
Painting, Inpaintings, and Photo - Enlargements represent Richter's efforts in exploring abstraction and attempts of dismantling the
figurative paintingpainting.
Curator Glen Cebulash, whose own work has beautifully deconstructed the
figurative into interacting planes and
color forms in both
painting and collage, opines that realism «is a fascinating and slippery concept and one that confounds as much as it clarifies.»
Her deceptively romantic - naive visual language dissolves distinctions between abstract and
figurative art, and her
paintings exhibit a whimsical engagement with sources as various as
Color Field
painting, Pattern & Decoration, children's book illustration and textile design.
The Columbus Museum of Art and Denver Art Museum present Mark Rothko: The Decisive Decade, 1940 — 50, a major exhibition tracing the evolution of Rothko's work from his Surrealist - influenced,
figurative compositions of the early 40s to the abstract,
color field
paintings for which he is best known.
Katz's brightly
colored, large - scale
figurative and landscape
paintings are rendered in a flat style that oftentimes resembles the aesthetics of the everyday visual culture commonly found in advertising and cinema — a feature that regularly linked Alex to the norms of Pop art despite the fact his work predates this movement by a relatively big margin.
The artist's barbershop
paintings from 2007 - 2009 are shot with
color, and range from
figurative to completely abstracted,
color - blocked canvases referencing the architectural perspective of the space.
Ignoring the traditional distinction between naturalistically depicted and abstracted figures, the sensuous
color and bold, sinuous contours of these elusive and lyrical
paintings play on the tension between
figurative references and abstract forms.
Her
paintings feature wildly colorful brushstrokes and her
color monotypes showcase the sensory overload and luscious texture found in those
paintings, while her black - and - white drawings are haunting and gestural, blurring together
figurative and abstract elements.
Will's photo - realistic
figurative paintings attract me with their humor, fashion, and
color.
In Rosa's
figurative paintings, a twinge of Socio - Realism is mixed with Pop tendencies, whimsical
color choices and dreamy narratives to create a unique aesthetic landscape that often centers on the role of women in society.
Reengaging with the iconography of previous bodies of work, the new
paintings on view mark Osborne's return back to
figurative painting after a period of total abstraction — utilzing bookcases, her studio
painting storage, and windows as a point of departure for further play with blocks of
color within the
paintings.
What surprises many curators is that while many of her 20th - century contemporaries in South Asia were making brightly
colored,
figurative paintings, Mohamedi was intensely focused on abstract, monochrome line drawings rendered in combinations of ink, graphite, gouache, and / or watercolor.
Flat in
color and form, the
figurative painting of Alex Katz is considered a precursor of Pop art for its representational approach to the daily and the mundane.
The Chunk series consists of three, six - foot - square acrylic
paintings plus two smaller
paintings where large portions of the canvas contain black or brown blocky
figurative structures accompanied by explosions of straight lines of bright
colors with soft round forms capping the ends.
Previous to this I planned
painting compositions with brush and ink using
figurative forms and actual objects with
color.
Jenny Saville's
figurative painting is an extraordinary one, characterized by high - caliber brush strokes and a rich use of
color that accurately transmits her subject's physical, but also mental state.
During these years and those that followed, her
paintings reflected some major influences, such as Hofmann's
color principles and structural relationships between
figurative and nonfigurative elements.
She creates a personal and contemporary fiction within her works, bringing to light issues of race and representation throughout the history of traditional
figurative painting: «My work is a form of tribute, analysis and intervention: tribute out of sincere admiration for the
figurative tradition; analysis, by making something vast,» the role of race in the history of
figurative painting «comprehensible to both myself and to my viewers; and intervention, by positioning a woman - of -
color as primary picture - maker, in whose hands the
figurative tradition is refashioned.»
Alfredo Otero
paints interesting pieces with a simplistic and disciplined method that results in fascinating
figurative paintings full of
color and life.
It was the late eighties and people definitely were not looking at goopy, brightly
colored, lyrical, awkwardly sensitive
figurative painting.
[9] After a period in which he experimented with
figurative constructions, Close began a series of
paintings derived from black - and - white photographs of a female nude, which he copied onto canvas and
painted in
color.
Around the corner, three
paintings by Tatiana Blass at Millan of Sao Paulo played with perception, taking
figurative scenes and saturating them with
color.
Raedecker creates haunting
paintings — landscapes, abstract and
figurative, sometimes a bit of both — with the use of oils and thread and gothic
colors imbued with a sense of the spiritual and the humorous.
Altered States looks at contemporary artists who explore psychedelia (mostly
painting and some constructions with a mix of figuration, geometric and Op imagery) against a back drop of 1960s Op Art,
figurative and
Color Field
paintings, as well as original rock posters from concerts at the Fillmore West, Avalon Ballroom and other San Francisco venues to set the stage and create the mood.