It states the singular recognition of women practitioners, whose historical and contemporary collective contributions in
color photography remain under - exposed.
Not exact matches
Although Edward Steichen had exhibited some of Leiter's
color photography at The Museum of Modern Art in 1953, it
remained virtually unknown to the world thereafter.
Completing the installation is a large - scale rendering of a
color calibration card — the
color grid that is used to maintain accuracy in the printing or post-production of
color photography because it
remains consistent in various lighting conditions.