Sentences with phrase «color in a larger space»

It's hard to take a chance on a dark color in a larger space, but for our little downstairs bathroom, I've found the color is something I really love.

Not exact matches

In the visual form, which has played the largest role in philosophy, it is the awareness of patches of color spread out in spacIn the visual form, which has played the largest role in philosophy, it is the awareness of patches of color spread out in spacin philosophy, it is the awareness of patches of color spread out in spacin space.

In Miami, Teri Williams, the president of the country's largest black - owned bank, OneUnited Bank, was recently on the local public radio station, WLRN, talking about the importance of maintaining historically black neighborhoods as spaces for people of color.

Then the larger research team used data from the sensor onboard the European Space Agency's Envisat satellite MEdium Resolution Imaging Spectrometer (MERIS) to examine how the color of the lake water changed during those years — an indication of the concentration of the toxic blue - green algae present in HABs.

By studying such a large data set — over 200,000 galaxies in 21 different wavelengths, or colors of light, from ultraviolet to infrared — astronomers compared the energy emissions from galaxies across a wide swath of space and time to read the history of the universe.

Then a large eruption shot the crystals in a stream of water or ice out into space, where they picked up their striking blue color.

I chose the color the same way I did in my kitchen, by painting large foam core boards and holding it up in the space.

guest bedroom paint colors large wall decor and stripes wall to wall carpet ideas for guest bedroom decoration in small space using yellow wall paint color guest bedroom paint colors sherwin williams.

A large gallery wall has different types of art in black and white, including a trio of framed butterfly prints to complement the space's color scheme.

Distinctive entrances, daylighting, large / medium / small group learning spaces, student display areas, thoughtful color palettes, flexible / mobile walls, spaces of solitude, creativity spaces, multimedia studios, performance areas, flexible / mobile furniture variations, student - accessible teacher work areas, technology anywhere - anytime, portable writing surfaces, and private, personalized spaces are some of the characteristics that signal to a customer that engagement and choice are a top priority in delivering 21st - century education.

The school's brightly colored hallways are emblazoned with inspirational quotes, large windows bring in the sun, and a gated playground and play lot provide space for outdoor fun.

A close inspection reveals some subtle visual changes, including titanium - colored slats in the front air ducts, light - emitting diode daytime driving lamps in the space previously used by the fog lamps, exterior mirrors with a new double - arm design, altered taillamp graphics with LEDs, and larger tailpipes poking out through the rear valance.

Seat folds and flips forward creating large cargo space in rear of Jeep Plenty of room for 2 adults to sit comfortably Ultra dense foam core means durability and a super comfortable ride Welded, powder - coated steel frame is rust - resistant Replacement for worn out factory rear seat Utilizes factory mounts and locations (requires some drilling) Made of tough automotive grade fabric in choice of multiple colors Fits most Jeep Wranglers 5 - year warranty.

Dvorak composes in large format on light weight cream colored paper and uses white space around -LSB-...]

A store with little space should stay away from large parrots like cockatoos, macaws and Amazons, as the bird has to be housed in a cage of the right size, and a number of large cages in different styles and colors must be offered on the sales floor so customers feel they have options.

Reef One / Casco's BABY biOrb is an exciting new addition to the biOrb smart aquarium family.Requiring just 4 gallons of water, it is the «baby» aquarium of the family.Ideal for novice fish keepers or those with limited space, the BABY biOrb utilizes the same powerful filtration and similar lighting to its larger siblings.The acrylic aquarium comes with stylish tops and bottoms in five different colors including cool pink and blue.www.biorbusa.com

Adorned with an elaborately spiked tail and available in both red and yellow color phases, these afford their owners all the pleasures of larger species in one - tenth the space.

Within the 180,000 square feet of basement business space, there are boardrooms, breakout rooms, exhibit space large enough for a trade show with check - in counters and direct access to the street, and Georgia's largest ballroom that offers 29,000 square feet with customizable color schemes and is set up to be broadcast from.

The suites come with large and comfortable spaces and constitute of all in - room facilities including laundry, doctor on calls, intricately decorated warm fire places, relaxing sofas, color TV, International call facility and old - fashioned writing desks.

