Sentences with phrase «color lithograph with»

Twenty - color lithograph with handwork by the artist in colored pencil and acrylic on Hahnemuhle Copperplate

This artwork was created in 1992, a color lithograph with collage on wove paper.

Image: Frances Flora Palmer, A Midnight Race on the Mississippi (detail), 1860, color lithograph with hand - coloring on wove paper, National Gallery of Art, Washington, Donald and Nancy de Laski Fund, 2012

Color lithograph with copper leaf.

Image: Kiki Smith, Afternoon, 2010 Five color lithograph with glitter 16 x 20 in.

Color lithograph with pochoir, Edition 30 Roberto Juarez has been an important figure in the American art scene since his first solo exhibition at Robert Miller Gallery in 1981.

Not exact matches

Theodore Roszak, Dream of Fair Women (1973), lithograph in black, hand - colored with colored pencil, image 19 x 25 inches.

The three color lithograph was hand drawn and proofed by the artist with the assistance of Paul DeRuvo last summer.

Theodore Roszak, The Last Tycoon (1973), lithograph in black, hand - colored with colored pencil, image 19 1/2 x 25 1/4 inches.

Offset lithograph with collage of colored leather samples.

Untitled (2 - color lithograph, published in conjunction with the exhibition «Bruce Nauman: Holograms, Videotapes, and Other Works»)

Theodore Roszak, Floodtide at Watergate (1974), lithograph in black, hand - colored with colored pencil, image 21 1/2 x 29 inches.

Lithograph, linocut, and screenprint in colors with hand - coloring and collage, on wove paper, 1984, signed and dated in pencil, from the numbered edition of 60 (there were also 10 ar...

This Suite of Twenty - Seven Color Lithographs, charged with remembered Provençal light, relies on an iconography derived from signage in a palette of primaries, offset by some of the most idiosyncratic tertiary colors of his career.

Ellsworth Kelly's striking work in lithography from the mid-1960s, Suite of Twenty - Seven Color Lithographs and Suite of Plant Lithographs, are presented along with two monumental paintings from the Museum's collection.

An offset - lithograph in colors with cold - stamping on smooth wove paper, An Homage to Monogold was created by the artist in 2012, is hand - signed in silver pen, and numbered, measures 29...

The design similar to this work, she has developed a site - specific spatial installation for the Kunsthalle Nuremberg, using wallpaper and brightly colored lithographs, which is entirely in the context of their claim, «to find a way to deal with painting different than previously dealt with it was».

Frank Stella Ahab, 1985 — 88, from the series The Waves screen print, lithograph, linocut with hand - coloring, marbeling, collage on T. H. Saunders wove paper 73 5/8 x 54 5/8 inches Gift of J. Peter and Barbara J. Gattermeir, 2002.32.1 © Frank Stella / Artists Rights Society (ARS), New York

These striking lithographs feature images of maritime landscapes interspersed with more abstract brightly colored spiral shapes, investigating the formal and theoretical kinship between two great artists of our time.

Untitled (Giuseppe Arcimboldo's Vertumnus, 1590 or 1591, Scratch & Sniff) 2014 4 - color offset lithograph on 100 lb gloss cover with archival Scratch & Sniff scent, 83.8 x 60.9 cm / 33 x 24 in

James Rosenqusit First, 1973 Lithograph hand - colored with acrylic spray 23 1/4 x 31 1/4 in.

In Violent, Violet, Vent, rhyming word patterns in Finish and English, bounce off language like the colors of the lithograph — its pale, purple flowers with the middle yellow tones in the background.

Lithograph with color copy on Springhill Relay Plus BFK Rives paper.

Above: Betty Woodman, Greek Pots Visit Edo, 2009, color woodcut, lithograph and chine colle on paper, Museum purchase with funds donated by Martha and Jim Sweeny, © Betty Woodman 2002, Courtesy of the artist and Shark's Ink, Lyons, CO

HELEN FRANKENTHALER (b. 1928) First Stone (Harrison 1) lithograph in colors, 1961, on Arches, signed and dated in pencil, numbered 2/12 (there were also 5 unnumbered artist's proofs), published by ULAE, with full margins, two pinholes in the blank at lower left, very pale time staining, remains of old glue at the reverse of the margin corners, otherwise in good condition, framed S. 22 1/4 x 29.7 / 8 in.

