Sentences with phrase «color images of art»

Illustrated with documentary photographs, and full - color images of art and installation views, the book is rife with footnotes (periodically occupying more space on a page than the main text).
Featuring «What's Going On» by Barkley L. Hendricks on the cover, the catalog provides a visual journey through the period with documentary photographs and full - color images of art and ephemera, coupled with writings by Mark Godfrey and Zoe Whitley.

Not exact matches

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The static, silent main menu, a wide reformat of the cover art (minus irrelevant dog, plus irrelevant city skyline and random color changes), offers just «Play» and «Chapter Selection», the latter which consists of an image - free chapter list that isn't even navigated in all the obvious ways.
The result, in the case of The Dark Knight Rises, is a movie so rich in lushly cinematic images — with lustrous colors and richly textured night scenes — that it should be displayed side by side with the likes of The Avengers and The Amazing Spider - Man in public forums devoted to educating the audience about what is being lost as the making and exhibiting of films on actual film becomes a museum art — the latest, but surely not the last, casualty of Hollywood's relentless focus on the bottom line.
A decade later, Alexander's work was featured in a boldly oversize book, At Speed, full of luscious, full - color images that forced viewers to reconsider motorsports photography as fine art.
Collier's glorious collage art combines cut - paper, photographs, and watercolor, cleverly using stained - glass windows as the dominant images in church and also in the play of light and color in realistic views of the city.
Color images and special illustrations from one of the world's most popular manga are offered in this vivid new art collection.
I am a professional illustrator of children's books, coloring books for adults, fantasy art, and I license my images for greeting cards, puzzles, collector's plates, and more.
The hotel's sophisticated decor with its works of art and elegant colors provides a chic, artistic and stylish setting with lighting skillfully worked to reflect the image of the city.
Her explorations of image, typography and color, as objects in time and space are grounded in her singular fusion of art and technology.
Here you will find an assemblage of images and posts with an intimate look at beautiful interiors, charming gardens, and a collection of perspectives on art, entertaining, design and travel, all with a sense of quality and style, and a passion for color and casual sophistication.
SPACE MARSHALL: The finished game for your PC with your top of the line RSI Constellation spaceship ready to fly + 20,000 Galactic Credits + Exclusive access to the Alpha and Beta + Spaceship shaped USB stick of game and all digital elements + CD of game soundtrack + Fold up glossy full color map of the game universe + Set of 5 Ship Blueprints + 8 - inch painted model of your in - game ship + Hardcover copy of «The Making of Star Citizen» including loads of behind the scenes images and info, prelim concept art, development stories + Spend half a day with Chris Roberts and get into the details of the development + Black Citizens Card
REAR ADMIRAL: Finished game for your PC with your top - of - the - line RSI Constellation spaceship ready to fly + 10,000 Galactic Credits + Exclusive access to the Alpha and Beta + Spaceship shaped USB stick with the game and all digital elements + CD of game soundtrack + Fold - up glossy full color map of the game universe + Set of 5 Ship blueprints + 3 - inch physical model of your in - game ship + Hardcover copy of «The Making of Star Citizen» including loads of behind the scenes images and info, prelim concept art, development stories + Silver Citizens Card
+ Exclusive access to the Alpha and Beta + 1 Million Mile High Club Ownership - Invite your guests to your private club in the game + Spaceship shaped USB stick of game and all digital elements + CD of game soundtrack + Fold up glossy full color map of the game universe + Set of 5 Ship Blueprints + 10 - inch painted model of your in - game ship + Hardcover copy of «The Making of Star Citizen» including loads of behind the scenes images and info, prelim concept art, development stories + Hang for a day with Chris Roberts and key peeps on the dev team + Titanium Citizens Card
The image above was posted to Mistwalker's website and Facebook account, today; as you can see, it's very similar in style and color to a lot of the art we saw for The Last Story, the Wii - exclusive Rainfall RPG from Final Fantasy vet Sakaguchi.
New images from Square Enix's Hidemi Matsuzuka show a colored in - production version of the upcoming Arkham Knight Play Arts Kai Batman figure.
Most of us come to art by scrawling out lines into a vague resemblance of something and then move on to filling in coloring book images with the tinted wax of your choice.
Highway overpasses, empty offices, cityscapes, and even public figures» faces are reduced into planes of flat color, which the artist carefully paints in taped - off portions, creating crisp images that sit somewhere between the handmade art of paintings, cartoon - like animation, and mass - produced perfection.
Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT
1981 Whitney Biennial, Whitney Museum of American Art, New York, NY Color Photography: New Images, Mandville Art Gallery, University of California at San Diego, La Jolla, CA.
Teaching artists at the Children's Music of the Arts (CMA) in Hudson Square took the tiles and helped more than 200 children fill them in with colored pencils, before returning them to Greenfield - Sanders so she could reassemble into four parachute images.
1984 Group Show, Sonnabend Gallery, New York, NY 1983 Whitney Biennial, Whitney Museum of American Art, New York, NY 1982 Color as Form, International Museum of Photography, George Eastman House, Rochester, NY Beyond Photography, The Fabricated Image, Delahunty Gallery, New York.
The bottom compartment was a mirror (self - reflection); the next contained an egg (woman / creator); the third was an image fragment borrowed from the history of art, and the top frame contained the color gold (aspiration).
BOOKSHELF Published to coincide with the exhibition, «Speaking of People: Ebony, Jet and Contemporary Art» features full - color images and contributions from Studio Museum in Harlem Director Thelma Golden, curator Lauren Haynes, and artist Hank Willis Thomas, among others.
