Sentences with phrase «color film at»
The 16 mm color film At the hour of tea, which presents five sequences structured around found objects — silver coins, Roman glassware, a green leatherette box, an envelope, and a typewriter — gradually reveals a text describing a historical painting in modernist terms.
http://www.matthewmarks.com/ Not exact matches
If you're looking at straw - colored lions walking in straw - colored grass in Africa, after three days of filming you see them really well.
Organically synthesized film, empowering your screen with vivid colors, at a fraction of the cost.
The new classic PIC 1000 camera and instant color film will be available at national retailers in 2010.
• The sequence was filmed at Heinz Field last August in front of 10,000 extras who were asked to wear Steelers black and gold — which are also the fictional Gotham Rogues» colors.
Jean has a job nights printing color film for Econo - Color, and when Billy isn't working for Red Oster he is at his shop in Mesquite, Texas, where he sells and services shuffleboards for the National Shuffleboard Comcolor film for Econo - Color, and when Billy isn't working for Red Oster he is at his shop in Mesquite, Texas, where he sells and services shuffleboards for the National Shuffleboard ComColor, and when Billy isn't working for Red Oster he is at his shop in Mesquite, Texas, where he sells and services shuffleboards for the National Shuffleboard Company.
Journalists like myself will be interested to hear your response to the question Josh addresses to you at the end of the film: «Governor Cuomo, what color will the sky be over New York?»
A research group led by Junichi Isoya, professor emeritus, University of Tsukuba and Tokuyuki Teraji, principal researcher, Optical and Electronic Materials Unit, NIMS, has successfully fabricated for the first time in the world single - photon sources of SiV (silicon vacancy) centers — one of the color centers in diamond during the growth of thin film diamond, which have high purity and crystalline quality — by introducing them at extremely low concentrations.
Building upon previous work on fluid and viscous sheet simulation also done at Columbia Computer Graphics Group, Zheng has developed a new viscous sheet simulation method to model the color film stretch during the hydrographic printing process.
Working with researchers at Zhejiang University in China, Changxi Zheng, assistant professor of computer science at Columbia Engineering, has developed a technique that enables hydrographic printing, a widely used industrial method for transferring color inks on a thin film to the surface of manufactured 3D objects, to color these surfaces with the most precise alignment ever attained.
Also at the Miu Miu film event in Venice, Dakota picks a high - neck»60s - style mini by the brand and brings out the colors in the beading with a bright - green graphic clutch.
Only the end of the film is in color, where Spielberg moves from the freeing of the Jews at the end of the war to a present day shot of many of the descendants of the Schindler Jews.
The warm color palette is appropriately garish at necessary thematic times, while a few more intimate moments of dialogue towards the third act of the film do reflect a more modern cinematographic flair.
For an additional preview look at how all the films have been newly tweaked for this Blu - ray release, including aspect ratio framing, color corrections, soundtrack enhancement and the replacement of the «Muppet Yoda» with an all - CGI version in the Phantom Menace, check out the report from Slash Film.
While the plot is certainly that of a film aimed at children, Mary and the Witch's Flower is a bright spectacle of color and sound that will play well for all ages.
What exactly the film is remains a bit of a mystery, despite (or because of) a trailer and an official synopsis that talks of a couple caught up in «a presence that permeates the microscopic world,» but we'll know much more after Upstream Color debuts next week at Sundance.
Ray's low budget dictated that the new film be lensed in black - and - white, but when East of Eden really took off at the box office, the existing footage was scrapped and reshot in color.
Catch up on this week's movie news, and watch all of the latest film trailers, including new looks at Alexander Payne's «Nebraska,» the controversial «Blue Is the Warmest Color,» «Machete Kills,» and more.
Werner Herzog's eerie color remake of F.W. Murnau's original vampire classic (itself an unauthorized version of Bram Stoker's Dracula) is at once faithful to Murnau's film and quintessentially Herzogian.
At the point you see the title character change the length and color of her hair and add make - up just by thinking about it, you know this is a film not even trying to adhere to any legitimate scientific theory.
The film doesn't spend much time showing her stay at the hospital, lasting only as long as the opening credits, but cinematographer Sean Price Williams (The Color Wheel, Somebody Up There Likes Me) makes the most of it.
One of the most controversial films of 2013 was the French film Blue is the Warmest Color, which received top honors winning the Palme d'Or at this year at the Cannes Film Festival.
Vittorio Storaro comments at some length on the color symbolism in Bertolucci's The Last Emperor, which he shot, demonstrating more critical insight into how the film works and what it's about than we are likely to find in reviews, and there are similarly revealing commentaries from Michael Chapman about the iconographic and stylistic sources of Raging Bull (Life magazine and the photographs of Weegee) and from Hall about the role played by chance in the lighting of a scene from In Cold Blood, where the shadows of raindrops appear to be running down Robert Blake's face.
Nichols was also a wizard at capturing the psychic and emotional currents of the moment his films were made in, from the generational anxieties of «The Graduate» in 1967 to the self - defeating political idealism of «Primary Colors» in 1998.
Mercedes Cooper ARRAY Mercedes Cooper is the Director of Marketing at ARRAY, an LA - based arts collective dedicated to the amplification of films by people of color and women founded in 2010 by filmmaker Ava DuVernay.
Much as Michael Mann's Public Enemies created a disconnect by looking like home video at certain points, the period simply requires film, or at least it does for right now with digital photography still figuring out how to look good with the entire color spectrum.
