Sentences with phrase «color perception by»

These alterations allow the possibility to change color perception by explicit verbal suggestion.

Not exact matches

Also, Breede says, by listening to customers» observations — some said, for example, that fluorescent colors clashed with their perception of the Specialized image — «we got a clearer vision of who they thought we were.»

Perceptions of worker value can also be colored by how easy an office worker is to get along with as opposed to how well he or she actually performs.

His self - image will be colored by his unresolved conflicts and fantasies about his body, as well as his perception of how you really feel about him.

... In the perception of a contemporary stone, for example,... the immediate percept assumes the character of the quiet undifferentiated endurance of the material stone, perceived by means of its quality of color...

The childhood we remember, like the childhoods our parents and grandparents recount, is inevitably colored by the limitations of our youthful perceptions.

I have no doubt that his basic perception of the world is almost inevitably colored profoundly by Japanese Buddhism.

Explanations of time by reference to space belong to this domain (and such explanations may be regarded as analogous to explaining a perception of color in terms of the joint action of other [non-visual] sense perceptions).

As for the being which has an extreme sensibility for that color perception, it is questionable whether it would be open to any explanation at all, but rather, by reason of the poverty of its inclinations or out of fear of being disturbed in its pleasant feelings, it would have nothing to do with anything else.

We are often exhorted by scientists and philosophers alike to accept the material given to us by sense perception as though it is the rock - bottom foundation of our knowledge of the physical world, Simultaneously we are told to refrain from coloring neutral sense data over with our subjective wishes and teleological desires.

He is the kind who is really blind to anything outside of his own world view, and he sees everyone colored by his own perception.

Nevertheless, the layman's common - sense view of reality is baffled by such conundrums as the nature of time and space, the reality of human freedom, quantum jumps in physics, or the claim of modern science that colors are not really present in the objects of perception but only in the mind of the beholder.

Tested for effectiveness and appeal by consumers in Community Coffee Company's markets, the revised look aims to increase the brand's premium quality perception while preserving the key elements that customers have appreciated for decades, such as the signature red color and attention to family ownership.

Measuring - Temperature and Thermometers Classifying Components of Mixtures Predicting - Surveying Opinion SAPA Part C, Directions for the Multiplication Game SAPA Part C and E, Multiplication Game SAPA Part D 1st Draft, c. 1972 The Whirling Dervish The Bouncing Ball The Effect of Liquid on Living Tissue Rate of Change Observing Growth from Seeds An Intro to Scales Forces on Static and Moving Objects Observations and Inferences Using Punch Cards to Record a Classification Using Maps to Describe Location A Tree Diary SAPA Part D 2nd Draft Observations and Inferences The Bouncing Ball Rate of Change A Tree Diary An Intro to Scales and Scaling Observing Growth from Seeds (The Bean - It Came Up) Forces on Static and Moving Objects Using Punch Cards to Record a Classification Relative Position and Motion Inferring - The Water Cycle Predicting 4 - The Suffocating Candle The Big Cleanup Campaign 2 - D Representation of Spatial Figures Using Maps to Describe Location SAPA Part D Tryout Draft, 1972 Observations and Inferences The Bouncing Ball Measuring Drop by Drop Rate of Change Predicting 4 - The Suffocating Candle Forces on Static and Movign Objects Observing Growth from Seeds Using Space / Time Relationships -2-D Representation of Spatial Figures Using Punch Cards to Record a Classification An Introduction to Scales and Scaling The Effect of Liquid on Living Tissue Inferring - The Water Cycle Relative Position and Motion Using Maps to Describe Location The Big Cleanup Campaign A Tree Diary SAPA II Module (s), c. 1973 1, Tentative Format Sample, Perception of Color 9, Sets and Their Members 6, Direction and Movement, Draft 34, About How Far?

FAULTY DEPTH PERCEPTION Allow me to take a stab at what might be behind White's Effect, described in «Colors Out of Space,» by Stephen L. Macknik and Susana Martinez - Conde [Illusions].

«Our work advances the study of perception by showing that sadness specifically impairs basic visual processes that are involved in perceiving color.»

The results can not be explained by differences in participants» level of effort, attention, or engagement with the task, as color perception was only impaired on the blue - yellow axis.

The resulting shift in color perception bestows extra sensitivity to other hues, however, as the researchers demonstrated by asking subjects to rate the similarity of 15 circles painted in tones of khaki.

THE MCCOLLOUGH EFFECT Discovered by vision researcher Celeste McCollough, this illusion demonstrates that the interactions between color perception and form perception can be surprisingly long - lasting.

However, the perception in the scientific community, right or wrong, is certain to be colored by the NIH approach.

By analogy, the experience is like changing from black - and - white perception to full color.

Blue is a color, the perception of which is evoked by light having a spectrum dominated by energy with a wavelength of In modern color theory, red, green and blue are the additive primary colors, and together they make white.

