In a Hyperallergic interview with Jackson from last year, Risa Puleo wrote, «While studying... at Yale University, Tomashi Jackson noticed that the language Josef Albers used to describe
color perception phenomenon, in his 1963 instructional text Interaction of Color, mirrored the language of racialized segregation.»
While studying painting and printmaking at Yale University, Tomashi Jackson noticed that the language Josef Albers used to describe
color perception phenomenon, in his 1963 instructional text Interaction of Color, mirrored the language of racialized segregation found in the transcripts of education policy and civil rights court cases fought by Thurgood Marshall and the NAACP Legal Defense and Educational Fund (LDF).
Not exact matches
Ruth Pastine's minimalist works address
phenomena of
color perception.
ETHAN RYMAN explores geometric forms and tests
perception by disrupting boundaries between dimensions and employing the sensory
phenomena of
color theory.
Titled Nothingness is Nothing at All, Olafur selected works inspired by the architecture of the museum that employ his signature natural materials such as stone, ice, water and light, and question the
phenomenon of
color perception.