Sentences with phrase «color photography as»

Alongside several others, Thomas Struth (b. 1954, lives and works in Dusseldorf) has worked so compellingly and inventively in color photography as to elevate it alongside much more historic media.

One of the foremost photographers working today, Joel Meyerowitz is renowned for his crucial role in the establishment of color photography as a fine art.

With a small number of contemporaries, he championed the elevation of color photography as art and redefined the documentary tradition in American photography.

This online catalogue documents all of the mosaics in the Getty Museum's collection, presenting their artistry in new color photography as well as the contexts of their discovery and excavation across Rome's expanding empire — from its center in Italy to prov...

Kelle Hampton interweaves lyrical prose and stunning four - color photography as she recounts the unforgettable story of the first year in the life of her daughter Nella, who has Down syndrome.

Not exact matches

You'll find more full color photography of picturesque Provence as well as many of the 47 recipes in the book, which are traditional favorites of the region... like Niçoise Salad, Fougasse with Tomatoes, Olives, and Peppers, Artichokes Barigoule, Tapenade, Swiss Chard Tart, Mediterranean Cod with Caramelized Onions, and Lemon Tart.

LAKE COUNTY FINE ARTS FESTIVAL» 99: Water color, oil / acrylic, mixed media, sculpture and photography works, as well as fine crafts, will be exhibited by about 100 artists; 10 a.m. - 5 p.m. Aug. 7, 8; North Point Marina, east of Sheridan Road and 7th Street on the lakefront, Winthrop Harbor.

There's also a wealth of tips and advice for couples coping with the many changes to daily life that come with parenthood, as well as full - color photography and graphics throughout the book.

It's an excellent choice for casual drone photography and videos and available in a number of fun colors as well as an amazing first - person live video kit.

The historic literature lacked access to the visual documentation that we rely on today, such as color photography and digital libraries,» said Patterson.

Michael Radford Photography captured the couple at Joshua Tree, capitalizing on the different textures in landscape and the magnetic colors in the sunset as our backdrop.

Using the gorgeous grounds of the Historic Mankin Mansion as a backdrop, this styled photo shoot is full of theatrics from the exaggerated makeup to the spectacular photography to the stark black and white color palette.

Much as Michael Mann's Public Enemies created a disconnect by looking like home video at certain points, the period simply requires film, or at least it does for right now with digital photography still figuring out how to look good with the entire color spectrum.

This doesn't necessarily mean he was always ahead of his time: one of the best things about Eyes Wide Shut — evident in such artisanal qualities as the old - fashioned sound track, the grainy photography, and the exquisite color balances (such as the dark blue lighting of a bathroom behind one of Kidman's monologues)-- is that it isn't a film of the 90s in most respects but something closer to what movies at their best used to be.

A decade later, Alexander's work was featured in a boldly oversize book, At Speed, full of luscious, full - color images that forced viewers to reconsider motorsports photography as fine art.

Feast your eyes on color, composition and personalities galore in these photography and art books, which include a landmark offering from Annie Leibovitz, a collection of artful fiction, never - before - published photos of Julia Child in France, as well as William Wegman's charming, artsy dogs.

I don't have much knowledge about photography but as I do see these pictures are too attractive and have perfect color combination.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

His work in photography began with his pioneering AutoPolaroid and Photo - Transformation self - portraits, made between 1969 and 1976, which feature his costumed or disguised self as the subject and were often manipulated with added colors or abstracted renditions of his own body.

1984 Group Show, Sonnabend Gallery, New York, NY 1983 Whitney Biennial, Whitney Museum of American Art, New York, NY 1982 Color as Form, International Museum of Photography, George Eastman House, Rochester, NY Beyond Photography, The Fabricated Image, Delahunty Gallery, New York.

Artists kept playing catch - up as color increasingly swamped popular culture and amateur photography; many came to take their cues from both, and in 1976 Museum of Modern Art photography curator John Szarkowski gave William Eggleston a major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject of the photograph,» Rohrbach writes.

Over the course of nearly six decades, William Eggleston — often referred to as the «father of color photography» — has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition.

A pioneer in color photography, Sternfeld's thirteen bodies of work, all of which were also published as books, have explored cultural identity through ordinary people and places, with topics ranging from experimental communities to the effect of human intervention on the natural landscape.

While he loved the allure of large format photography and the mystical appearance of images in a traditional darkroom, his «discovery of color» via his first digital camera led him to challenge himself to see beyond the natural landscape he had become comfortable with and to explore a new environment, the urban landscape, and seek out color as a vital component of those images.

Over the course of nearly six decades, William Eggleston — often referred to as the «father of color photography» — has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of >> more David Zwirner Books Steidl ISBN 9781941701423 US $ 55.00 CAN $ 72.50 TRADE Clth, 11.75 x 12.25 in.