Around 1970, while in the John St. studio, Frances began working on large horizontal abstract paintings that were involved with ideas of gravity, slow painting time, indeterminate color, and trying to create a complex painting space that appeared geometric, but alternately shifted into a deeper space.

McLaughlin made «constructions» to determine the spacing and interaction of forms and to assign colors in advance of making paintings or prints in a different, and often larger scale.

Traces of Spaces is a photographic series of 11 large - scale color photographs of four closed Paris metro lines (St. Martin, Champ de Mars, Arsenal, Croix - Rouge), which ran underneath the current functioning metro in Paris and closed in early 1939.

Although these painters started out painting in what was called an objective style, deploying abstract shapes in large space, they soon migrated to using the physical world and representative subjects to experiment with shape, color, texture and temperature in their painting.

Working in a new studio space, she has created pictures at a larger scale than was previously possible for her and which allow her to further explore the expressive potential of color.

About eight years ago Keltie Ferris burst onto the New York painting scene like a bat out of hell, that is, if you define hell as the Yale M.F.A. painting program; back then, her large Day - Glo - colored canvases were perfect crosses between hazy 1970s Color Field painting, pixilated digital space breaking up and reforming in odd - shaped plates, and painterly abstraction at the same time totally avoiding any derivative overlap with artists like Kelly Walker or Gerhard Richter.

Vuillard's interest in patterned surfaces and domestic intimacy led him to produce many of his most compelling works around 1900 in two radically different formats: on the one hand, large - scale paintings, conceived as decorative ensembles and commissioned for private, domestic spaces; and, on the other, intimate color lithographs, produced in series and destined for broader circulation.

Using large - scale video projections, Steinkamp creates motion - and - color - filled spaces in which lush virtual images of blooming flowers, dancing trees, or purely abstract forms sway and twist as if propelled by unseen forces.

El color en el espacio y en el tiempo (Color in Space and Time) at the Museo Universitario Arte Contemporáneo — MUAC in Mexico City present a large retrospective of the Venezuelan artist Carlos Cruz - color en el espacio y en el tiempo (Color in Space and Time) at the Museo Universitario Arte Contemporáneo — MUAC in Mexico City present a large retrospective of the Venezuelan artist Carlos Cruz - Color in Space and Time) at the Museo Universitario Arte Contemporáneo — MUAC in Mexico City present a large retrospective of the Venezuelan artist Carlos Cruz - Diez.

In the beautiful rolling hills of central New York and just several hundred yards from the Golden Artist Colors manufacturing facility, a 19th century barn has been transformed into a 21st century artist residency, with large studio spaces and private residency apartments.

In his second solo exhibition at Sperone Westwater, the Brooklyn - based Ali Banisadr occupies the gallery's spacious three - floor Lower East Side space with large scale paintings that burst with tumultuous colors and ethereal forms.

Lighter colors and density glow in the natural light of the second and largest space.

In the center space, a large mandala of loose glitter and colored sand is composed with painstaking precision on a low, broad platform.

This work, the largest in the series, extends into aerial space, throwing out colored gestures from a central bird - like armature.

In the late 1960s / early 1970s, Bowling's interest in decolonized space turned towards the cartographic, as he began work on his celebrated «maps» paintings — large - scale canvases onto which Bowling would paint the outlines of continents and countries, often stenciling images with personal significance onto the map, and painting over the forms with washes of vibrant coloIn the late 1960s / early 1970s, Bowling's interest in decolonized space turned towards the cartographic, as he began work on his celebrated «maps» paintings — large - scale canvases onto which Bowling would paint the outlines of continents and countries, often stenciling images with personal significance onto the map, and painting over the forms with washes of vibrant coloin decolonized space turned towards the cartographic, as he began work on his celebrated «maps» paintings — large - scale canvases onto which Bowling would paint the outlines of continents and countries, often stenciling images with personal significance onto the map, and painting over the forms with washes of vibrant color.

Saturated in color, Walker's large paintings fill a main exhibition room at the CMCA, delighting the eye and inviting close - up views as well spaces for viewing from afar.