HELEN FRANKENTHALER (B. 1928) Un Poco Más (Harrison 140) lithograph in colors, 1987, on Arches Cover, signed and dated in white pencil, numbered 59/60 (there were also 12 artist's proofs), published by Ediçiones Poligrafa, Barcelona, with full margins, the colors slightly attenuated, minor skinning at the reverse of the margin edges, otherwise in good condition L. 23 1/2 x 30 in.

HELEN FRANKENTHALER Reflections II, IV, and VIII three lithographs in colors, 1995, on Lana mould - made, all signed and dated in pencil, two annotated «P.P. I» and one numbered 15/30 (the editions were 30 plus 10 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, Reflections II with a small handling crease in the lower margin, two with a few spots of stray printing ink in the margins, otherwise all in very good condition, framed various sizes (3)

Similarly, Roy Lichtenstein's Against Apartheid, a 1983 color lithograph, tied its previous auction record with $ 10,625.

Color offset lithograph with screenprint on paper, image / sheet size 42 1/4 x 32 in., framed.

Helen Frankenthaler Bronze Smoke 1978 Lithograph in colors, on J.B. Green Katuash handmade paper, with full margins, I. 24 7/8 x 18 3/4 in.

Artist: Kiki Smith Title of Work: Litter (Fireplace Editions) Year: 1999 Plate Dimensions: 22 ″ x 30 ″ Material: Lithograph in 4 colors with gilding on Arches Cover White paper Photo Line: © Kiki Smith / Universal Limited Art Editions, 1999.

HELEN FRANKENTHALER Yellow Jack (H. 137) lithograph with stencil coloring, 1987, on Arches Cover, signed and dated in pencil, numbered 42/54 (there were also 12 artist's proofs), with the Tyler Graphics Ltd. blindstamp, Mount Kisco, New York, the full sheet, pale offsetting on the reverse, otherwise in very good condition, framed S. 29 15/16 x 38 1/8 in.

HELEN FRANKENTHALER (b. 1928) Lot's Wife (Harrison 32) lithograph in colors, 1971, on three sheets of Japan, signed and dated in pencil, numbered 14/17 (there were also 4 artist's proofs), inscribed «Triptych», with the ULAE blindstamps, with full margins, scattered foxing and a few minor creases, otherwise apparently in good condition, not examined out of the frame, framed overall S. 134 x 35 in.

Helen Frankenthaler Reflections IX (from Reflections Series) 1995 6 - color lithograph on Rives BFK paper # 22 of 30 Published and printed by Tyler Graphics, Ltd., Mount Kisco Signed and dated lower right; edition lower left Sheet: 20» x 14.75»; Frame: 27.625» x 22.625» Together with copy of invoice from Tyler Graphics, Ltd. dated March 31, 1995 and print documentation

HELEN FRANKENTHALER (B. 1928) Bronze Smoke (Harrison 71) lithograph in colors, 1978, on red - brown pink J.B. Green Katusah handmade, signed and dated in pencil, dedicated «For John, with love, on his birthday, 22 Jan.» 79, Helen», annotated «Trial Proof» (the edition was 38 plus four 4 proofs), with the ULAE blindstamp, West Islip, New York, with full margins, in excellent condition, framed L. 25 x 18 3/4 in.

HELEN FRANKENTHALER (1928 - 2011) Variation I on «Mauve Corner» lithograph in colors, on Chatham British paper, 1969, signed, titled and dated in pencil, numbered 2/8 (there were also 2 artist's proofs), published by ULAE, West Islip, New York, with their blindstamp, with full margins, the orange attenuated, a foxmark in the right margin, framed Image: 16 7/8 x 13 3/4 in (429 x 349 mm.)

Helen Frankenthaler (American, 1928 - 2011), «The Red Sea,» 1978 - 1982, color lithograph from four stones and four aluminum plates on pink wove handmade paper, pencil signed and dated lower right, edition 13/58, printed by Roger Campbell, Lee Funderburg, and Kenneth Tyler, published by Tyler Graphics, Ltd., image: 15.5 «h x 20.75 «w, sheet: 24 «h x 28 «w, overall (with frame): 29 «h x 37 «w

HELEN FRANKENTHALER Madame de Pompadour (H. 170) lithograph in colors, 1985 - 90, on Arches Cover, signed and dated in pencil, numbered «AP 11/14» (the edition was 60), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, in excellent condition, framed S. 43 1/4 x 29 1/4 in.