There is a vivid party scene at the middle of Abdellatif Kechiche's sprawling Palme d'Or winner Blue Is the Warmest Color (aka, in France, La Vie d'Adèle: Chapitres 1 et 2) that encapsulates some of the film's strengths and weaknesses.
Our friends at Twilight Time recently released The Emperor in August with a beautiful Blu - ray transition that sumptuously captures the sublime yellows that dominate the film's somber color palette.
FILM COMMENT met with the self - deprecating director at Sundance, where The Forbidden Room premiered in the New Frontier section, to talk about everything from fetishism to color timing.
Beautifully shot by Berta with a rich but muted color palette, Kadosh was chosen for the official competition at Cannes, the first Israeli film selected since the Seventies.
Guillermo Del Toro and The Shape of Water Like Peele, we're beaming that a genre film — and a great one at that — is getting Hollywood recognition, and a person of color taking one of the ceremony's biggest prizes.
The film is filled with much homage to the original, including the fact that Oz works at the Baum Brothers Circus and that, after beginning in black and white, the film erupts into beautiful, cheerful color.
There are two things at work here: Winding wants to make things as real as possible, but his camera allows the film to win its audience's trust, making the abrupt spectacle, that Winding is famous for, that much more cruel and colored.
The rest of the film can be rejected, even at the intellectually contemptible level of disaster flicks, for such inept conceptions as a volcano that throws fireballs nowhere except straight at the hotel, and a tidal wave that must be only about one block wide, for all that the tranquil sea views from just up the beach indicate; and for trembly special effects the like of which hasn't been seen since the DeLuxe Color Allens at the turn of the Sixties.
At first glance, this film poster reminds me of PT Anderson's Punch Drunk Love film poster in basic structure and color.
Black and white films can look sensational in high definition, at least as impressive as well - done color releases from decades... [Read more...]
There are, as with all of these years, some great films at the top: Three Colors: Blue (my favorite of Krzysztof Kieslowski's trilogy), Dazed And Confused, True Romance, Searching For Bobby Fischer, and Six Degrees Of Separation.
There are at least eight masterpieces (Chungking Express, Pulp Fiction, Sátántangó, Three Colors: Red, Drunken Master II, Fist Of Legend, Ashes Of Time, Quiz Show) with another four films that arguably belong in that category (The Shawshank Redemption, Eat Drink Man Woman, Clerks and Ed Wood).
At this point, the black and white film bursts into beautiful color — Dorothy's first clue that she's not in Kansas any more.
Black stories matter at Sundance because it opens the flood gates for more creative stories by people of color to enter the television and film industry.
Blu - ray extras: Director's intro; «From Page to Screen: A Roundtable Discussion» delves into the film's making; «Crowning of a New King» explores the world of «Black Panther» in all its color and complexity; «The Warriors Within»: the Wakanda's women and the actors who portray them; «The Hidden Kingdom Revealed»; «Wakanda Revealed: Exploring the Technology»; deleted scenes; gag reel»; exclusive sneak peek at «Ant - Man and The Wasp»; «Marvel Studios the First Ten Years: Connecting the Universe»; director's commentary.
His subversive sense of humor and convoluted plots, which often circle back through time, keep his films from being merely melodramatic, but at their worst they can seem frenetic, all color - saturated surface and no substance.
PICTURE Inside Llewyn Davis (runner up: American Hustle) DIRECTOR Joel and Ethan Coen Inside Llewyn Davis (runner up: Alfonso Cuaron) ACTRESS Cate Blanchett, Blue Jasmine (runner up: Adéle Exarchopoulus) ACTOR Oscar Isaac, Inside Llewyn Davis (runner up: Chiwetel Ejiofor) SUPPORTING ACTRESS Jennifer Lawrence, American Hustle (runner up: Lupita Nyong «o) SUPPORTING ACTOR James Franco, Spring Breakers (runner up: Jared Leto) FOREIGN FILM Blue is the Warmest Color (runner up: A Touch of Sin) NON-FICTION [tie] The Act of Killing & At Berkeley) EXPERIMENTAL FILM Leviathan
At least four directors helmed pieces of the film, including Michael Powell (this was his color film debut), which is held together by the glorious art direction by William Cameron Menzies, who creates an amazing world for the fantastical wonders of flying carpets, mechanical horses, and a fifty foot genie with a bellowing laugh.
But especially given that, according to my friends who are its fans, Scott Pilgrim the comic is a story that tries to combat much of the misogyny that underlies Scott Pilgrim the film and other works of its ilk, it's a shame that this is the best Edgar Wright could come up with — a film that uses flashing lights and bright colors to distract its viewers from the unpleasantness at its core.
[more] It's been widely reported that the three - hour lesbian romance Blue is the Warmest Color is the first «queer» film to ever win the top award at the Cannes film festival (though one could make a case for Farewell My Concubine back in 1993).
Photographed by Tom Hoops for Lab MagazineNicolas Winding Refn, the Danish auteur whose made a career of candy colored violent films after grimier movies at home, is both exactly what you'd expect and unexpected.
But at this latest Sundance, he made a return with Upstream Color, and it brings back everything that people loved about his first film in full force.
Anderson's first film is an interesting look back at the development of filmmaker's now signature style: the methodical cinematography, with its bright coloring and compulsive need to center - frame the actors, along with humor so dry you'd better pack a canteen.
The film was set up at Universal Studios, Scorsese picked Robert De Niro to play Rocco, the lead, and Richard Price (who wrote the riveting screenplay for Scorsese's «The Color of Money») wrote the adaptation from his bestselling...