Sentences with phrase «color grid paintings»

This is the New York artist's third solo exhibition at the gallery and it will feature a suite of new large - format color grid paintings.

Not exact matches

Step 2: After your grid is painted the perfect color, it's time to hang it up.

Schjeldahl writes:» [Thomas»] best acrylics and watercolors of loosely gridded, wristy daubs are among the most satisfying feats (and my personal favorites) of the Washington Color School, a group that included Morris Louis, Kenneth Noland, and others associated with the prescriptive aesthetics of the critic Clement Greenberg: painting shorn of imagery, the illusion of depth, and rhetorical gesture.

Curated by Paul Schimmel, the show charts Guston's progress as he played with Color Field painting, moved into grid - like abstractions, and came gradually closer to figuration, combining the visual languages of Abstract Expressionism and Minimalism.

Gridding both a source photograph and a canvas, Close paints brightly - colored concentric rings that up close look like simple color fields, but from afar turn out to be very detailed portraits.

Additionally, Tyler's paintings are reminiscent of the work from past artists such as the simplified geometric grids of Piet Mondrian's later work, color field paintings of Mark Rothko and the early abstract expressionistic work by Philip Guston.

Like my real early stuff, the first color paintings really came out of trying to paint grids, but I couldn't work out a grid.

BM I remember working on a grid painting, one half was a grid and one half was one color and then just painting the grid out.

The New York - based artist Isca Greenfield - Sanders transforms old slides by scanning and gridding them, and then applying multiple layers of watercolor, colored pencil, or oil paint.

These are two new small paintings from «Silk Road,» an ongoing series of small grid - based color fields.

Important paintings on view from this period include Blue Cradle (1956) and Thursday (1960), which feature strong colors and gestures, as well as Crossfield I (1968), which hints at the final phase of Tworkov's career in its grid - like structure and layered lines.

Characterized by austere lines and grids superimposed upon muted grounds of color, Martin's paintings elegantly negotiate the confines of structure and space, draftsmanship, and the metaphysical.

It may mean something that almost all the abstract painting in the show is by women, from Ulrike Müller's small geometric enamel - on - steel pictures, as precious as antique cameos, to Nancy Brooks Brody's black - and - white grids radiant with half - hidden color.

The more freely a painting deals in texture and color, the more likely the daubs are to fill the work with a diagonal grid.

Supported by fellowships, he spent time in France, where he spent a great deal of time drawing near a reconstruction of Brancusi's studio and Italy where he began painting a series of grids in random colors.

Back then Ryman could daub a canvas, leave it or a pencil grid half exposed, switch to plastic or paper, mix in color, and incise his name and date into the paint.

In both cases, the skin colors have been scraped down to something not unlike skin, and they contrast wonderfully with fabric covering the large chaise: a series of tiny grids scratched into wet green paint.

«Northern Village» is one of the many paintings Klee created that demonstrates his use of the grid as an abstract way to organize color relationships.

McGrath's combination of neon and naturalist colors as well as the underlying irrationality of applied paint behind his grids suggests a wildness in opposition to imperialist thought in American sentiment and sustainability.

For one final twist, Pesce in 1978 was painting abstractions, with brighter colors and tighter grids.

This piece should remind viewers of the gridded paintings of pixel - like color that Ellsworth Kelly created in the 1960s (followed by Gerhard Richter in the 1970s), only channeled through Wool's own signature palette of whites, blacks, and grays.

In 1966, artist Gerhard Richter began painting simple, uniform grids of colored rectangles or squares...

Within the grids and lines on the canvas are not small squares of flat, immobile color, but drips and dimples of very active paint — as if each square could also be a composition unto itself.

Like a puzzle, Carlos Estrada - Vega's colorful compositions are subdivided into a grid - like series of squares or rectangles, each uniquely colored and textured with hand - mixed oil paint.

A one - person exhibition of large scale Triangle paintings and oil stick on paper followed in 1993, at the Andre Zarre Gallery [11] where the artist employed a tight grid overridden by gesture and a plastic color palette.

The artist frequently works from gridded photographic stills, using the principles of pixilation to create large - scale monochrome and color paintings that range from photorealist to mildly psychedelic.