Mthethwa's work challenges the conventions of both Western documentary work and African commercial studio photography, marking a transition away from the visually exotic and diseased — or «Afro - pessimism,» as curator Okwui Enwezor has described it — and employing a fresh approach marked by color and collaboration.

Six artists of color use performance, photography, textiles, and more to take on stories such as modern - day gentrification in Bed - Stuy, traced through an amateur kung fu film found at the former home of a theater frequented by Reverend Al Sharpton; the Syrian refugee crisis and conflict, mixing media coverage and first - person accounts; and the actual Revolutionary War's 1776 Battle of Brooklyn, conducted by a woman of color.

In her Light Leaks series, the color banding, overexposure, and light leaks found in 35 mm film photography serve as inspiration for the artist.

Informed by her «Rear Screen Projection» series from the early 1980s (the artist's first foray into color photography), these gigantic self - portraits bring to mind the scale of Hollywood as well as the artistic movements that have continually mined its grandiose clichés.

In her later series with large - format color photographs, Sherman takes up such themes as fashion photography, fairytale figures, horror scenes and high - society ladies.

Be sure not to miss the solo shows such as Back - Drop by Alain Bublex presented by Georges Phillippe & Nathalie Vallois from Paris; Message to the Future by Danny Lyon presented by Etherton from Tucson; Twenty Photographic Pictures by David Hockney by David Hockney presented by Galerie 1900 - 2000 from Paris; solo show by François - Xavier Gbre presented by Fakhoury from Abidjan; Fred Herzog: Early Color Street Photography by Fred Herzog presented by Equinox from Vancouver; but also duo shows Creative Destructions by Stephanie Syjuco and Nina Katchadourian presented by Catherine Clark from San Francisco and No Joke by Roger Ballen and Asger Carlsen presented by DITTRICH & SCHLECHTRIEM from Berlin and V1 GALLERY from Copenhagen, among others.

Wilson echoes a common theme in politics and photography, much as when Misrach encountered lunch tables on salt flats: disturbance of the land colors American, environmental, or human history — and a contested history at that.

Her photography often approaches the sculptural as she induces materials like color or acid to manually manipulate the medium.

Curated by Ellen Carey (who is presenting work, as well, showing Dings & Shadows), the exhibition examines the origins and history of color photography.

Gilbert has been working with digital photography for the past ten years, sometimes exploring color, sometimes focusing on black & white imagery as he did in his last solo show at Viridian.

From the softly focused, romantic images the Pictorialists made in the early 1900s to the casual color polaroids Andy Warhol took of the celebrities around him in the early 1970s, these works also trace the evolving styles and functions of photography as it documented artistic movements and increasingly served as a primary artistic medium in itself.

With a diversity of media such as installation, drawing, photography and painting, the Argentinean artist decodes the machinery behind representation, focusing on the idea of light, darkness and color as the grounding substance giving shape to the world of images.

-- Workspace: Workspace Residents receive three months of free access to the B&W and Color darkrooms, Digital Lab and Shooting Studio at the International Center of Photography, as well as the Baxter St at CCNY facilities.

As an early advocate of color photography (mid-60's), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance.

Strongly influenced by the shore and woodlands of outer Cape Cod, Maine, and now Nova Scotia, Witkowski's «research sketchbook» consists of documentary photography and video of the environmental installations exploring light, reflection, and color she creates as references for mixed and multi-media works in painting, photography, and video projection.

Luna Luis Ortiz, «Cleo as Marilyn,» 1996 8» x 11» color photography 21.

The result is paintings whose vibrating color space, where image and afterimage interact, recall the utopian optical constructivism of painters like Wojciech Fangor, as well as the meticulously Photoshopped, if blithely neutered, color field photography of younger artists like Cory Arcangel.

While his teacher is noted for his black - and - white images, Epstein is a master of color photography, capturing on film the American experience as well as images from countries throughout the world — he has traveled extensively and realized series on locales including Vietnam, India, Berlin, and his hometown of Holyoke, Massachusetts, among others.

One thing that surfaces in this exhibition is Mann's position as an innovator, perfecting many black - and - white and color photography techniques over the years.

En Foco, Inc. supports contemporary fine art and documentary photographers of color and diverse cultures, using photography as a platform to speak on behalf of issues related to cultural equity and access.

Leiter is now held to be a pioneer of early color photography, and is noted as one of the outstanding figures in post-war photography.

The «little book,» as he humbly spoke of it, became an overnight sensation with worldwide distribution and firmly established Leiter as an early pioneer in the history of color photography.

The «little» book became an overnight sensation with worldwide distribution and firmly established Leiter as an early pioneer in the history of color photography.

This book, first published to mark the first major retrospective of Leiter's work in 2012, features for the first time, in addition to his early black and white and color images, his fashion photography, the overpainted nudes, as well as his paintings and sketchbooks.

Back then color photography was regarded as «low art,» fit only for advertising.