Mundy - Shephard says that LGBT youth of color generally choose not to participate in GSAs and her research will examine whether the students» reasons vary by racial group, and the extent to which these reasons are affected by internal and external perceptions of LGBT identity as being incompatible with racial minority status, i.e., whether they perceive non-heterosexuality as a form of «acting white.»

As investors, Availability Bias can translate into perceptions colored by personal experiences that likely represent only a fraction of the complete economic reality.

Experience absolutely colors our perception, and in this case I can't help but be affected by what I've seen.

Specific vision abilities required by this job include close vision, distance vision, color vision, peripheral vision, depth perception, and ability to adjust focus.

Have some healthy skepticism in touristy areas, but remember that it's important not to let poor treatment by a few individuals color your experience or perception of an entire country.

Inspired by his experience of the Pulitzer's monumental Ellsworth Kelly wall sculpture, Blue Black, Ligon enlists the colors to pose timely and nuanced questions, touching upon notions of language, identity, and perception.

The true poetry lies in the orchestration of a good composition combined with the skillful use of paint and color, all driven by sensory perception, intuition and memory.

By printing the photographs on lithographic press in two color print, Shahbazi effectively alters our perception of time and reality such that the works become an intriguing exercise not only about the use of materials and process, but also about larger questions of truth and apprehension.

In color theory and color mixing workshops, guests will see firsthand how colors impact each other — what happens when colored paints are combined and how does our perception of one color change by simply placing it next to another.

For this exhibition, Fernandez will present 3:37 p.m. (2001), a wall installation composed of hundreds of acrylic cubes in seven colors of the light spectrum, a reductive representation of a rainbow captured at a specific moment in time, 3:37 p.m. Fernández's work is characterized by an interest in perception and the psychology of looking, so she encourages the viewer to conjure up his or her own personal associations with the landscape, which in turn become part of the meaning behind the work.

Yet the bright color, lyrical patterns and strict linearity of the L'Hourloupes were still inspired by the art of the ordinary, untrained person, and aspired to explore everyday states of perception.

Artificial by Nature continues the artist's long exploration of distorted realities and altered perceptions, resulting in manipulations of light and color as sophisticated as they are seductive.

The empty spaces indicated by the missing colors also point to the blind spots in our own perceptions.

While studying painting and printmaking at Yale University, Tomashi Jackson noticed that the language Josef Albers used to describe color perception phenomenon, in his 1963 instructional text Interaction of Color, mirrored the language of racialized segregation found in the transcripts of education policy and civil rights court cases fought by Thurgood Marshall and the NAACP Legal Defense and Educational Fund (color perception phenomenon, in his 1963 instructional text Interaction of Color, mirrored the language of racialized segregation found in the transcripts of education policy and civil rights court cases fought by Thurgood Marshall and the NAACP Legal Defense and Educational Fund (Color, mirrored the language of racialized segregation found in the transcripts of education policy and civil rights court cases fought by Thurgood Marshall and the NAACP Legal Defense and Educational Fund (LDF).

Marked by short, parallel brushstrokes, these works record Cézanne's perceptions of color and light and his transition to a mature style.

Inspired by his experience of the Pulitzer's monumental Ellsworth Kelly wall sculpture, Blue Black, Ligon enlists the colors to pose timely and nuanced questions, touching upon notions of language, identity, and perception (9 June - 7 October 2017).

Meaning «Hail the Dark Lioness» in Zulu, she confronts racism by photographing herself while on the road, highlighting various aspects of her identity which speak to her skin color, ethnicity and the cultural perceptions and stereotypes of femininity and African culture.

Bringing together essays by and interviews with the leading abstract artist Bridget Riley, this volume represents her passionate and articulate engagement with color, perception and art history.

For decades, Julian Stanszak (b. 1928) has explored perception, color and geometry through systematic experimentation to create virtuoso compositions enlivened by bright colors and interesting tensions.

Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.

«Saturated: The Allure and Science of Color» Cooper Hewitt, Smithsonian Design Museum 2 East 91st Street OPENS: May 11 Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palColor» Cooper Hewitt, Smithsonian Design Museum 2 East 91st Street OPENS: May 11 Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.

Op artists test the boundaries of visual perception, often by creating abstract compositions with bold colors that seem to vibrate and dynamic patterns that appear to pulsate.

Around the corner, three paintings by Tatiana Blass at Millan of Sao Paulo played with perception, taking figurative scenes and saturating them with color.

More importantly, these works demonstrate how these visionary artists maintained the rigor and discipline they brought to understanding visual perception by creating the illusion of three - dimensional space and motion using mostly line and color.

Working with simple geometric forms, Albers sought to produce the effects of chromatic interaction, in which the visual perception of a color is affected by those adjacent to it.

Your perception was kept fluid, moved along by the color and the array.»

Fascinated by the complexity and subjective nature of human perception, I use color to initially attract viewers to the painting.

By manipulating color and line in this way, Haggerty's imagery becomes a study in spatial and sensory perception, appearing to hum and even making his two - dimensional paintings appear to be three - dimensional.