This ambitious coffee volume — rife with full - color images of the Norman Lewis's paintings, which are balanced with rigorous scholarship in the form of essays and extensive new research — accompanies «Procession: The Art of Norman Lewis,» the first major museum retrospective of the abstract painter.
LONG SCHEDULED FOR OFFICIAL RELEASE Feb. 20, it's a visual feast featuring page after page of full - color images of hundreds of art works she acquired over the years, interspersed with written contributions by New York gallery owner Jack Shainman, Chicago - based artist Kerry James Marshall and Thelma Golden of the Studio Museum in Harlem, among others.
Sixty - four of Chip Simone's color images are currently on display at The High Museum of Art in a major exhibition entitled The Resonant Image.
On going Group show, «Black & White» at New Image Art is characterized as a, «celebration of absence of color
This month, visit Carmen Herrera: Lines of Sight and Dreamlands: Immersive Cinema and Art, 1905 — 2016 to compare how artists use shapes and colors in both painting and the moving image!
This is art that is made, to a certain extent, in the image of Clement Greenberg's take on the meaning of color and material in painting, reducing it to purely optical or formal concerns.
The 160 - page catalogue includes 52 color images and essays by Stéphane Aquin, Curator of Contemporary Art, Musée des Beaux - Arts de Montréal, art historian David Anfam, Robert Lawlor, author of Scared Geometry: Philosophy & Practice, and Alicia G. Longwell, the Parrish Art Museum's Lewis B. and Dorothy Cullman Chief Curator, Art and EducatiArt, Musée des Beaux - Arts de Montréal, art historian David Anfam, Robert Lawlor, author of Scared Geometry: Philosophy & Practice, and Alicia G. Longwell, the Parrish Art Museum's Lewis B. and Dorothy Cullman Chief Curator, Art and Educatiart historian David Anfam, Robert Lawlor, author of Scared Geometry: Philosophy & Practice, and Alicia G. Longwell, the Parrish Art Museum's Lewis B. and Dorothy Cullman Chief Curator, Art and EducatiArt Museum's Lewis B. and Dorothy Cullman Chief Curator, Art and EducatiArt and Education.
Tensions surfaced last September in protests against the Contemporary Art Museum here around a show of work by a white artist, Kelley Walker, that included images of black bodies smeared with chocolate and rainbow - colored toothpaste.
Everything is going to be alright, Elizabeth Cherry Gallery, curated by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox Art Gallery, Buffalo, New York, USA Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias Fine Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias Fine Art, Boston, USA Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield, CT Palm Beach Institute of Contemporary Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Staton)
Color photography didn't get much respect until the Museum of Modern Art gave William Eggleston a show in 1976, but this sweeping survey spans the medium's history, from daguerrotypes to digital images.
Using Warhol's silkscreen methods and appropriated found images, he forged his art aesthetic from a bold look, primary color palette and a fascination with the power of words.
While von Wiegand would regard all of her art as spiritual, her work from these later decades is overtly so; many compositions incorporate metaphysical images and symbols drawn from Theosophical prismatic color charts, Chinese astrology, tantric yoga, and Buddhism.
Yang Fudong: Tonight Moon, 2000; installation view; multi-channel video installation (1 projected image, 24 LCD screen = s, 6 monitors), color and black and white, sound; 10 min; collection Museum of Contemporary Art Antwerp (M HKA), Antwerp, Belgium, and Collection Eric X. Li (AB (1990) and Mrs. Li, Shanghai.
There is a long - standing argument in the history of art criticism between interpreters, who spin personal fantasies before an image, and formalists, who only describe and account for the interaction of color, shape and line.
While von Wiegand would regard all of her art as spiritual, her work from the 1960s and 1970s is overtly mystical, as many works incorporate metaphysical images and symbols drawn from Theosophical color charts, Chinese Astrology, and Tantric Buddhism.
Image: Frances Flora Palmer, A Midnight Race on the Mississippi (detail), 1860, color lithograph with hand - coloring on wove paper, National Gallery of Art, Washington, Donald and Nancy de Laski Fund, 2012
With lush full - color images of 100 artworks, the book deepens our understanding of the artistic exchanges Dwan facilitated during this age of mobility, when air travel and the interstate highway system linked the two coasts and transformed the making of art and the sites of its exhibition.
Through digital distribution and printing methods the image files are eventually corrupted, creating an apt metaphor for the marginalized histories of art and culture with expressionistic explosions of color across the frame.
These iconic compositions of complex, skewed angles and radiant, tonal color allude to the multiple narratives coursing through the history of modernist painting, from the utopian vision of Russian Constructivism to the hallucinatory images of Op Art.
These images give further color to Tseng's practice and the larger context of the art world back then.
1975 11 in New York, Women's Interart Center Inc., New York, NY Color and Image: Six Artists from Washington, DC, University of Iowa Museum of Art, Iowa City, IA Afro - American Art, Carl Van Vechten Gallery of Fine Arts, Fisk University, Nashville, TN The District Building, Washington, DC Los Angeles County Museum of Art, Los Angeles, CA Contemporary Arts Gallery, New York University, New York, NY
These writings address everything from matters of color in sculpture, to the dilemmas of art students in need of ideas, to the art world's ever - conflicted relationship with money, while always returning to Baldessari's love of language and his longstanding investigation into the tensions of word and image.
Though the bright colors and graphic images of Andy Warhol and Pop Art may not seem to bare any relation to the stark sculptures of Minimalism, both movements shared the radical and revolutionary perspective that the value of an artwork didn't necessarily rely on the craftsmanship of the artist.
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