the operator control buttons how many as well as, while
color of glass beads perfectly found on the «purse, an individual may modification if thez marbles can be found interchanged pursuing the draw if in case your order where the utilized factors.
Not exact matches
Glass focal dichroic bead with a beautiful display of rich dichroic glass co
Glass focal dichroic
bead with a beautiful display
of rich dichroic
glass co
glass colors.
It is accented with two different kinds
of beads: rose -
colored cat - eye chips and
glass seed
beads.
Recycled
glass beads are strung by hand onto nylon cord, which results in a fun range
of colors being used.
Featuring an eye - catching array
of colors, this wristband bracelet features a handcrafted design by the Guatemalan artisans at Weaving Hands
of Atitlan, who string petite
glass beads on four strands
It's so full
of vibrant
color, beautiful natural stones, and intricate designs (check out «Prosperity» necklace, hand - stitched with over 140 Japanese
glass seed
beads and Swarovski Crystals).
I wanted to repeat the
colors I had going on, on the left side
of the bench, so on the right side I strung some blue sea
glass beads, and draped an orangey throw beneath a velvet earthy - toned pillow.
Ravishing Pair
of Chanel Drop Earrings With Gradient Gradient
Glass Beads Double metal c chanel base Pearl Drop
Color: Jade its comes with box chanel Good Condition DIMENSIONS Overa...
Wrapped in cream -
colored cotton and detailed with dozens
of tiny
glass beads, the Artisanal Vintage Jewelry Boxes are decidedly romantic.
A kaleidoscope contains mirrors and
colored glass, pebbles, or
beads whose reflections create complex patterns
of frequently changing
colors and shapes when rotated.
Rob Wynne lures his viewer in with the glitter and shine
of glass and
beads, a splash
of color, and the playful whimsy
of a fairy tale.
Acrylic bands
of blue and white curving out from the wall represent water in motion;
glass beads covering a dune - shaped form create the shimmering effect
of light on sand; hundreds
of acrylic cubes in varying hues
of violet are points
of color that capture the light or atmospheric condition
of a particular moment.
4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection
of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and
glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white
color 32 1/4 x 32 1/4 x 2 3/4 inches
At the Neuberger Museum
of Art's «
Color Field and Solid Grey,» Liza Lou — who divides her time between Los Angeles and South Africa — presents her largest sculpture to date: a 1,400 - square - foot expanse
of vibrant grass - like blades, woven from stainless steel threads and millions
of glass beads.
Liza Lou: I made the components
of Color Field with my studio team in South Africa where we threaded millions
of pieces
of wire with
glass beads.
LIZA LOU
Color Field (detail), 2010 - 13
Glass beads, stainless steel, perspex 20 x 26 feet (dimensions variable) 6.096 x 7.92 meters Photo: Jerry L. Thompson, Courtesy
of Neuberger Museum
of Art
Color Field and Solid Grey (2013), which was recently installed at the Neuberger Museum
of Art in Westchester, New York, is a Technicolor quilt
of quill - like spikes
of beads, a nod to the grasslands
of KwaZulu - Natal and a wilder version
of Back Yard (1996 — 99), for which Lou conscripted volunteers to help her construct 250,000 green -
glass -
beaded blades
of grass.
This monumental shimmering work is comprised
of thousands
of blades
of grass (small stainless steel wires), arranged in brilliant squares
of 30
colors (over 2 million tiny
glass beads strung on the wires).
The exhibition Liza Lou:
Color Field and Solid Grey also includes Lou's Solid Grey and
Color / White canvases, a series
of «paintings» woven out
of glass beads.
The exhibition includes Lou's largest work — an iridescent grid
of tiled
colors comprised
of cylindrical
glass beads.
Using brilliant
color on un-stretched canvases and handmade paper often with impasto - like texture, Shields employed sewing as a means
of drawing as well as carefully draped yarn and rope, often studded with
glass beads.
The French artist's vivid imagination is on full display in large - scale strings
of colored -
glass beads, a
glass brick wall draped with strands
of glass jewels, an ornate bed and a collection
of glass jars.
She completed many large commissions in Europe and America, including gates made
of wire and
colored glass beads for Peggy Guggenheim's home on the Grand Canal in Venice.
The bright pop
of colors, the infinite, upright stalks, and the intense sensation
of truly being within a «field», all created from tiny
glass beads, was hard to step away from.
I wanted to repeat the
colors I had going on, on the left side
of the bench, so on the right side I strung some blue sea
glass beads, and draped an orangey throw beneath a velvet earthy - toned pillow.
in existence and tying little knots, (really, i can barely see anymore) clipping close to the knot to get rid
of the ends, and now FLOATING STRANDS OF MULTI COLORED GLASS BEADS between the looppy arms of the chandelie
of the ends, and now FLOATING STRANDS
OF MULTI COLORED GLASS BEADS between the looppy arms of the chandelie
OF MULTI
COLORED GLASS BEADS between the looppy arms
of the chandelie
of the chandelier.
I got
glass bead trim from Hobby Lobby for the dangly shade and bias tape (like you did) for the bowl one, but I plan to cover it with a cute multi-colored braided trim that will pick up the
colors of the globe.