Ilene Sunshine brings the outdoors in with her use of twigs and branches and cleverly reimagines the detritus of found plastic bags in a colorful large scale site specific installation which bisects the gallery space creating a wall «of air» and pays homage to and playfully subverts formal concerns of mid century modernism and color field painting.

Though his focus on form and relationships is more obvious in his three - dimensional work (mostly made up of freestanding folded sculptures and totem - like large - scale outdoor sculpture), the relationships of space and the inextricability of form and color is essential to his painting as well.

His color photos with painted backdrops of office cubicles or beach scenes let the client choose what image to project, but the curved painted backdrops flatten out the space and create a surreal effect, in contrast to the elegance of Keita's large - format portraits.

Her transition to acrylic paint (largely in the 1960s) allowed for different kinds of color, and different edge effects, but the larger opportunities of surface and space and interrelationship continue.

In the context established by «Pretty Raw,» the decision to emphasize color does not come off as a defensive move (talking about aesthetics rather than identity), but indicates instead how a rebalancing of the larger narrative opens up space to explore a range of diverse yet interrelated concerns.

For this project, her second large - scale painting installation and first public artwork, Balco uses the vernacular of painting — form and color — to stage interventions in existing architectural spaces that transform the way we think about public and private space.

Known for her large - scale portraits, Yiadom - Boakye uses dark colors and rough brush strokes to immerse her subjects in ambiguous environments, where there aren't any references to time or space.

In a loft overlooking West Broadway in Tribeca, Andrea Belag employs large swooping brushstrokes and rich transparent color to create the illusion of space and lighIn a loft overlooking West Broadway in Tribeca, Andrea Belag employs large swooping brushstrokes and rich transparent color to create the illusion of space and lighin Tribeca, Andrea Belag employs large swooping brushstrokes and rich transparent color to create the illusion of space and light.

Opening: «Robert Swain: Color Energy» at Minus Space Minus Space inaugurates its new ground floor gallery in Dumbo with a solo show of large - scale geometric abstractions by the venerable Robert Swain.

In the large, darkened spaces of «Laments,» Jenny Holzer's new installation piece at the Dia Art Foundation, the artist's hauntingly pessimistic words flow between floor and ceiling in columns of moving colored lighIn the large, darkened spaces of «Laments,» Jenny Holzer's new installation piece at the Dia Art Foundation, the artist's hauntingly pessimistic words flow between floor and ceiling in columns of moving colored lighin columns of moving colored light.

Presenting approximately 30 large - size paintings and 86 works on paper, the exhibition in the Schirn will focus on this late work for the first time, introducing an artist who, with his dynamically two - dimensional forms and clear colors transcending the pictorial space, makes an impression that is not historical at all but surprisingly up - to - date.

One large table - skirting sculpture, The girlfriend picked the colors (all works 2002), had been installed in the gallery's entryway, a marginal space rarely used for exhibitions.

But then the space of the canvas is really determined, to a large degree in my eye, by the color.

Indicative of her personality and proclivity, the work emphasized stark contrasts as in the near - perfect transitions from white to grey, large expanses of deep dark voids and the juxtaposition of bold colors, which the combination created not only a vibrational glow, but an optical effect that enhanced the notion of these emblematic objects floating in space.

A groundbreaking architectural intervention by artist Sarah Oppenheimer, which will link the museum's modern and contemporary collections through meticulously crafted sculptural forms placed in the floor, ceiling, and walls; Recent contemporary acquisitions, including A Man Screaming is Not a Dancing Bear by the artist collaborative Allora & Calzadilla, Untitled (bicycle shower) by Rirkrit Tiravanija, and Live Ball by Nari Ward, as well as works by Guyton \ Walker, Los Carpinteros, Elad Lassry, and Susan Philipsz; An exhibition of eight large - scale color photographs by South African artist Zwelethu Mthethwa, inaugurating the wing's project space for changing exhibitions; An exhibition of outstanding drawings by artists including Lee Bontecou, Philip Guston, and James Rosenquist from the BMA's Thomas E. Benesch Memorial Collection, presented in the museum's new dedicated gallery for prints, drawings, and photographs; A new site - specific work by acclaimed Baltimore street artist Gaia.