Some paintings depart from two dimensions through illusion, adding angled planes to the edge of his gridded rectangles, while sculpture takes the stacked colors into the center of a room.

In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips.

Notable works reproduced include «Forest Piece» (1965), a blurred snapshot painting, «Six Colors» (1966), a gridded color - panel abstraction and «Blanket» (1988), an overpainted version of «Hanged» from Richter's legendary cycle on the Red Army Faction.

His two large paintings, Yesterday, of colored moundlike shapes atop one another and receding in scale, and Carrying, ultramarine squares divided by a white grid accentuated with red squares (sound familiar?)

In his new works, Close continued his involvement with the grid as an organizing device, creating full - color paintings out of only cyan, magenta, and yellow pigments, and layering colors in singular brushstrokes.

Distinguished by colorful, grid - like paintings executed in alluring oil impasto, Jensen's art taunts its viewer with patterns of colors and numbers.

In her paintings of the 70s, Steir often combined realistically painted flowers with a grid or color field, on one hand paying homage to admired Minimal artists Sol LeWitt and Agnes Martin, and on the other, questioning the dichotomy between abstraction and figuration.

Another body of smaller paintings, each twenty by twenty inches, present grids of nine squares that pulsate in fantastical color, suggesting cross-like patterns that underlie the compositions.

For MATRIX 270, Neri contributes a new series of ceramic sculptures that upend traditional representations of the female nude, while McCarthy includes a new group of paintings that explore her characteristic motifs such as grid weavings, double rainbows, and colored bars.

His «Pharmaceutical Paintings», comprising immaculate grids of colored dots, spoke to the same theme: each titled after individual chemical compounds, their molecular structures sought to distill the dialogue between order and chaos that underpins our existence.

Done with oil sticks pressed directly against the canvas, a method Mr. Goldberg chose some years ago over brushing with paint, they are energetic productions based on what he called a «quasi grid,» with patchy squares of color intersected at random by strong diagonals.

He used mathematical systems to construct two - dimensional grid paintings and demonstrate color theories, but the work itself is metaphorical, referencing pre-Colombian and Asian cultures, textiles, and divination.

The artist transports the viewer to this holistic in - between - stage by reformulating the constituents of painting as similar quintessential dualities: flat surface versus deep space, precision versus ambiguity, material versus ethereal, the grid - like composition of brightly colored dots versus animated, formative fields of homochromatic hues.

The balance and symmetry in Keltie Ferris's paintings invite their viewers to discover underlying grid formations, hidden beneath the layers of color and different styles of application, created by broad brushstrokes and smudged colors.

Vibrant abstract paintings by Liu Wei evoke both a crowded skyline and computer circuit boards, with dense overlays of precisely constructed grids of loud, saturated color.

During this period Piet Mondrian's painting Composition No. 10, 1939 — 1942, characterized by primary colors, white ground and black grid lines clearly defined his radical but classical approach to the rectangle and abstract art in general.

She exploits a newly acquired freedom in the way she paints, and explores different styles from dots to freehand, grids to hatches, colored lines, palette knife, etc..

«Billboard» (1957), with its large gestures and thick paint, organizes a roiling Abstract Expressionist composition into an irregular grid of color patches enclosing figures, faces, fruit and hints of objects alive somewhere in the depths of paint.

Finally, 100 Faces is a grid of colored small - scale paintings laid out on the floor.

Mary Heilmann painted spit bite acid, tipping and tilting the plate, to create a large block of color dripping over a grid of drypoint lines that recede into deep space.

Monumental in scale, the BLOCKHEADZ paintings feature square and rectangular cartoon faces in loose grid patterns that recall hard - edged abstraction and color field paintings.

Exploring the possibilities of the grid since the late 1960's, Willis became a member of the Third Generation of Abstract Expressionists, with his «Wall» paintings where he worked in a unique wet - on - wet method creating linear colored bands across the surface plane.

LeWitt is best known for his large - scale «Wall Drawings,» rigorous arrays of designs, shapes, grids, and colors rendered in pencil and paint in coherence with strict instructions and diagrams to be followed in executing the work.

Typically, each square within the grid is filled with roughly executed regions of color (usually consisting of painted rings on a contrasting background) which give the cell a perceived «average» hue which makes sense from a distance.