Sentences with phrase «color give the scene»

When he titles an oil on linen work depicting a freshly painted room Quiet Grace (2011) it elevates the mundane scene of drop cloths, a ladder, and paint color swatches to an unapparent seriousness, and his masterful application of light versus shadow and flat versus slick color give the scene the psychological resonance of the sublime.

Not exact matches

With 20 wooden stamps, five colored pencils, and a pink and purple stamp pad, this stamp kit gives crafty kids everything they need to set a fairytale scene on paper.

Radek Ladczuk's vivid cinematography gives scenes a properly macabre sense, the exaggerated colors, sizes, angles, and shadows evoking the living terror of a child's imagination.

As with many of Joel Schumacher's (The Lost Boys, Batman Forever) films, the lighting is dark, with emphasis on steam and neon colors, giving the «real life» scenes a kind of haunting, nightmarish, even melancholy texture that works well when life and afterlife collide.

But it's still dicey, the way McDonagh risks trivializing police brutality by presenting it as a character flaw, especially given how few scenes, lines, or traits he affords the film's people of color.

Danny McBride (Up in the Air, The Heartbreak Kid) and James Franco (127 Hours, Spider - Man 3) star in this comedic fantasy sword - and - sorcery adventure that resembles a bad Mel Brooks farce (an opening scene with «midgets» would be at home of any number of Brooks» off - color films) if he were to have completely given up halfway through.

Meanwhile, Francis Ford Coppola's Twixt got slammed by The Playlist, which gave it a D + and stated, «There are a few striking shots and the muted color palette during the dream sequences can work nicely, but some of the scenes that look like they belong in a DTV film.»

The eye gives you a picture of a scene in which each object has its «picture color,» but what you get is the «real color» of the object plus the illumination the object is receiving.

OLED screens still aren't that common on the laptop scene, which is a shame because the deeper blacks produced really help make games look prettier, contrasting beautifully with vibrant colors, although given the price of them it's not surprising that they aren't common yet.

Food icons give hints about the game, and concluding the battle scenes within a set time limit activates several colors for the mosquito to choose from.

Many of the collectibles can make for a bit of a pixel hunt, especially given the muted color palette and poor lighting in most scenes throughout the game.

These «rings» of color «give to his pictures not just a sense of the shiver of light in a particular place but also the sense that the scene has the interior life and unnatural emphases of something recalled from memory» (Gopnik, 79).

In the resulting photographs, faded images of indoor and outdoor scenes give way to unexpected patterns and vibrant eruptions of color.

The central abstract form in these compositions provides the structure for Aho's experimentation with paint texture, surface, and subtly nuanced color, giving these frozen scenes a sense of both austere beauty and vibrant life.

This quiet scene is given a stunning, palpable energy in Fish's hand, where color delineates and activates the wild landscape.

But it does give you many more tools to work with, with the flat color profile being a particular boon for maintaining highlights in high contrast scenes.