Sentences with phrase «color perception while»

Minute variations in tint and transparency invite viewers to ponder the variability of color perception while also underlining the longstanding emphasis on the materiality of paper in Tillmans's oeuvre, forcing for a moment attention away from the content - driven preoccupations of the medium.

Not exact matches

Additional research in studies on color perception and color preferences show that when it comes to shades, tints and hues men seem to prefer bold colors while women prefer softer colors.

While infatuation clouds your perception with its rose - colored lenses, real love is not rooted in confusion and brash decisions made in an emotionally charged frenzy.

Tested for effectiveness and appeal by consumers in Community Coffee Company's markets, the revised look aims to increase the brand's premium quality perception while preserving the key elements that customers have appreciated for decades, such as the signature red color and attention to family ownership.

While individual differences still play a role in this observed effect of color, Sundar's research suggests that color used in a logo has far - reaching consequences on consumers» perceptions of retailers.

Painting from an intuitive and open mindset, Scully experiments with new combinations of colors and creating space and form while also challenging ideas about sight and perception.

Rohrer's study of the perception of color reflected his interest in expanding painterly abstraction while at the same time referencing the Lancaster and Pennsylvania landscapes he drew inspiration from.

While studying painting and printmaking at Yale University, Tomashi Jackson noticed that the language Josef Albers used to describe color perception phenomenon, in his 1963 instructional text Interaction of Color, mirrored the language of racialized segregation found in the transcripts of education policy and civil rights court cases fought by Thurgood Marshall and the NAACP Legal Defense and Educational Fund (color perception phenomenon, in his 1963 instructional text Interaction of Color, mirrored the language of racialized segregation found in the transcripts of education policy and civil rights court cases fought by Thurgood Marshall and the NAACP Legal Defense and Educational Fund (Color, mirrored the language of racialized segregation found in the transcripts of education policy and civil rights court cases fought by Thurgood Marshall and the NAACP Legal Defense and Educational Fund (LDF).

While her subjects are always African - American, Sherald renders their skin - tone exclusively in grisaille — an absence of color that directly challenges perceptions of black identity and seeks, in the artist's words, «to exclude the idea of color as race.»

Meaning «Hail the Dark Lioness» in Zulu, she confronts racism by photographing herself while on the road, highlighting various aspects of her identity which speak to her skin color, ethnicity and the cultural perceptions and stereotypes of femininity and African culture.

«For the past decade, Matino has explored the color tradition of India, while continuing to develop a capacity for transforming the limits of our perception off color.»

In a Hyperallergic interview with Jackson from last year, Risa Puleo wrote, «While studying... at Yale University, Tomashi Jackson noticed that the language Josef Albers used to describe color perception phenomenon, in his 1963 instructional text Interaction of Color, mirrored the language of racialized segregation.&rcolor perception phenomenon, in his 1963 instructional text Interaction of Color, mirrored the language of racialized segregation.&rColor, mirrored the language of racialized segregation.»

Known primarily for his intensive exploration of color, Albers often utilized tones of black, white, and grey while working out new ideas and new techniques, crafting finely tuned studies of light and perception while emphasizing the graphic and rhythmic qualities of his compositions.

This exhibition will provide a rare opportunity to experience two large - scale presentations by Flavin and Judd that demonstrate both artists» unique ability to unify form and material while incorporating — through their deliberate installation and use of light and color — the surrounding architecture into the perception of the works themselves.

Drawing from her background in Neuroscience, interest in perception and cognition, and study in Color Theory, her brightly colored, scintillating paintings recall the psychedelic, while maintaining a strong conceptual rigor.

Bavington's artworks are spectacular color - based abstractions rooted in color theory and visual perception, while being inspired by Rock and Roll music.

And while Lynch's paintings and sculptures present a visual feast — Vanity (2016) offers a particularly alluring marriage of color and form, as if a Matisse cutout were beginning to morph and metastasize — there is still room for the young artist to delve deeper into questions of perception and mindfulness, particularly in an age of pervasive screens and quickening attention spans.»