Tomashi Jackson found that the language Josef Albers used to describe
color perception mirrored the language of racialized segregation.
Not exact matches
While studying painting and printmaking at Yale University, Tomashi Jackson noticed that the language Josef Albers used to describe
color perception phenomenon, in his 1963 instructional text Interaction of Color, mirrored the language of racialized segregation found in the transcripts of education policy and civil rights court cases fought by Thurgood Marshall and the NAACP Legal Defense and Educational Fund (
color perception phenomenon, in his 1963 instructional text Interaction of
Color, mirrored the language of racialized segregation found in the transcripts of education policy and civil rights court cases fought by Thurgood Marshall and the NAACP Legal Defense and Educational Fund (
Color,
mirrored the language of racialized segregation found in the transcripts of education policy and civil rights court cases fought by Thurgood Marshall and the NAACP Legal Defense and Educational Fund (LDF).
Eliasson's «Colour motoric entrance» is a sculpture constructed with
mirrors and
colored filters that changes depending on the viewer's
perception.
In a Hyperallergic interview with Jackson from last year, Risa Puleo wrote, «While studying... at Yale University, Tomashi Jackson noticed that the language Josef Albers used to describe
color perception phenomenon, in his 1963 instructional text Interaction of Color, mirrored the language of racialized segregation.&r
color perception phenomenon, in his 1963 instructional text Interaction of
Color, mirrored the language of racialized segregation.&r
Color,
mirrored the language of racialized segregation.»