HELEN FRANKENTHALER (B. 1928) White Portal (Harrison 10) lithograph in colors, 1967, on Arches, signed and dated in pencil, numbered 18/18 (there were also 4 artist's proofs), with the ULAE blindstamp, West Islip, New York, with full margins, 6 tiny pin holes in the blue areas, time staining at the extreme margin edges, minor remains of old tape at the reverse of the margin corners, otherwise in very good condition.

(New York / Connecticut, 1928 - 2011) Venice II, 1969 - 1972, edition 3/8, published by Universal Limited Art Editions with blindstamp lower left, signed lower left «Frankenthaler» and titled and dated, lithograph in colors in two stones on English hand - made paper, 31 x 23-1/4 in.; sturdy metal frame, floated, full sheet with deckled edges, four points of foxing; frame with abrasions

HELEN FRANKENTHALER Madame du Pompadour (H. 170) lithograph in colors, 1985 - 90, on Arches Cover, signed and dated in pencil, numbered 29/60 (there were also 14 artist's proofs), with the Tyler Graphics blindstamp, the full sheet, apparently in excellent condition, not examined out of the frame, framed S. 42 x 29 in.

HELEN FRANKENTHALER Flirting with Stone (H. 171) lithograph in colors, 1985 - 90, on Arches Cover, signed and dated in pencil, numbered «P.P. I» (the edition was 60 plus 14 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame L. 36 3/4 x 26 3/4 in.

HELEN FRANKENTHALER (B. 1928) Mirabelle (Harrison 169) lithograph in colors, 1985 - 90, on Arches, signed and dated in white pencil, numbered 21/56 (there were also 14 artist's proofs), with the Tyler Graphics Ltd., blindstamp, Mt. Kisco, New York, the full sheet, in excellent condition, framed S. 30 1/8 x 37 1/8 in.

Helen Frankenthaler The Red Sea 1978 - 82 Lithograph in colors, on pink HMP handmade paper, with full margins, I. 15 3/4 x 20 3/4 in (40 x 52.7 cm); S. 24 x 28 in (61 x 71.1 cm) signed, dated» 1978 - 82» and numbered 35/58 in pencil (there were also 14 artist's proofs), published by Tyler Graphics Ltd., Bedford Village, New York, in very good condition, framed.

Betye Saar (born 1926), L. A. Sky with Spinning Hearts, 1989, color offset lithograph with collage.

HELEN FRANKENTHALER Reflections I - II; and IV three lithographs in colors, 1995, on Lana mould - made, all signed and dated in pencil, two numbered 6/30 and one numbered 2/30 respectively (there were also 10 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, all with full margins, Reflections II with a few unobtrusive small spots of stray printing ink in the margins, otherwise all apparently in excellent condition, one shrinkwrapped, one unframed and one framed two S. 26 3/4 x 20 in.

HELEN FRANKENTHALER Ochre Dust (H. 133) aquatint and lithograph in colors, 1987, on Rives BFK, signed and dated in orange pencil, numbered 35/44 (there were also 12 artist's proofs), with the Tyler Graphics Ltd. blindstamp, Mount Kisco, New York, the full sheet, a tiny crease at the upper left corner, otherwise in very good condition, framed S. 24 1/4 x 32 3/4 in.

HELEN FRANKENTHALER Reflections VI lithograph in colors, 1995, on Lana mould - made, signed and dated in pencil, numbered «P.P. I» (the edition was 30 plus 10 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame L. 16 3/4 x 13 3/4 in.

HELEN FRANKENTHALER All About Blue (H. 235) lithograph and woodcut in colors, 1994, on handmade Kozo, signed and dated in ink, numbered 24/38 (there were also 12 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, in very good condition, framed S. 48 1/2 x 29 in.

HELEN FRANKENTHALER Madame de Pompadour (H. 170) lithograph in colors, 1985 - 90, on Arches, signed and dated in pencil, numbered 40/60 (there were also 14 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, apparently in excellent condition, not examined out of the frame S. 43 1/2 x 29 1/2 in.